artwork

Review: Greek Mythology Reading Cards by Allison Chester-Lambert & Illustrations by Richard Crookes

October, 2018

Greek Mythology Reading Cards

by Allison Chester-Lambert

Illustrations by Richard Crookes

112 Cards

I have many, many decks of Tarot and Oracle cards and am always on the look-out for those that will enable the reader to connect in their own style using imagery that resonates with their spiritual practice and philosophies. The Greek Mythology Reading Cards fill those criteria very nicely; offering a visual that most people know a bit about, regardless of religious or spiritual practice.

To clarify, these cards fit in the category of oracle cards, rather than Tarot. I’ve been asked when teaching what the difference is and by way of brief explanation, oracle cards fit nicely into whatever package or presentation that is offered and do not follow a prescribed 78-Keys of Wisdom format. Any deck of Tarot captures multiple layers of hermetic and esoteric inroads and so the traditional 78-card deck is prominent. Now, this is not to say that one is better than the other for divination or receiving guidance and answers. My thought is that any system or format you choose that will open you or the person you are reading for to a receptive state and enable the information to flow is valid.

Greek Mythology is a topic that everyone encounters during the course of their childhood education. The media is filled with movies, music, books and more that make use of the Greek Pantheon and principles to tell their stories and to stimulate the imagination. So, with this oracle deck, you already have a baseline of information about the imagery and the possible meanings of selection. The cards are beautifully illustrated by Richard Crookes and are printed in natural earth tones, the edges strewn with vines and offer the notion that you are looking in on a columned Temple and witnessing a very personal and intimate depiction of whatever theme the card is offering.

The Key Words of interpretation are printed at the bottom of the card, so it is not necessary to refer to the accompanying small booklet unless you wish a more in depth understanding. The Trojan Horse relates to Trickery, Aphrodite to Attraction, Perseus to Gifts and Ares to War Mongering, to name a few. And, if you follow a Hellenic tradition or use this Pantheon for your personal work, the layers of meaning will deepen to reflect the mysteries you’ve already revealed on your path.

All in all, I think this is a beautiful addition for use in readings, meditation and deepening your understanding of a civilization and its work that has laid the foundations for much of modern society.

 

Greek Mythology Reading Cards

***

About the Author:

Robin Fennelly is a Wiccan High Priestess, teacher, poet and author.

She is the author of (click on book titles for more information):

 

The Inner Chamber Volume One

It’s Written in the Stars

Astrology

 

The Inner Chamber, Vol. Two

poetry of the Spheres (Volume 2)

Qabalah

 

The Inner Chamber, Vol. Three

Awakening the Paths

Qabalah

 

A Year With Gaia

The Eternal Cord

 

Temple of the Sun and Moon

Luminous Devotions

 

The Magickal Pen Volume One (Volume 1)

A Collection of Esoteric Writings

 

The Elemental Year

Aligning the Parts of SELF

 

The Enchanted Gate

Musings on the Magick of the Natural World

 

Sleeping with the Goddess

Nights of Devotion

 

A Weekly Reflection

Musings for the Year

 

Her books are available on Amazon or on this website and her Blogs can be found atRobin Fennelly 

 

Follow Robin on Instagram & Facebook.

Welcome

June, 2018

 

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Cover art: The Lunar Nomad Oracle: 43 Cards to Unlock Your Creativity and Awaken Your Intuition by Intuitive Reader, Energy Worker, & Author Shaheen Miro and featured in this month’s issue of PaganPagesOrg

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This month Welcomes Summer in and Some really Great Reading in, too! Just look at a sampling of what we’ve got inside for you this month…

 

An interview with Shaheen Miro, creator of The Lunar Nomad Oracle. His inspirations for his deck and how he feels cards should be read. Plus, our Lynn gives her thoughts on the Deck.

 

 

An Exclusive Excerpt from The Ultimate Guide to Tarot Spreads by Liz Dean. Learn a spread taught from the pages of the book. A free taste! Not only that but the Publishing House The Quarto Group is giving OUR READERS a 40% OFF coupon on tarot gear for the month of JUNE!!!  

 

 

Witch & Popcorn…is a new monthly column that will feature a review of a Witchy TV series or Movie each month. This month…The movie “The Last Witch Hunter” starring Vin Diesel, the immortal Michael Caine, and Elijah Wood.

 

 

For My Witches in the Wardrobe…Being a Witch can be difficult when you have to hide who you are. This column is meant to be my love letters of support to my fellow witches, but those who must hide. I want to share thoughts, ideas, & crafty ways we can be spiritual.

 

 

Have you ever wondered what a crystal’s shape may mean or if it even has a meaning? Or maybe if it’s used in gridding? Well, let’s just see what our new crystals columnist Retha N. Lent has to say in her column Retha’s Crystal Reflections.

 

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We thank our readers so much for this award. We will continue to bring you great, informative reading material every month.

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Join us on Facebook, Twitter, Pinterest, Google+ Community, Instagram, & YouTube.

 

If I Wrote You A Love Letter, Would You Write Back?

 

The Holy Grail

May, 2018

What is the Grail to you?!

The Grail stands as a beacon of hope and wholeness in the midst of the Wasteland created by modern Western materialism.  The potency of this symbol beckoning us back to living in harmony with both ourselves and the land around us is a myth very much of our time.  It speaks directly to wholeness and connection and reminds us that to bring the Wasteland back to fertility and lush abundance we must return to the Source that nourishes it.

Our modern Society and education systems gives us few really useful tools to take with us on the great journey of Life.  We need knowledge and understandings that we can directly apply to the challenges and traumas we face, that enable us to emerge empowered and strong, not weak and victimised. The Lost Wisdom of the Grail telesummit brings together a wide variety of Wisdom Keepers who are working to help humanity overcome the challenges it currently faces and envision a future where all are valued and flourish.

– Saira Salmon, https://www.sairasalmon.com/

Recently I received an invitation to be one of the speakers on a Telesummit in May 2018, titled The Lost Wisdom of the Grail, (https://www.sairasalmon.com/grail/) hosted by Saira Salmon. She has organised this summit from a strong personal connection to the Grail teachings and Grail mythology.

Saira’s question to me was: “How and where does the concept of the Grail appear in your shamanic work and classes?” This was a very exciting question to engage with!  My immediate response was to request a dream on this subject from my spirit team.


The dream that came was about “the wounded masculine” – linking it to the hurian tale of The Fisher King. In the dream I had to make my way to this wounded male figure (first I could not even see if it was a toddler or grown man). When I got there I realized that he was my father/son/husband/male friends all in one. The dream was asking me to reflect on where I need to heal my inner masculine (born a woman) to arrive at a healthier relationship of masculine and feminine in our world. (The external world is always an expression of our internal world!)

Over the centuries many scholars and mystics have arrived at different definitions of what the Holy Grail is or was. For me personally the crucial question is: what is the Holy Grail to you?!


For me, first and last, the Grail is a CRUCIBLE – a sacred container of transformation and transmutation – the big question is: are we willing to make ourselves a crucible (sacred chalice or Holy Grail)?!

For much of 2016 and 2017 I was working intensely with a mysterious figure who called herself The Poison Mother.  She came to me in Sweden and became one of my key allies over time. I made an art video about our work together by the same name:

The Poison Mother


As our work unfolded she told me that was familiar with her under a different name:  Norse goddess Sigyn (wife of the trickster god Loki). Her big question to me (to all of us!) is: am I willing to make myself a crucible for transmutation in the world? This means rather than avoiding “toxic situations” actually choosing to be there and using myself as a chalice (or Holy Grail) to be an agent of change in service to our collective consciousness evolving.


In ancient Sumeria this sacred marriage (or Hieros Gamos) was the central idea at the heart of their religion.  I just finished an art video exploring this mystery today:

The Sacred Marriage in The Great Below


Another Grail in Norse cosmology is the cup that the Valkyrie holds out to the warrior in the moment of death. She is also known as the “The Maiden with the Mead” and she is a supernatural being (a goddess!) and Mistress of Initiation. (I invite you to check out the work of author Maria Kvilhaug (http://freya.theladyofthelabyrinth.com/?page_id=35) who wrote a PhD dissertation on this subject!) This cup is said to hold the mead and her offering accompanies a sacred marriage between the Maiden and the “Hero” of the tale. He faces fierce trials and a descent into the Realm of the Dead to earn this privilege.

It is my belief that profound mystery rites of initiation involving women and feminine power are found at the very heart of Norse cosmology (more commonly perceived as quite a male-god dominated tradition!) The same thing is true for many other cosmologies that map an Other World. The details might be culture-specific but the concept and mystery teachings are very similar.

My personal intention is to call together groups of powerful talented people and harness the group power to retrieve those ancient mysteries and initiations! – If that works speaks to you – please check out my 2-year Seiðmaðr & Seiðkona 2-year program in Sweden (starting Summer 2019):

http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=224450


For the Celtic peoples this ritual was about the sacred marriage of the king to the goddess of the land (Sovereignty). Without this marriage the land becomes a barren waste land (and look at what we are doing to the Earth and her creatures – we need to revive this mystery teaching!
This is the core of the shamanic teaching I am doing – putting ancient mystery teachings back into practice in the modern world with modern groups of people working in spirit-led ways, using the process of direct revelation).

When we lose these wisdom traditions our inner world becomes barren. Our external world becomes a wasteland, dominated by conflict, pollution and a lack of respect for all sentient beings. This way of being in the world brings dis-ease and disharmony with the great Web of Life (or Web of Wyrd in Norse cosmology).

Another question Saira put to me was: what is the Grail in terms of spiritual work with young people? In this context for me The Holy Grail is the safe sacred space – container – for young people to develop their own spiritual toolkit in partnership with their spirit allies. In our culture we make sure that children are looked after in the physical/social/emotional realm but often we leave them rudderless when it comes to the spiritual dimension. I obviously wrote a whole book about this (Natural Born Shamans: A Spiritual Toolkit for Life) but to sum it up in just a few words… our children and young people need:

  • A viable spiritual toolkit to help them navigate the challenges life throws at them

  • Safe sacred space with kindred spirits – if their innate psychic /healing/shamanic abilities are to be nurtured

  • Rites of Passage offered by the Elders of our Communities – safe experiences of initiation and stepping through developmental portals in order to become fully-fledged adults who do not fear death.

Therefore The Grail is directly linked to a rich inner life, to sacred space held by elders and wisdom keepers, to a sacred marriage within ourselves but also between the archetypal figures of King and Sovereignty (Goddess of the Land)!


Are you willing to be a crucible for change and transmutation in our world?!

If this material speaks to you: please make sure to register for the Grail Summit and tune in. Expert speakers from all over the world will share their unique take on this material! And this summit is FREE!!

***

About the Author:

Imelda Almqvist is an international teacher of shamanism and sacred art. Her book Natural Born Shamans: A Spiritual Toolkit For Life (Using shamanism creatively with young people of all ages) was published by Moon in 2016.  She is a presenter on the Shamanism Global Summit  2017 as well as on Year of Ceremony with Sounds True. She divides her time between the UK, Sweden and the US. Her second book SACRED ART, A Hollow Bone for Spirit : Where Meets Shamanism will be published in December 2018.

Click Image for Amazon Information

www.shaman-healer-painter.co.uk  (website)

https://imeldaalmqvist.wordpress.com/  (blog)

https://www.youtube.com/results?search_query=imelda+almqvist  

(Youtube channel: interviews, presentations and art videos)

MagickalArts

April, 2018

(en)LIV(en)ING with the Muses – Terpsichore

 

(Image: Carnegie Museum of : Terpsichore by Antonio Canova (1821))

This is the Fifth posting of the (en)LIV(en)ING with the Muses Series

Terpsichore has been with me longer than I can remember. I was born to dance and the pure joy and thrill of moving through space, weaving energetic patterns and being so completely absorbed by the music are all of her gifts as you open to her magickal inspiration.

Her name means “delighting in dance” and is derived from the Greek word “Terpo” which means to be amused. She is often depicted as wearing laurels on her head and holding a harp or Lyre as she dances. As one of the Nine Muses, her joy in movement is contagious as we see depicted in all the Muses forming lines of flowing grace, regardless of their primary attributes. Her name has come to be synonymous with “dancer” in its English use. As a daughter of Mnemosyne (memory) and Zeus (authoritative power), she is also called upon to assist with the creative effort of choreography and labanotation (the scribing of choreography using symbols that indicate movement and tempo).

This reference calls forth the need to remember in order to re-create the steps given and the ability to command the audience’s attention. Just as her sister Muses have multiple attributes, so too, Terpsichore is also considered the Muse of Choral and education, as a lessor inspiration. The Greek historian, Diodorus Siculus writes…..

“Hesiod even gives their names [the Muses’] when he writes: ‘Kleio, Euterpe, and Thaleia, Melpomene, Terpsikhore and Erato, and Polymnia, Ourania, Kalliope too, of them all the most comely.’ To each of the Mousai (Muses) men assign her special aptitude for one of the branches of the liberal arts, such as poetry, song, pantomimic dancing, the round dance with music, the study of the stars, and the other liberal arts… For the name of each Mousa (Muse), they say, men have found a reason appropriate to her… Terpsikhore (Terpsichore), because she delights (terpein) her disciples with the good things which come from education.” 1.

The Greek lyric poet, Pindar writes of Terpsichore’s sweet song in the Isthmian Ode 2 (In memory of the victories of Xenocrates of Acragas Chariot Race 470 B. C.)….

“Then the Mousa (Muse) [i.e. the poet] had not yet bowed to love of gain, or made herself a hireling journeyman; nor in the market clad in masks of silver did honey-tongues Terpsikhore (Terpsichore) barter her gentle-voiced and sweetly sun refrains. But now she bids us pander to that word the Argive spoke, to sadly near to truth: Money, money makes man.” 2.

In some accounts Terpsichore is attributed as the mother of the Sirens (sea nymphs who lured sailors to their death), fathered by the sea God Akheloos and a son, Linos, fathered by the God, Apollon (the Solar God of prophecy and oracles). She is referenced again by Pindar in his Dirges as singing the lament over her dead son, Linus, who was struck with his lyre by Heracles….

“But in another song did three goddesses [Mousai, Muses] lull to rest the bodies of their sons. The first of these [Terpsikhore] sang a dirge over the clear-voiced Linos [personification of the lamentation song].” 3.

In the epic poem, Dionysiaca by the Greek Poet, Nonnus, the River God of Aitolia, Akheloos is credited as fathering the sirens with Terpsichore….

“The Seirenes (Sirens), whom rosy Terpsikhore (Terpsichore) brought forth by the stormy embraces of her bull-horned husband Akheloos (Achelous).” 4.

Terpsichore’s gift of song is gifted to her children and the stories of these sirens songs have long held legend of fateful death on calm seas. The Greek epic poet, Apollonius Rhodius, speaks of the seductive songs of the sirens in the Argonautica….

“The clear-voiced Seirenes (Sirens), Akheloos’ (Achelous’) daughters, used to bewitch with their seductive melodies whatever sailors anchored there. Lovely Terpsikhore (Terpsichore), one of the Mousai (Muses), has borne them to Akheloos, and at one time they had been handmaids to Demeter’s gallant Daughter [Persephone], before she was married, and sung to her in chorus.” 5.

 

(Painting: Terpsichore, Muse of Dance by Jean Marc Nattier.1939)

Terpsichore’s gift of music is depicted in the traditional fashion of her holding the Lyre in the painting above by Jean Marc Nattier. I particularly like this painting. The artist gave the feeling that she can barely contain herself in rest and at any moment will break free and dance away. Other representations of Terpsichore show her playing the Flute.  

Terpsichore’s influence is perhaps the most wide spread of all of the Muses. In terms of artistic expression, she is the quintessential master. , song, dance and education all held within her powers of inspiration. And, if we consider the effect of these art forms on society as a whole, she is the bringer of cultural delights. Dance is infectious and every culture throughout time has incorporated dance as art of their social and often spiritual traditions. Her image graces dance studio Logos, titles of choreographic wonders and educational materials, all singing praise to her inspired movement and flow.

The statue below is found in the Bavarian Gardens at Beyruth Court. Her image graces the gardens as inspiration to the joys and pleasures to be found in the dance of nature. 

Join me as we enter the world of dance and take center stage as Terpsichore in the Ballet – “Apollon Musagete”choreographed in 1928 by Serge Diaghilev. This ballet was later re-choreographed by George Balanchine of the New York City Ballet, and re-named simply as “Apollo”, where it has become a classic staple of the company.

The ballet features Apollo, god of the arts and the sun. The ballet begins with Apollo playing the Lute and dancing alone. Three of the Muses, Calliope – Polyhymnia and Terpsichore enter the scene. The three dance with Apollo, each in turn, as they weave moving across the stage in sheer delight. Apollo then gives each of the Muses a gift and asks that they dance for him. To Calliope he gives a scroll of parchment; to Polyhymnia a mask. And, to Terpsichore, a lyre. She dances joyously, filling the space with her passion for movement and the love of the music. Apollo judges her dance to be the most perfect of the three and she and the God, dance a beautiful and slow pas de deux (duet); both “delighting in the dance”.

(Come Dance with Me)

Terpsichore has been with me for longer than I can remember and her transformative grace holds me forever in her embrace…

My first magickal experience occurred as a dancer performing at the age of 10 or so. I did not, at the time, realize I was setting up the gateway and intent for magick to move through me. My only intent was to connect so fully and deeply that I would become the persona of the role I was portraying and lose my human nature in the process. The desire was to transcend human form and become something more. The intent was powerful enough and the music and rhythm acted as the keys that opened the gates to the other realms through movement and motion. I became the swan flying high above the earth. I was the beautiful being that was shot through the heart and gracefully fell to earth, wounded and in the throes of death.  A final arch and curve of beautiful elongated neck, gentle flutter of white feathery wing and the final lifting upwards towards eternal ascending flight as death welcomed me into its soft sleep.  The music stopped and I once again returned to the land of human and living; applause awaking me from this deep connection forged as the gates of magickal working closed until called forth again.  

The next post will focus on the Muse, Polymnia and her Gifts of Sacred Hymns and

References:

1. Diodorus Siculus, Library of History 4. 7. 1 (trans. Oldfather) (Greek historian C1st B.C.).

2. Pindar, Isthmian Ode 2. 6 ff (trans. Conway) (Greek lyric C5th B.C.).

3. Pindar, Dirges Fragment 139 (trans. Sandys) (Greek lyric C5th B.C.).

4. Nonnus, Dionysiaca 13. 313 ff (trans. Rouse) (Greek epic C5th A.D). 

5. Apollonius Rhodius, Argonautica 4. 892 ff (trans. Rieu) (Greek epic C3rd B.C.).

***

About the Author:

Robin Fennelly is a Wiccan High Priestess, teacher, poet and author.

She is the author of:

 

The Inner Chamber, Vol. One

It’s Written in the Stars

Astrology

 

The Inner Chamber, Vol. Two

poetry of the spheres

Qabalah

 

The Inner Chamber, Vol. Three

Awakening the Paths

Qabalah

 

A Year With Gaia

The Eternal Cord

Click Image for Amazon Information

 

Temple of the Sun and Moon

Luminous Devotions

 

The Magickal Pen, Volume One

A Collection of Esoteric Writings

 

The Elemental Year

Aligning the Parts of SELF

 

The Enchanted Gate

Musings on the Magick of the Natural World

Click Image for Amazon Information

 

Sleeping with the Goddess

Nights of Devotion

 

A Weekly Reflection

Musings for the Year

 

Her books are available on Amazon or on this website and her Blogs can be found atRobin Fennelly 

 

Follow Robin on Instagram & Facebook.

Sacred Art

May, 2017

sacredart

DISMEMBERMENT

This painting was inspired by a passage in the Bible.

In Judges 14, Samson kills a lion and leaves the body there. When he returns a swarm of bees has taken over and he now finds honey there:

A key concept in shamanism is Dismemberment. It means being taken apart. Our spirit allies will often do this during a dream or shamanic journey and it is a great form of spiritual cleansing because it reaches all ‘forgotten dark corners’ so to speak.

Tribal shamans are put through severe ordeals and initiations by their shaman elders in the community. This completely changes their energy signature. If they survive, they become shamans for their tribe. They have lost their fear of death and learned to walk between the worlds.

In any human life periods occur where we face a great crisis or ordeal that is ultimately transformative and life-changing. For me the honey in this painting represents that process, the evolution of human consciousness. Given time and support, we can make honey even from our greatest mistakes and disappointments.

 

***

 

Imelda Almqvist

http://www.shaman-healer-painter.co.uk/

Imelda Almqvist teaches shamanism, sacred art and internationally. 

 

Imelda’s book “Natural Born Shamans: A Spiritual Toolkit For Life”, Using shamanism creatively with young people of all ages was published by Moon in August 2016. 

From The Muse

September, 2014

lord of the wood

Lord Of The Woodlands

Dawn brings a cold grey light beneath a moody sky
that does not seem to greet the day with joy.
A sleepless night is followed by a solitary walk.
I long for peace,- but expectations are not high.
The glistening grass has soaked my feet,
and chilled me to the bone.
I curse myself for such a choice of routes,
but still I’m grateful for this time alone.

The woodlands beckon me with sheltered paths
beneath it’s softly sighing trees.
Perhaps in such a sheltered grove
My aching mind may find some ease.
So I wandered in that twilight world
that held the dawn at bay,
beneath its gently waving arch of green
that kept the world away.

The woodlands watched me as I walked,
Though lost in morbid thought,-
it’s little voices whispered gently in my ear.
Inviting me to share the home they loved so dear.
Slowly, carefully I walked,
in case I should disturb the woodland creatures at their play.
Watchfully, I carried on, fearful to arouse the beings
who live within the pause between the night and day.

But there He stood, despite my care.
Wreathed in mist, the sparrows nesting in His hair.
As He walked, the flowers bloomed beneath his hooves,
and though I wished to run away I could not move.
Eye to eye, I thought that I would die from fear.
But as I held His gaze, I felt my misery dissolve.
Emotion flooded through me, then they washed away as tears.
For only goodness flowed from Him,
and if He wills it,
I will walk with Him for all my Years.

 

work By: Bill Oliver/Boyso Blue arts