building

3 Pagans and a Cat Podcast Monthly Feature

September, 2018

3 Pagans and a Cat Podcast

Three Paths, One Journey, No Cat

In this highly informative & entertaining podcast, three family members embroiled in wildly divergent traditions gather in one room to discuss, debate, and flat-out argue about their magical, mythical, and mundane lives, all for our education and pleasure.

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Each Month… we will share the previous month’s episodes with you from their site to help keep you up-to-date with their impressive podcast. While there, don’t forget to listen to this month’s as well, we wouldn’t want you to miss a thing!

 

August’s 2018 Podcasts

 

Episode 17: Building Your Book – Ritual and Spellcraft

Car, Gwyn, and Ode finish up the Building Your Book series by talking about the structure of ritual and spellcraft.

 

Episode 18: Our Community – Bill Ehle

Car, Gwyn, and Ode discuss social justice and activism in the pagan community, culminating in an interview with Pagans In Need director Bill Ehle.

 

 

This Month’s Podcast Share from their Backlog

 

Episode 3: Wheel of the Year – Imbolc

In the first of a series of Pagan Holiday Specials, Car, Gwyn, and Ode discuss Imbolc, Brigid, and alternatives for celebrating along the Wheel when your religion doesn’t specifically accommodate it.

 

Where Else to Find 3 Pagans and a Cat…

Their Website: http://www.3pagansandacat.com

Their Twitter: https://twitter.com/3_Pagans

Their Facebook: https://www.facebook.com/3PaaC

Their YouTube: https://www.youtube.com/channel/UCJ0GJacu9SUzuumXJNNUZwQ

Their G+: https://plus.google.com/u/2/collection/oCWVXE

 

Remember …

You can always support your favorite podcasts with a donation. Every bit helps to keep them going.

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About the Author:

Jennifer Wright is a witch on a path of change that is always winding. She founded PaganPagesOrg in the hopes of giving those a platform to share and learn without judgment. There are too many important things to her and not enough room to mention them. You are one of them.

 

Book Review – The Tradition of Household Spirits: Ancestral Lore and Practices by Claude Lecouteux, translated by Jon E. Graham

May, 2018

Book Review

The Tradition of Household Spirits: Ancestral Lore and Practices”

by Claude Lecouteux, translated by Jon E. Graham

Published by Inner Traditions

English translation copyright 2013

Pages: 228

A house is much more than a building. It is a microcosm, a living being with both a body and a soul. It speaks, even if its language is only creaking and cracking noises for the profane,” Claude Lecouteux writes in the introduction to “The Tradition of Household Spirits: Ancestral Lore and Practices.”

It speaks, even if its language is only creaking and cracking noises for the profane. Its wailings are evidence of an attack by hostile forces. … The house establishes a bond between itself and its inhabitants,” he states.

Uncared for, a house will die.

Expressions in our lexicon echo the importance of this bond: to have a roof over one’s head, to take someone out to the woodshed, to be on the threshold of life, to throw something out the window, and if you can’t stand the heat, get out of the kitchen.

Many old customs have been mistakenly thought of as superstitions, but Lecouteux traces them back to their origins.

[F]olk beliefs have extraordinary longevity and barely evolve as long as social and material conditions do not change,” he wrote.

For instance, the place a house was built was carefully considered. It took into account the place spirits and signs of good fortune such as where a coin was found, the place animals lay down, or the site where inhabitants had previously lived and had good fortune. Roadsides were typically preferred. The borders of fields were avoided. So were crossroads, sites where a house had burned down, former cemeteries, places where animals had had been killed, anywhere someone had committed suicide or a spot with an unmovable stone, Lecouteux tells us.

In various cultures, permission was required from the earth spirits before a house could be built, salt was used to bless the spot before construction, and work ended if, while placing the first beam, an ax generated a spark.

Everything from the houses’s orientation, and the placement of doors and windows to the materials used and the sacrifices made were important to people. When and how they moved in was also dictated by a series of beliefs.

Every element of a building possesses magic and religious meaning,” Lecouteux states at the start of chapter two.

The walls, the gutters, the roof and the corners were all associated with various traditions. There were rites and blessings, customs and ceremonies and taboos connected with every aspect of a home.

 

(Among the photos in the book is this German house having a timber frame with a man pattern and a cross.)

 

Entering a home is done by crossing a threshold, which can be considered a rite of passage. What must not leave by the door, but rather passed out a window were also closely followed – all so as not to anger the spirits and bring about misfortune.

Lecouteux describes them all, across time and territories. He shares the stories, prayers, charms, offerings and practices to domestic deities people used to assure happiness and prosperity, and makes the “sad observation” that “house spirits have vanished and with them the souls of our houses have fled, never to return.”

 

(Fairy loaves and fossilized sea urchins were traditionally kept on the kitchen windowsill of English homes to ensure magically that there will never be a shortage of bread.)

 

The French medieval scholar specializes in Europe during the Middle Ages, covering many esoteric subjects in his more than 15 books. He researches using source texts in the several languages he knows. That way, he explained in an interview in 2016 with Ben & Sol, he can correct assumptions others may have made with extrapolating information.

77 sayings and beliefs are listed in the appendix – including “The spirits are granted the space between the doors, they should therefore never be slammed” and “When a person dies, the windows of a house should be opened so that the soul can leave” – along with footnotes and a bibliography.

He went on to write “Demons and Spirits of the Land: Ancestral Lore and Practices.”

Click Images for Amazon Information

 

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About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.

WitchCrafting: Crafts for Witches

April, 2018

There be Dragons

Merry meet.

When I fell in love with a Dragon’s Eye I’d seen on Pinterest, I felt I was lacking the talent and the tools to make one. Blessed be my artist friend Kerry Bower who likes to work with her dragon energy.

This is how she made them. Start to finish, you can finish one in about two hours, including baking time and cooling.

Gather Supplies:

Polymer clay (one small brick can make two eyes)

Polymer clay tools

Glass cabochons (the size of a quarter, found at dollar stores)

Multi-surface paint

Acrylic paint (or clay in the colors you desire)

Small detail brush

Oven

Shape a thin piece of clay into an oval that will be the size of the piece and place the eyeball roughly in the middle.

Roll out two clay snakes to form the top and bottom lids and place them as you wish on the eye. Using clay tools, blend the lids into the base to secure the cabochon to the base.

Form small cone-shaped horns and blend to secure them above the eye.

Roll tiny balls of clay, flatten them and place around the lid, pressing and shaping to form the scales.

Bake according to directions on the package.

If you choose to work with colored clay, you are done after baking.

Kerry used black polymer clay that she then painted with acrylics, explaining, “I like the black underneath, because when you dry brush it, it makes the colors pop so the scales stand out.”

When creating each one, I could picture each dragon and the personality that would come along with each one. Dragon energy is powerful and it is a strong part of me,” said the magical, self-taught artist who works in multiple mediums.

She plans to add Dragon Eggs and Baby Dragons to her line.

Find her beautiful work on Facebook at Kerry’s Creations; or you can email her at kbcreations5900@gmail.com

Merry part. And merry meet again.

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About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.