deity

Rebel Rede

Hoi Sum September, 2011

Deity Diversity

I have noticed that a recent hot topic in the Pagan community is Pagan minorities. This is an important topic and I am so glad to see it finally being discussed. Along the same lines of diversity of people within Paganism, I have also been reflecting on diversity of deities within Paganism. The other day I was writing up a yoga sequence for a Goddess Yoga class I was going to be teaching and I started thinking about this topic of diversity of deities. I was researching different Goddesses trying to come up with Goddesses from multiple cultures to match specific yoga poses.  While researching I was excited to find so many new Goddesses I had never heard of before. I discovered Goddesses like: Serket- Egyptian scorpion Goddess of magic, Al Uzza-Arabian war goddess who rides a camel, Ix Chel- Mayan moon Goddess also known as Lady Rainbow, Kapoteshi-Hindu pigeon Goddess, and Bau-Sumerian dog goddess of healing and life. It was so exciting to find so many new Goddesses to work with!

It got me thinking about mainstream Paganism and how un-diverse it can be at times. I am not saying there is anything wrong with practicing one tradition of Paganism or working with only one pantheon of deities. What I am saying is there is a whole world of different cultures and religions out there for us to work with, our options are many. As Pagans we like to honor the ancient Gods and Goddesses of past cultures, but sometimes we only focus on one or two cultures. Yes the Greek pantheon is amazing, and yes many of us Pagans (especially those of us who are of European decent) can easily relate to the Celtic, Germanic, and Druid deities, but those are not the only pantheons to choose from. There is an exciting world out there of African, Asian, Mayan, Native American, and Hindu deities to work with, just to name a few.

I personally am challenging myself to expand my Pagan practice to include more diverse deities and I want to challenge the Pagan community to do the same. Choose a pantheon you have never worked with before and get to know some of their deities and lore. You never know what you’ll discover when you open a new door! When it comes to magick and deities the possibilities are endless! Open yourself to a new experience!

Gems of the Goddess

Mary DAlba January, 2010

Gaia, Greek Goddess of the Earth

Today, we are going to discuss Gaia (also called Gaea or Ge), the Greek Goddess of the Earth. Gaia is considered as the “Great Goddess”, “Mother Earth” and “Mother Nature”.   Her equivalent in Roman mythology is Terra Matter.  She is usually pictured as a woman with some sort of green around her. Most pictures have shown her pregnant with the world in her belly. There are others with Gaia sitting in the leaves, blowing them around off her hand and finally others of her sitting on a throne with cornucopia surrounding her. The Root Chakra, femininity, nature, fertility and spirit are associated with Gaia.
Gaia was created out of Chaos to give birth to all of earth.  When living things die, they must return to her when their lives and time on earth is over.  Gaia is known in the Greek tradition to have stretched out of the beginning of time, becoming the earth’s land. She continues to give life and sustenance to the world, even when the weather turns cold. Promises made with one hand “one Gaia’s sacred soil” are known to be irrevocable. Gaia is known for abundance, thankfulness, nature, promises and earth.

Gaia is believed to be the original deity behind the Oracle at Delphi. Depending on what different stories you read, Gaia passed her knowledge to Apollo or Apollo slay the great serpent (or Dragon) Pytho and forced Gaia out.

Gaia is the Mother Goddess. She can be worked with when looking for grounding, growth in times of trouble or finding your footing in the physical world.   Gaia’s sacred animals are the serpent, the lunar bull, bees and the pig.  In her hand, a poppy may be transmuted to a pomegranate.

Some ways you can connect with Gaia are by eating a delicious meal with elements of the earth – Lentils, Greens, Vegetables, Breads or Crock Pot meals, for example.  You can also walk on the earth barefoot.  Another way is to connect with your physical body (for example breathing deeply) and also by nurturing your dreams – make them a reality (part of the earth).

Also, the Gaia stone is associated with Gaia, coming from volcanic ash from Mt St. Helen’s and carries the “Soul of the Earth”.  It connects the Goddess energy strongly, including the Earth and Earth Devas.  It is known to heal emotional wounds and past traumas by working with the heart chakra.

When you want to make changes to your life, create opportunities to feel grounded or be a part of nature, call on Gaia to help you transmute those ideas into reality.

The Grove

Jenna January, 2010

poseidon The Grove

The Wheel turns once again, bringing with it the silly season. Recently a well-meaning acquaintance asked me what did I have planned for the holidays. This sort of got me thinking… what was I going to do?

I don’t claim to have a complete understanding of the Athenian calendar system.

However I’ve read that in parts of ancient Greece there’s a month that roughly corresponds to our December/January that’s called Poseidon for the sea god of the same name.

Why honour Poseidon? Isn’t he just a mood-swinging meathead surfer dude chasing booty as much as waves?

To start with the basics Poseidon was most notably the god of the sea. He also presided over lakes & rivers. He was the mighty Earthshaker, the bringer of earthquakes. His trident can shake & shatter anything at his whim.

His parents were the titans Cronus & Rhea. You think your dad’s tough on you? Cronus feared a prophecy that said one of his children would overthrow him & so he ate each of his newborn offspring as they came along. Rhea managed to hide the infant Zeus, who eventually liberated his siblings by causing daddy to vomit them all back up. After Cronus was overthrown, somebody had to take up the slack. The Olympians held a lottery to determine who took control of each realm. Hades drew the Underworld, Poseidon was granted control of the oceans, & Zeus got the heavens.

Poseidon was never quite content with his lot in life. Although his kingdom was huge, he was still under the ultimate rule of Zeus. Once he grew tired of living in the shadow of his brother & attempted to knock him from his lofty perch. The attempt failed, of course. Clever Zeus was able to escape & punished the perpetrators. You think being grounded for a week with no TV is rough? Zeus exiled Apollo & Poseidon from Olympus, sending them to a year of hard labour helping to build the walls of Troy as humans. No magick, no funky tricks to make the job easier. Harsh!

Perhaps he had a little bit of a greedy streak. He has a history of land disputes, the most notable being the squabble he had with Athena over control of Athens. A competition seemed fair. Whoever gave the finest gift would take the city. Poseidon gave what he knew best: water. He struck the ground with his trident & a spring shot up. Unfortunately it was brackish & unfit for consumption. Athena gave the olive tree. It was able to grow on the rocky Greek soil, providing the people with a source of food, oil, fibres to weave, & opportunities for trade. Guess who lost out?

Sure, he could be a bit cranky at times. Usually quick to take offence, Poseidon turned revenge into an artform. Remember when Odysseus got on his bad side? He got upset when the hero blinded his one-eyed monstrous son Cyclops, nevermind that Odysseus was trying to defend the lives of his shipwrecked crew! Try telling that to the Sea Lord. Poseidon went on an 8-year-long rampage, throwing everything from storms to deadly monsters at him.

His tendency to try & take what he wanted regardless of consequence extended to women too. One of his more noteworthy conquests was the goddess Demeter. A version of myth describes how he tried to get her mind off her grief over losing her daughter Persephone by hitting her up. She wasn’t having any of it. The goddess turned herself into a mare & hid amongst a herd of horses. Persistent Poseidon merely turned himself into a stallion & raped her.

Eventually Poseidon married the goddess Amphitrite, the living embodiment of the sea. Hubby was often unfaithful, but she usually turned a blind eye to his  flings. Then there was the nympth Scylla. A jealous Amphitrite threw certain herbs into the nymph’s bath & changed her into a grotesque monster.

Whilst he undeniably had his negative side, consider this. Men once prayed to Poseidon & made offerings to the Sea Lord in hopes of having a safe journey. He could calm storms with his presence & sea beasts would rise to swim playfully around his chariot. He could bless land to make it fertile & gave protection to sailors.

Ultimately his lesson is one of personal strength. He wasn’t happy to settle for second-best & tried to throw off the mantle of an intolerable situation. If you feel you’re being treated unfairly in some way, remember what the Sea Lord stands for. Succeed or fail, the act of trying can initiate change & bring energies of growth into your life. Whilst his methodologies were certainly questionable at times, Poseidon encourages us to reach for goals that might seem impossible. His gift is that of possibilities.

Gems of the Goddess

Mary DAlba October, 2009

Cerridwen – The Tiger Mother Goddess

901793 cauldron 2.thumbnail Gems of the Goddess


Cerridwen is known as the goddess of death, initiation, inspiration, magic, and regeneration. The Magical Welsh crone goddess Cerridwen (pronounced KARE 0id wen) was a shape-shifting goddess of dark prophetic powers, enchantment and divination.   She is equated with Hecate (Greek) and Balb (Irish).  She is also sometimes related to Muses (Greek) but in a dark and more violent form.

Cerridwen’s cauldron is a powerful symbol of transforming magic.  It contains all the knowledge in the world.  This is where the inspiration for the Samhain (or Halloween) Witch stirring a Caldron comes from.
The brew in the Cauldron (named Amen) is known as Greal.  This brew sits for a year and a day, which signifies the usual time for initiation.  The Cauldron represents the lessons learned through change and experience, as well as divine creative inspiration.  She is the tigress mother, dark goddess, prophetic crone, who pursues her interpretation of justice with unfailing energy.

According to the Mabinogion, Morfran (also called Afagddu), her son, was hideously ugly, so she wanted to give him something to help and decided to use her magical cauldron to make a potion granting wisdom. The mixture had to be cooked for a year and a day. Morda, a blind man and her faithful servant, tended the fire beneath the cauldron, while Gwion, a young boy, stirred the concoction. The first three drops of liquid from this cauldron gave wisdom; the rest was a fatal poison. Three hot drops spilled onto Gwion’s hand as he stirred, burning him. He instinctively put his hand in his mouth, and instantly gained great wisdom and knowledge.  Gwion knew he was in trouble and had to flee.

When Cerridwen heard of this news, she chased Gwion.   Both of them had the power to shapeshift.   He turned himself into a rabbit. She became a dog. He became a fish and jumped into a river. She turned into an otter. He turned into a bird; she became a hawk. Finally, he turned into a single grain of corn. She then became a hen and ate him.   This journey of shapeshifting is thought to be the representation of moving through the various levels of the Druid tradition.  It20can also mean the steps of transformation.   It is also similar to Merlin teachings to King arthur through inhabiting different animals to gain wisdom and knowledge.

When Cerridwen became pregnant from eating the single grain of corn, she knew it was Gwion and resolved to kill the child when he was born. However, when he was born, he was so beautiful that she couldn’t do it. She threw him in the ocean instead, sewing him inside a bag of seal-skin. The child did not die, but was rescued on a British shore by a Celtic prince named Elffin; the reborn infant grew to become the legendary bard Taliesin.

Cerridwen’s symbol is the white sow, representing the Moon.  The sow is also associated with plenty, healing and shapeshifting.  She is associated with death, fertility, regeneration, inspiration, magic, astrology, herbs, science, poetry, spells and knowledge.  She is most at home during harvest rites, spells and ritual for wisdom and knowledge and during waning moons.  She is also can help with learning about divination and journeying into past lives.

To bring Cerridwen in your life, work with her when you are trying to tap into your creative part of your feminine side and also motherhood or childbirth issues.  Her correspondences are pigs, cauldrons, vervain, the dark moon and hens.

As we move into Samhain, think about the wisdom and knowledge you would like to receive and grow during the next year.  Cerridwin’s Cauldron is waiting to help you.

McGod

Blacksun December, 2008

Probably one of the most striking differences between modern Paganism and the more predominant western religions is the fact that we have multiple gods and goddesses.  More than any other, this difference is the most disturbing to the monotheistic / revealed religions espoused by millions in Western and Middle Eastern cultures.  It rankles and offends them in most cases and they find such ideas impossible to comprehend.  And, for many folks within the Pagan religious expressions, it is difficult to explain in any way other than to say, “Well, that’s what I believe.”  That’s hardly comforting to the monotheists and it usually doesn’t sit well even within our own minds.  The question of who are ‘the gods’ and exactly what sort of attributes we ascribe to them is not an easy subject to tackle.

For convenience, I’m going to not continually type ‘and goddesses’ every time I use ‘god,’ ‘the gods,’ or ‘god forms.’  Suffice it to say that I’ve given up trying to satisfy everybody in my writings.  Not only is it an impossible task, it’s a thankless one as well.  Whatever I use, it has no meaning concerning gender.  We speak of gender when discussing particular god forms, but even then it is less about gender than a similar discussion about flowers would be.  Our concept of ‘god’ or ‘goddess’ is based solely on a human condition that we are attempting to relate to.  I expect that ‘sex’ between deities is not dependent on any definition we might come up with concerning gender.

First of all, let me give you my take on who or what the gods are.  I settled into a Unitarian church after trying out a lot of churches in my city between the ages of 12 to 18.  One of the best things I heard in that Unitarian church was the ‘joke’ about when god made man in his own image, man returned the favor.  Cute, but it says volumes about how we think about deity.  For thousands of years, we’ve painted pictures of gods and goddesses, written long treatises about what they may be like, and generally made asses of ourselves trying to prove who was right or wrong.  Pagans don’t tend to get upset over what name or image of a god or goddess somebody else holds dear, but we also don’t (as a group) tend to think too hard about exactly what the nature of deity might be.  We kind of dance lightly around the subject and go back to other areas of our spirituality that might seem safer or less mentally taxing.  While that may be one of the reasons we don’t have any big arguments about the many different viewpoints we embrace, it also is a weakness in our understanding of what it means to worship any of these thousands of god forms.

My concept of deity is that it is a subject that’s way too big for any one human consciousness to grasp.  It’s a lot like the number we call infinity.  Even though we can play with it in mathematics, it still is beyond meaning in our minds because that is part of its definition.  Deity is not one, or two, or any other number we can count.  It is beyond that.  Deity contains all those numbers but is more than all of them combined.  What we can get our minds around is something far more pedestrian, much more like what we are used to.  Thus, Zeus becomes Mr. Big, the somewhat tyrannical figure who will often take advantage of the fact that he’s the boss but also has a more ‘human’ side to him that comes out even when his schemes seem to be abusive.  Hera, a goddess herself, is the long-suffering wife who has hissy fits over her husband’s affairs and who is hardly ever more than a wrong look away from attempting retribution or revenge.  We can relate, right?

Personally, I don’t know anyone who uses Zeus or Hera as the central figure on their altars (though I expect there are folks who do), but this is just an example.  These god forms are projections of our own lives and culture but in archetypical form.  They represent aspects of that bigger thing we call deity that we can’t quite get our minds around.  Some Pagans use the generic forms we call The Lady and The Lord, or God and Goddess.  Even these are projections of our understanding of the world as incarnated beings.  When questioned about our own favorite god forms, we invariably pick one out a mythology that resonates with us.  That’s our choice.  In spite of all the cosmic power we ascribe to our god forms, it seems none of them can force us to believe in or worship them without our consent.  How strange.  “We reserve the right to refuse worship to any who do not please us.”  It should be cross-stitched into our altar cloths.

Once, many years ago, my wife and I played at using Loony Tunes characters to portray many of the god forms that were popular among us and our Pagan friends.  Has it ever occurred to you that Bugs Bunny acts a lot like Loki or Coyote?  I don’t even want to get into who Taz reminded me of!  But can you see what I mean about our involvement in how the god forms are depicted?

At this point, it might look like I’m saying we invented the gods.  This would be blasphemous to those monotheists who insist they know who God is.  But, yes, in a way that is what I’m saying.  However, it goes beyond that… way beyond that.

One of the lines that anthropologists draw concerning what is human and what isn’t has to do with how we depict our world.  If we can draw graffiti on the walls, then we’re human.  If we can decorate our graves with trinkets, we’re human.  If we can carve fat-bellied naked women, we’re defiantly human.  It seems that we’ve had some idea of deity for just as long as any of these other abilities.  We may not have built big cathedrals back then (though most scholars agree that Stonehenge has some kind of spiritual significance), but we expressed our spiritual natures in a wide variety of ways even when we could hardly chip rocks.  It would seem being human means we have some instinct or desire for there being something beyond us, something that makes everything make a lot more sense than what we are able to understand.  In other words, humans have a sense of deity.

Our abilities to describe deity have produced a rich variety of images and concepts, but none of these productions come even close to what we would call the reality of deity.  So it shouldn’t be too surprising that there are so many differing descriptions out there.  In fact, it would be amazing if there weren’t.  When we say so-and-so is The God, we are bound to butt up against somebody else’s concept of The One True God.  The old argument of whose god is bigger extends back before recorded times.  The gods, as we perceive them, are how the archetypal forms combine with our sense/need/ instinct for deity.

One of the most interesting things about archetypes is the role they play in our minds.  They are specialized symbols that seem to be universal to all humans.  They are the foundation for what is termed the ‘collective unconscious,’ that body of information that is ubiquitous to us all.  In some instances, part of this collective is arbitrary but has become the agreed-upon ‘reality’ of our species.  The archetypes are huge, complex blocks of related information that appear to be formed at a surprisingly early age.  Some speculate that they begin before birth!  Almost without exception, certain archetypes appear before others, but usually by about the age of six, the human child has nearly all the archetypes formed in their unconscious and it takes extreme measures to modify or substitute them from that time on.  Some of these archetypes are so ingrained, they can never be changed.  We might add new tidbits of information to them as we grow, but they will remain pretty much as they are for the rest of our lives.

To say the archetypes are within us is only partly true.  As hard a concept as it may be, the other part that is true about archetypes is that we are within them!  We live our lives as part of the archetypes.  We order our perceptions to coincide with them, making them the compass of our existence.  Our understanding of deity must agree with these archetypes as well.  The resonance we feel when we choose our god forms is its agreement with our archetypical images and how we prioritize those archetypes.  Every iteration of deity, each god or goddess or spirit of any kind, is but a facet of that larger gem that we are driven to seek.

Worship is an expression of desire.  Our desire to find deity is so much a part of our being, so strong a force, we have killed and died for it.  Deity may always be beyond our understanding but it is never beyond our desire.  That we each might find a different aspect of deity that fits what we desire most is not surprising; even fast-food places offer more than one kind of hamburger.  Would you like to super-size that goddess?

Pagans tend to worship more than one aspect of deity; we have multiple god forms that reveal our deepest desires.  This shouldn’t be surprising because we don’t have just one desire or even simply one at a time.  We are complex beings and our choice of gods that resonate with complexity reflects that fact.  When I say we resonate with a god form, I mean that it is the chosen form that best expresses our desires at the time.  Many Pagans say that their discovery of whatever brand of Paganism they currently follow was like ‘coming home.’  Very likely this means they felt a greater comfort level with a spirituality that gave them more freedom to express their desires.  Multiple god forms allow for a life more deeply ingrained with spirit, more meaningful and connected with parts of deity.

Deity is not one thing, remember.  It is beyond and outside of any count.  The variety of god forms we use to express our participation within deity is strictly up to us.  No matter how hard we try, we won’t ever truly understand all of deity because that is part of its definition.  But if we don’t try, if we don’t find god forms that resonate with our deepest desires, then we will lead lives that are devoid of our own spirit and any outside form of worship we might display will be a hollow shell… as will we.

Now… would you like fries with that, too?