fairy

Faeries, Elves, and Other Kin

Michele Burke February, 2009

Faery Spells and Verse

titania queen of faieries.thumbnail Faeries, Elves, and Other Kin

Tatiana Queen of the Faeries ist: Howard David Johnson Copyright 1993-2008


Tatiana

In Forest pines, and Oak tree hollows

Amidst the acorns and the leaves

Blossoms adorn her crown

Gossamer threads form her regal attire

Illuminating the air with a majestic glow

Tatiana our Queen fill our hearts with ethereal delight

~ Michele Burke (2009)

Faerie Magick

Fairies and Pixies, elves and gnomes.

Spinning some magic, spells for our homes.

Their wishes are happy, of joys to share.

Join in their revelry, if only you dare.

Carefree of spirit, their happiness impart

Sending you Magick, to store in your heart.

~ Unknown

Faery Spells

Fairy Summoning Spell

The best times to do this is on the Sabbats of Beltane, Midsummer, or Halloween, but you can use it anytime you would like. (best done outside in the yard at night)

~You will need powdered ginger and a small spoon. Set out candles at the compass directions: yellow in the east, red in the south, blue in the west, green in the north. Place a crystal or other stone beside each candle. Stand in the center of the room and send out thoughts of welcome to the little ones.

~Chant: “O spirits of plants and earth and trees, o little ones of every form, show yourselves to me, I ask. From me shall come no harm. Join me in friendship and in love.”

“Rejoice with me in this magick old, for together with the ancient gods we can re-create all things in gold. Guardian spirits, watchers fair, our lives are joined. All things we share.”

~ Go to the east. Light the candle. Sprinkle a little ginger by the candle, and say: “All you Nature spirits and faeries, Hear my call. Enter this magick circle. Welcome All.”

~ Go to the south. Light the candle. Sprinkle ginger, and say: ” All you little ones of the sunbeams, Hear my call. Enter this magick circle. Welcome All.”

~ Go to the west. Light the candle. Sprinkle ginger, and say: “All you nymphs and water sprites, Hear my call. Enter this magick circle. Welcome All.”

~ Finish by going to the north. Light the candle. Sprinkle ginger and say: ” All you little ones of the moonbeams, Hear my call. Enter this magick circle. Welcome All.”

*Sit quietly for a time, thinking about the little ones, be aware of their feather light touches your body. Listen for their musical voices in your mind. Talk to them if you wish. When communication is finished, stand in the center of the circle. Raise your arms high, saying: ” All thanks and blessings be, To those of air, earth, sky, and sea.”

*Blow out the candles starting in the south and go counter clock-wise.

~ Anon

In Closing

May the Fae be with you and their blessings always be upon you. And remember that if you keep your mind and your eyes open and your heart pure and one day you too may see the Fae. After all they are all around us.

Bibliography and Works Cited:

Faery Spells,(2007), Faery Summoning Spell. Retrieved January 2, 2009, from http://www.freespellsonline.com/spell-423/fairy-summoning-spell.html

Faerie Wicca by Listening Owl

Michele Burke February, 2009

Listening-Owl has missed a perfectly good opportunity to enlighten the Wiccan and Faery communities by displaying subtle negative feelings toward the Celtic community, e.g. “Many books have been written about Irish and Celtic faerie traditions of the past. I’m not going there” (Listening-Owl, 2008, p.16). I find this statement quite peculiar in that quite a few of the sections in Faerie Wicca refer to the Celtic traditions such as Dryad Tree Magick, Glossary of Celtic Tree Ogham (Which was given us by the Faery King of the Tuatha de Danaan God Ogma), Help from the Dark Fae, as well as Sea Faerie Summoning. Personal views and prejudices over shadow throughout.

I think the Wiccan Rede says it best

Bide the Wiccan Laws ye must

In perfect love and perfect trust

Eight words the Wiccan Rede fulfill,

An ye harm none, do what ye will.

Lest in thy self-defense it be,

Ever mind the rule of three.

Follow this in mind and heart,

And Merry Meet and Merry Part!

Manipulating another person to suit your notion of what will do them good is in fact just another way of benefiting oneself without thought to others. So In closing I have but one thing to add and that is

Ever mind the Rule of three… For the Goddess is watching!

http://www.lulu.com/content/4435063

Interview with Orion Foxwood

Michele Burke February, 2009

orionbook Interview with Orion Foxwood

Courtesy of Orion Foxwood
The Tree of Enchantment”, by Orion Foxwood is a gleaming light shinning in a world where it is sorely needed, granting the reader a well-defined path leading to an accumulation of astonishing magnitude. “The Tree of Enchantment”, is not just another mystical new age book it is a piece of literary genius, which offers the reader a glimpse into the profound knowledge of an authentic spiritual tradition.
Excerpt from the Tree of Enchantment
May you know and remember the truth and beauty that is your
Essence… and your birthright.
May you receive and claim it when it is revealed.
May the forces of fear and atrophy tremble before your power.
May the Vision keys open the doors most profound.
May the Holy Fire sear the shadows and lights your way.
May you find joy and contentment in knowing that you are a
Member of the family of creation, bound in spirit and in truth
and thus…
You are always loved and you never walk alone.
Blessed be the seeker and the Holy Tree.
For all as one, so shall it be”.
While working on this interview with Orion I have come to the understanding that one must open their eyes and their hearts to the Ancient One.

Interview with Orion Foxwood

orion Interview with Orion Foxwood

Courtesy of Orion Foxwoo

Pagan Pages (PP): How did you come about writing the book, what was the inspiration behind it?
Orion Foxwood (OF): I have been working with the spirit world all of my life. I grew up in a very agricultural community in the Shenandoah Valley in Virginia, which is an area rife with folklore and practices. My family is known for having the “veil”, which is a folk term for the “caul”, a placental sheath that falls over the eyes of the newborn indicating a propensity for “the blessing” also known as the second sight or ESP. My sister and I were both born with it. Please understand that though this gift can be a true blessing it is also a frightening thing when you are a child getting visitations from the dead. Mt first “token” as we call signs or communications from the spirit world was of my father hanging from a rope. When my mother took me to confirm her fears (which were that my “veil” had parted and this was a token), it was indeed quite real. From then on I was visited by spirits of the dead, of the “soon to be born”, of the woods and rivers and all other forms. In short, my world was and is teaming with spirit life. My first book (The Faery Teachings, RJ Stewart ) was prompted by my love of the Faery and Ancestral spirit realms and a desire to assist humanity (as a embodied spirit type) and the other spirit beings (noncarnate / Faery and elemental and discarnate/ ancestral) to come back to its place at the metaphorical table of creation. It was my desire to give insights, both ancient and contemporary, on the living nature of our world animated by a core vision and a creation family of which we are a part. My second book called “The Tree of Enchantment: Ancient Wisdom and Magic Practices of the Faery Tradition” (Weiser ) was to provide a visionary roadmap with insights and techniques that would assist the human seeker to find their way back into communion and co-creative partnership with the attending spirits of creation. My hope is that this book will help the readers understand and embrace their sacred presence as individuals and as a member of the human and earth-based vision of creation itself. In short, I call the insights “the re-sacredizing of life” through: alignment, attunement and agreement of the three souls that comprise us and which interface with the attending spirits in the ancestral, Faery, elemental, natural and stellar realms.
(PP): I have heard that you come from a very diverse background, would you like to elaborate on these diversities?
(OF): Yeah, I guess I have been blessed to be exposed to and mentored by diverse streams of wisdom and training. I am very grateful for these opportunities and the many teachers that have guided and mentored me. My cultural and familial life exposed me to some Appalachian and Southern folk practices specifically focused on the second sight, healing practices, spirit communication, and conjures. I met two traditional witches from Brentwood Essex England in the early 80s while being a bus boy at a restaurant in Winchester Virginia. They gave me some old lore and practices that were the first “witchcraft” teachings I ever received. These teachings are at the core of my work as they work with the “Witches Mill” that taps and channels power resident in the Faery Paths/ trods (ley lines) and wells (gatherings of this power) innately in the earth. Then I found a book on Witchcraft that fit with everything I understood to be true and this lead me to seek training in Wicca and later in traditional witchcraft. I moved from Virginia to Maryland where I studied with several Wiccan style teachers and was initiated into a Welsh tradition and later into Alexandrian Wicca and a form, which my teacher called Celtic Wicca. The Celtic Wiccan studies introduced me to my Queen named the Lady Circe in Toledo, Ohio. She was a hereditary witch who later incorporated Wicca and other occult practices into her work. I really feel that all of my studies in Witchcraft culminated in meeting and working closely with this incredible witch, elder, wise woman, and friend. Before her transition into the Summerland’s, myself and two other people (Lady Meshlamthea of Toledo and Lord Malachi of Indiana) were honored to become her mantle bearers. All three of us carry her mantle with pride, love, honor and commitment.  I have also studied some Voodoo, mostly New Orleans practices and is part of a house founded by Mary Milan in New Orleans. Mary or “Bloody Mary” as she is known is as far as I am concerned the premier tour guide and poet priestess for New Orleans and its mystical and magical world (past and present). I have also studied closely with RJ Stewart who majorly influenced my Faery work. He is such a wise and ethical man! I have also studied closely with Dolores Ashcroft-Nowicki, who I consider to be one of the most anointed and sacred teachers I know.  I founded a coven in Maryland (along with my then life partner and a few of my initiates) called Foxwood temple of the Old Religion in 1990 and co-founded the Alliance of the Old Religion, a network of covens and elders committed to preserving the lineage and teachings of Lady Circe. I am so grateful to these teachers and friends for being such fine examples of sound spiritual and magical practices. In the professional world I have been trained in addictions counseling, psychotherapy, hypnotherapy and public health program development. I hold a Masters Degree in Human services. I really feel that all of these mystical, magical and mainstream education opportunities have formed the “me” I am today and the helpful impact I hope to provide to fellow seekers of truth and healing.
(PP): How are you connected to the Celtic Appalachian tradition?
(OF): I pretty much answered that above. Though, I would add that the culture and traditions I grew up in were not purely Appalachian though it was influenced by it. Rather, it was a culmination of slave magic and lore, Celtic and Native American practices as well as just plain old family traditions.
(PP): How does Faery magic come in to this tradition?
(OF): This is a good question. My family and the people I grew up with would have rarely used the words “Faery” or “Magic”. Sometimes they would refer to the “Little People” or other more localized terms like “Woods Folk”, “Water Men”, “Green People” and other terms. Occasionally someone would say “Faery” but that was usually someone who read about them in books or who descended from Irish heritage more recent in immigration to America than those who had been in the Valley for more that 2-300 years. However, the “veil” was always intimately connected to three types of tokens: 1) signatures that would come to the seer such as a knock at a door, which would then be opened and a vision would appear; 2) “dreaming true” or simply having foreknowledge of events, which my mother called “the knowing”; or 3) direct communication from ancestral and other types (usually nature ones) of spirit beings that would bring messages. My mother had the #1 and #2 types of tokens, while I have #2 and #3. Because of this type of “blessing”, I have always been able to be a “bridge for the spirits”. There was a significant amount of lore about approaching the ancestral and nature spirits in the family, shared with my mother by Ms. Granny and given to me in informal chats etc and other social settings by elders in the community. “Faery Tradition” as I understand it in a cultural context is not a body of tightly woven material, but rather stories, parables, practical techniques and suggestions for avoiding these beings, placating them or gaining their favor. I always had a particular affinity with the unseen company. In fact, many elders in the community said to me that I had an uncanny way with the spirits…one which they either rarely seen or never saw in their lifetimes. Occasionally, someone would simply clutch their children and cover their eyes when my mother or me walked by. Thank the Goddess; this was a rare occurrence, indeed…LOL!
(PP): How has Lady Circe affected you and your teachings?
(OF): Honestly, Lady Circe…my Witch Queen, was everything I ever hoped the Craft would be. She was honest, direct, ethical, practical and intensely regal. She was adamant about the Craft being a way of life and not a hobby, political statement. I truly feel that my whole life’s journey in the Craft was to find this incredible woman and carry her wisdoms forward. We would spend hours in her dining room drinking wine, staying up late while she shared incredible information and teachings with me. Also, for her, no one…Male or female was replicable and all were a part of the mystery of life. In fact one of her wonderful sayings was thus:
“Ever are we mindful that She (the Lady) is the truth He (the Lord) upholds, and He is the pillar on which She stands.”
She absolutely loved my Faery work. In fact, she still does. If you look at the first edition of my book entitled “The Faery Teachings”, her face is the image for the Weaver Goddess in the vision key cards that accompany the book. The vision keys are the major inner contacts, threshold points/ beings etc. in the Faery Seership work I teach. This use of her image was so in line with her wisdom for she taught “the invisible connections between visible things” and working with “the laws of nature”. For lady Circe, we witches are here to lead humanity to the light and the glory of the Goddess. As she once said, “we are here to cast light not shadows”. She considered the God and Goddess to be our parents and the Watchers, ancestral and Faery spirits to be our family.  For us, the Craft is a secret society bound by tradition and spirit contacts and in the end “if blood is thicker than water, tradition is thicker than blood”. However, in keeping with my Queen’s wisdom, “tradition and the teachings of the Old Craft are banks for the river and the spirit of the seeker is the river”. We all know that the primary difference between a river and a flood is the banks and their capacity to guide water from its source to its destination and back again. I am hopeful that I do my spirit mother honor in the way I carry the Craft and the Faery Teachings forward to those who seek to be one with the “Ole Power” that pulses throughout all levels of life and in and before all time. Blessed Be!!!!
(PP): How does the whole system work and why does it work?
(OF): The “Tree of Enchantment” book really lays out a detailed and hopefully clear approach to the system, which I call “Faery Seership”. By the way, those seekers who eventually work with me in the apprenticeship program become part of what I call “the House of Brigh”. Brigh is the name of my otherworld Faery wife and the primary contact for the inner lineage of teachings I share. She assists with insuring that the information is contacted material and true to the actual nature of the Faery and ancestral forces as they exist now. She also guides my outer form (the surface walker) as a conduit or “bridge” for introducing and cultivating the co-walking inner contacts that eventually comprise the team of each seership student. The book gives a grounded introduction to this work without over-exposing the student to forces that require the monitoring and mentorship of an advanced seer. The lore, images and poetic interpretations in the book introduce the seeker to concepts and contacts as well as energetic patterns that are already known to us on many levels. The intent of the material is to re-introduce the seeker (in this case reader) to the overall living spirit world and their place in it. The system starts where all things start for us incarnate beings…in the physical or “surface” world. It begins with working with the ancestral forces (blood, genetic and societal/ familial) and the elemental and nature-based forces that form our bodies and the bodies and patterns all around us on which we all depend for sustenance. Once these re-introductions occur, then the system leads the seeker inward to: 1. the river of blood and the redemption of paradox, followed by a systematic and sequential re-introduction to: 2. the web of life and fate (the Weaver and her attending spirit women; 3. the visionary purpose within self and the earth herself (the Dreamer and his Faery beings); 3. fulfilled destiny (the sacred stone); and then upward to the stellar realms where the seeker is tuned into the river of stars, which is the universal rhythm of which our beautiful earth and all her children are a part. There are other vision keys beyond that point, but that is advanced work and it is addressed in The Tree of Enchantment. This is an oversimplified summary of how the system works but I hope it gives you a good taste of a very deep well of wisdom and mountain of vision. The system serves to answer what I call the three sacred questions which are as follows: 1) who am I? 2) what is it (the creator, god all-that is, or whatever you call the source)? and 3) what is my role (personal vision) in it?   It is also aimed at cultivating a sacred approach to all life filled with enchantment and wonderment or what I call “the hidden heart of blue flame”.
(PP): How does your Faery Seership effect you’re life and how you teach others?
(OF): This work has absolutely transformed my life and this is consistent with the experiences of my students and many seekers who have worked with my published material. The teachings are very personal, non-hierarchical and familial when shared with others. In so many ways, it is very humble and folk based which is important in this age of lofty intellectual concepts and illusionary power maneuvers. I am always overcome with the sacred as it flows out of each student’s discovery of magic and truth through this work. In my personal life, working the material (and being worked by it) was often challenging because it forced me to “unbind the threads of illusion” and, we all have these threads to address in our spiritual development. Faery Seership is not for any seeker who avoids truth and transformation. It offers very real healing and spiritual growth benefits, but it is not an escape from reality…it is an emersion into it! I am overwhelmed with the number of people who have said this material gave their lives more meaning and tangible sacredness than they ever imagined possible. All I can say is that the Tree of Enchantments, the Vision Keys and the attending spirits are very generous and clearly, patient with humanity especially when we earnestly seek re-unification with the family of life as opposed to futile attempts to exploit or wage war on it. In the process of development through the Faery work, seekers begin to know that they are not outside the sacred (inherently flawed) and that they never walk alone through this “earth-school” where we live embodied and expand the realms through our discoveries.
(PP): When did you begin the Faery seership apprentice program?
(OF): About five or so years ago, I think. I currently have training houses in Florida and Maryland and have done some initial work for establishing a house in Northern Ireland. There are people in several other geographic areas in the U.S. and U.K. that have voiced interest in this work.
(PP): Who initiated you into the old traditional craft?
(OF): Again, though there are some overlays, the Craft is separate from the Faery Seership material. Many of the names of my initiators simply cannot be shared in such a public forum out of respect to them. I was originally initiated into a coven that practiced Welsh Witchcraft with some Native American Influences, then into Alexandrian Wicca up to the third degree High Priesthood.  My last initiator was an Elder in what she called Celtic Wicca where I attained the third degree as well. Her lineage was two generations from Lady Circe, who was my most influential teacher. Lady Circe was very much a public witch, so it is appropriate for me to disclose her name. Traditional Witches and Wiccans adhere to the Law of Secrecy for many reasons and I must honor our ways. Lady Circe along with her High Priest raised me to the Eldership through our most sacred rite called “the Bridge of Light”, in a public ceremony on Beltane 2002, Lady Circe the mantle of her lineage and tradition to Lady Meshlamthea, Lord Malachi and myself. Without a doubt, this was greatest honor of my life as a witch. I will always revere Lady Circe as my Queen, mentor and role model for what it means to be a witch of the highest standard.
(PP): What is it you do (Teach, write, etc…)?
(OF): I recently retired as the High Priest of Foxwood temple of the Old Religion though I continue to advise it as the Founding Elder.  I continue to advise and teach the Council of Elders for Foxwood temple in the tradition and practices of my teachers in Lady Circe’s lineage. I used to teach a lot more as I developed Priests and Priestesses to ensure the continence of our tradition and lineage. I could talk to you at length on these practices in another interview in the future if you like. Foxwood continues to teach seekers and if folks want more information they can go to Foxwood-temple.net.
The primary material I teach in the public arena is Faery Seership and Southern Conjure magic. I already provided information on the Faery work. In the Southern Conjure material I teach crossroads, candle, and graveyard magic primarily. I do a lot of work with the ancestral spirits including the creation of what we call “soul or (soil) pots, entering and exiting graveyards, finding live graves (haunted ones), and other work within the confines of ethics and legality of course. From time to time I teach a series I call “The Ways of the Witch” where I share lore, practices and techniques. I also teach some material on the “veil” (second sight), its development, genetic components and use.
(PP): How do your guided visionary processes work?
(OF): The techniques I teach are focused on attunement, alignment and agreement of the threefold life (the three walkers) then I teach approach, engagement, exchange and mediation techniques with the inner contacts and attending spirit beings associated with the Tree of Enchantment. I have detailed a comprehensive seven-stage visionary process that forms the core of the visionary work as follows: 1) Anchoring (grounding and centering in the starting point); 2) attunement/ alignment of the walkers; attunement of the walkers to the “power of place” (the soul of the land where you are working; and alignment and attunement of the working space; 3) Opening the way between the worlds; 4) induction of the “rapture” (working trance/ luminal state); 5) traveling to the other world; 6) interaction with the inner-world presence/ spirit being; and 7) return and fusion (transference of the exchange or pattern to the outer world also known as “bridging”). The processes follow a specific formula though the exchange may differ depending on the beings encountered and the need of the partners or team (human and other). For clarity, the three walkers are as follows: a) the surface walker (the soul that “is” your physical form); b) the dream-walker (the subjective/liquid and underworld soul/body); and c) the star-walker (the transpersonal, stellar and electric/ energetic body/ soul). The visionary processes, as they work through the system works with all three of these in their realms and with the redeemed and helpful beings encountered there.
(PP): When was your coven the Foxwood Temple founded?
(OF): April 29, 1990. We have daughter covens in Utah, Virginia and Maryland and one aligned one in Oregon.
(PP): Can you tell us about the alliance of the old religion?
(OF): The Alliance of the Old Religion was spearheaded by Lady Circe and the three mantle carriers with the support and partnership of many of the Elders in the line and even with support and honorary membership of Elders from other lines such as Alexandrian Wicca, Strega and New Orleans Voodoo. When we had the original vision to form the Alliance for solidarity, support, cohesion and preservation of Lady Circe’s teachings we had no conscious idea that she would be transitioning into the Summerland’s soon thereafter. Our Goddess works our spirits in mysterious and perfect ways, doesn’t She? Because of the formation of the Alliance and the deep bonds between Lady Circe, the mantle carriers and Alliance membership, her lineage and teachings are assured to pass on and on to the generations of witches to come. We continue to meet, share, exchange and do magic and reverence of the Old Gods in the ways of our beloved Queen…Lady Circe. Long live the Queen!
(PP): How important is family tradition and ancestral magick in the work and teaching you have done?
(OF): In my Craft work it is central since we are preserving and teaching Lady Circe’s ancestral practices. Ancestral work is central to old-line witchcraft and is one of the hallmarks of authentic traditional Craft, as I understand it. I encourage my students and initiates to know the traditions of their blood too. Too much old lore and wisdom is being lost in our fast past post-industrial human life. This is sad because we are getting wings from new technology and intellectual approaches but too often losing the roots provided by tradition and heritage. These roots offer deep wisdom, cross-generational context, shared heritage and soulful meaning. In the Faery work, ancestral work is the first level of work and no other level can be approached without it with any exceptions EVER.  We were all born to carry forward our ancestors in the fulfillment of the vision of humanity and the planet. No one is exempt from this work. We were born to resolve ancestral paradox, heal ancestral pain, re-enchant the world and free the magical power of our world to bring the stars here and “heaven” (though we are not Christian in approach) here and now.
(PP): How do you see Faery seership in America?
(OF): I am astounded by the level of interest in this work. I am also honored to be a conduit and servant to the Tree of Enchantment. At the moment I have more interest than I can currently keep up with. In the near future, I hope to be teaching this work full-time as my way of life and career. Faery Seership offers important answers to the human quest. It re-introduces the seeker to the sacred presence of humanity (ancestral and living) to the whole creative spirit world. It helps to heal the abandonment pain of a species imbued with the free will to step outside the balance. If we humans can truly grasp our role in the vision and destiny of the planet(s) and the stars, it will hopefully see the sacred presence and role in all things and stop being a frightened, lonely war-mongering and parasitic child. Nature (inner and outer) has been patient and will embrace us. I only hope (and I truly believe) that we will awaken in time to become partners with the rest of life. This is the aim of The Tree of Enchantments and Faery Seership.
(PP): In terms of the future of our community what do you view as most important?
(OF): I have a lot of thoughts on this. Like so many minority groups, we suffer from internalized Pagan phobia” and “Witch phobia”. It is time to celebrate our diversity and put away the childish need for absolute rightness. Too often we are our worst enemies. I do believe we must keep each other ethical and accountable. I believe that the earth religions movement and eco-spirituality offers serious insights and answers as long as we stay focused on the spirit of our work. Also, too many of our teachers and Elders are dying without their lore, techniques and insights being preserved. We almost lost a lot of Lady Circe’s. Please folks, if you love and respect your teachings and your teachers…. take the time and make the commitment to preserve them (not literally your teachers mind you…mummies are out of fashion). We all know that the Goddess and the Old Ones before Time will replace what is not needful. Lest claim our needfulness in the world and let our wisdoms flow into a world that badly needs it.
(PP): If people want to learn more about what you do or perhaps even contact you how would they do that?
(OF): I do not have an Orion Foxwood or Faery Seership website as of yet though it is planned. Seekers can email me at Foxwood-temple.net or write me at P.O. Box 5128 Laurel MD 20726.
(PP): Do you have any other works in progress?
(OF): I continue to refine the material for the apprenticeship program. I have a bunch of new material I am developing and anticipate writing some more Faery work, ancestral magic and even one on what I call “the Living Goddess”. I have some other works in progress but as we say in the Craft, “Speak not lest the spell be broken”. LOL!!!!! I thank you and the readers for your time and interest in my work and that of my Elders. May we all find our place in the sacred circle!!!
Bountiful Blessings and Thanks go out to Orion Foxwood, for his compelling insights into “The Tree of Enlightenment”, and the magick of the Faery tradition.
Works of Orion Foxwood:
- The Tree of Enchantment: Ancient Wisdom and Magic Practices of the Faery Tradition
by Orion Foxwood
October 2008, Paperback
-  The Faery Teachings by Orion Foxwood
February 2007, Paperback

Faeries, Elves and Other kin

Michele Burke January, 2009

Normally I would have written something about the Fae and had fully intended on writing an article based on the Water faeries but when I got up this morning and turned on my computer I received a bit of extremely sad news; a very good friend of mine’s mother had just passed away. As I tried to get my mind on the work at hand I just could not get my friend off my mind. What do you say when someone has lost a loved one, let alone their mother? Do I call or perhaps send some flowers? These things all fade away. So in dedication of a life taken to soon I wrote this little verse.

Time stands still in Tir na nÓg (In Memory of Patrick’s Mom, you will be missed)

Come with me to the land hidden amidst the sea

No sorrow, no pain. Never more to age again

Houses are made from jewels and gold. Shinning like castles in the sun

Birds singing, whilst blossoming flowers grow all around

Ocean breezes soft and warm

Awakening the soul to the sounds of celestial song

So come with me to Tir na nÓg

For time stands still

In the land of the forever young

~ M. Burke (2008)

In times of sorrow when you feel as if you just cannot carryon, keep your head held high and remember the land of Tir na nÓg where time stands still.

Monique Cooper

Faeries, Elves, and Other Kin

Michele Burke December, 2008

Faeries, Elves, and Other Kin: The Woman of Peace and the Spirit of the Air (Bean sidhe (Banshee)

Announcing mortal’s deaths with her keening cries

Piercing throughout the night rising and falling like the oceans waves

White Lady of Sorrow spirit of the air

Mourning and forewarning the ancient Celts and their decedents with her unearthly cries

Woman of peace, her voice blending in with the mournful cries of loved ones left behind

The Faery woman contrasts against the nights black skies

Eyes red from crying, her face pale

Cloaked in a raiment of grayish-white clinging to her tall slender frame

Her hair of silver and gray streaming down to the ground

Yet in all her mourning she is graced with a mode peace

Unseen she attends the rites of the beloved deceased

Where ever the old Irish families have gone across oceans and land

She follows her mortal family never forgetting her ties of blood to man.

~ Michele Burke (2008).

Whatever the Banshees origins, in one of three different guises she appears: a raddled old hag, a young woman, or a stately matron. It is in these guises that the triple aspects of the Celtic goddess of death and war, i.e. Macha, Badhbh, and Mor-Rioghain.) She is usually seen wearing either a winding sheet or grave robe of the unshriven dead, or a grey hooded cloak The Scottish counterpart of th banshee may also emerge as a washer-woman, and is apparently seen “washing the blood stained clothes of those who are about to die. In this guise she is known as the bean-nighe (washing woman)” (Hidden Ireland, n.d.).

Coming In December:

Water-Faeries:  providers of food, nourishes of crops, and takers of lives.

Bibliography and works cited:

Hidden Ireland, (n.d.). The Banshee. Retrieved November 24, 2008, from

http://www.irelandseye.com/animation/explorer/banshee.html

Wise Woman Traditions

OSusun S. Weed December, 2008

Frolicking with the Fairies
My friend Elsa always talked to plants. I thought she was crazy. Safely insane, but definitely disassociated from reality. Until the plants laughed at me.

Autumn of 1980, returning home from a rare dinner out after a healing intensive at my land in the Catskills, I stopped to get my mail. An unusual envelope contained a $500 money order, signed “Mother Nature” and this note: “It’s my birthday and I could think of no better gift than giving you the means to build a shelter for your teaching.”

How wonderful. How perplexing. Even way back then, $500 would not put down a floor, let alone walls or a roof! What building could I create with such a large gift of such a small sum? In a waking dream I saw the answer.

I bought a tipi. It arrived. I put it up. I decided to sleep in it, at least until it got too cold.

Have you ever slept outside? If so, you know it is very noisy outside at night. The dark is filled with sounds: mosquitoes and katydids, crickets and frogs, geckos and bats, whippoorwills and coyotes. Those sounds soon became background noise to my nights in the tipi.

Background to the thunderous noises made by the monsters just outside the tipi. It’s amazing how loud a small animal moving in the dark is. No monsters were out there, of course, just the night shift: possums, skunks, raccoons, flying squirrels, and the occasional deer. As I began to recognize the “monster” sounds, they became business-as-usual noises, and I relaxed even more. That’s when the laughter began.

At first it was a quiet chuckle, mirth contained. Then it grew and swelled until it was a belly laugh. Like the rolling of thunder across my mountains, the laughter spread and reverberated.

“Who is laughing?” I thought. “We are,” came the reply in my mind.

“Who?” “Us, the plants.”

“The plants are laughing.” “Yes, oh, yes.”

“Because you are happy or because something is funny?” “Because you are funny.”

“What makes me funny?” “You tell people that herbal medicine developed by trial and error.”

“What’s so funny about that? What other way could we have learned which plants are edible, which are poisonous, and how to use them for food and medicine?” “Trial and error is too slow.”

“But there isn’t any other way.” “Sure there is!”

“What?” “What?”

“What what?” “What are you doing?”

“What am I doing?” “Yes!”

Long pause. Laughter. Peals of laughter. Breathless, red-faced, rolling-on-the-floor laughter.

“You are talking with the plants!”

“Wow! I am.” “That’s how people learned to use us. They listened to us. Just as you are.”

Thus began my lessons from the plants. They have continued until this very day. And will, most likely, continue at least until my death.

“I want everyone to be able to hear you,” I told the plants one summer. “No problem,” the plants replied.

“Remove your shoes and socks; allow the energy of the earth and the energy of the stars to mingle in your body. Take off your glasses and contact lenses; allow yourself to see as you see, not as you are supposed to see. Spend less time at high speeds in metal containers; allow your timing to be set by the sun and the moon, the season and the weather. Sleep in a round structure. Our voices get caught in corners.”

Do you want to contact the devic realm? Find the fairies? Talk with the plants?

The simple answer is: “Be in Nature, not on your terms, but on Hers. Put your bare feet on the ground. Be quiet. Be receptive.”

The slightly more complicated answer is: “Choose one wild plant, small or large. Breathe with it for at least ten minutes every day. Be barefoot. Be quiet. Be receptive.”

As you open, you will discover chaos. When asked how to distinguish a wild plant from a cultivated one, I say: “Cultivated plants are neatly planted; wild plants flourish in chaos.”

Chaos is a treat to fairies and a threat to humans. We like fixity, and dislike change. Nature knows that fixity is death. Life is change. Balance is the step before death. Life is dynamic disequilibrium, never static. Life grows, changes, ages, gets diseased, rots, molds, and is recycled into more life; it is never perfect, never done. Life is chaotic. Death is rigid. It resists and refuses to interact; it holds itself aloof; it is in control.

Nature is chaotic. It doesn’t like straight lines. When I am in the woods, the path curves, the trees have fallen helter-skelter, the wildflowers bloom in impossible, improbable places, there is always a miracle. To describe the living presence of Nature in her creative chaotic wholeness, we can use the words “deva” and “fairy”. Fairies flee gardens planted in neat rows. To attract fairies, practice being at ease with being a little out of control.

Are fairies and devas different? Fairies are in the middle of it all; devas are “above it all”. Fairies are local; devas are international. Fairies are flighty, flirty, changeable; devas are responsible, staid, dependable. Fairies sparkle; devas emanate. Fairies party; devas oversee. Fairies may be invited into one’s garden; no one would dare ask a deva to do anything. (A deva may well ask you to do something, however.)

Lore and legend have it that the fairies spend half the year underground and half the year above ground. The fairy gate opens May 1, on May Day. It closes October 31, on the Day of the Dead. Fairies only frolic in wild places, so leave a little corner of your cultivated land wild – a “Fairy Corner” where chaos can reign.

To invite the fairies: On or near to May Day Eve, eat delicious foods, drink ravishing drinks, enjoy stirring music – better yet – make intoxicating music, sing, dance, take off your clothes, expand your senses, fall in love. If you invite fairies to your home and grounds, remember: Fairies love fun, best to laugh at what they do. Fairies love to confuse things, best to delight in it. For fairies can be mean, and if you’re sullen, they can cause all number of small ills. It is said that fairies like milk and pineapples. It is not unwise to leave them small gifts.

“We are the devas. We are the fairies. We are the trees. We are the rocks. We are the blooming plants and the floating spoors. We are the voice of Nature. We are Green Blessings.”

Faeries, Elves, & Other Kin

Michele Burke November, 2008

Faeries, Elves, & Other Kin: The Fae and their Origin

The name fairy comes from the Old French word faerie. The word faerie as we commonly know it has been hackneyed by using it to describe paranormal beings and the like. Never the less, there is an enormous amount of differentiation in categorizing a faerie from today’s modern literature and those of literature from the middle ages, particularly those of the Celtic tradition as well as from other faerie traditions such as those from  Germany, England and many Slavic countries.

Oftentimes when one thinks about the Fae, they envision them as tiny winged creatures flittering around a glittering unearthly light in some children’s fairy tale or a Disney movie (Tinkerbelle and Thumbelina). These modern Fearies found their origins in the oral traditions, which began to be written down throughout the 18th and 20th centuries.

Faeries can be best described as spirits. They are not divine being because they are not goddess or gods (as some of them would like us to believe,) nonetheless, they are not corporeal (mortal); and for this reason, the Fae are oftentimes, classified as minor divinities or lesser gods.

Nevertheless, if one would for a moment consider the idea of faeries, then they would find that faery folk have been around far longer than most would have expected. According to Joe (1999),

Perhaps the earliest form of faeries can be found loosely in the mythical beings in Greek mythology, such as the nymphs, satyrs and sileni. The nymphs from ancient Greek myths can be considered as fairies and they existed as early as the time of Homer writing the Iliad and the Odyssey. Even the river gods in Greek myths can be classified as fairies. These are spirits or minor deities of nature or of the natural phenomena. (p.1)

Moreover, the Norse adaptations of the Fae can be seen in a vast array of dísir (“lesser female deities in the Norse religion”) (Joe, 1999) and elves that belong to the Teutonic traditions. Valkyries were also classified as faeries.

Who are the Fae? Where do they come from?

Many civilizations and cultures have their own adaptations of faeries. But for the sake of starting somewhere, we will begin with the Celtic tradition. In the Celtic belief there were deities in Britannia, Gaul (Belgium and France), and Hispania (Spain) throughout the time the Romans occupied these regions. However, once Christianity over took the region the situation changed. The deities that were once worshipped before the widespread adoption of Christian beliefs were condensed to the standing of faeries in Celtic folklore and mythology; The same stands true in Ireland and the gods of the Tuatha De Danann who were stripped of their titles as gods and goddess and given instead the roles of fairies or lesser gods (e.g. Lugh and Dagda).

The early Celtic tradition of fairies, the earlier Welsh or Irish deities were not fairies in the customary sense. Their appearance was much like that of mortal man, both in shape and size, with the exception that they have magical and mysterious powers and they appeared to be forever young, save for they do not  have wings contrary to popular belief. Conversely, the Dananns were typically seen as a “race of fair people. They can die just as mortals can, but their lives could last hundreds or even thousands of years” (Joe, 1999).

The major quandary with the way that these earlier Celtic traditions had their status lowered is in how the Christians have twisted them into beings in the service of the Devil; furthermore, Christian authors have written that faeries were in reality demons. Fortunately, this outlook is no longer shared, in our day.

Ending on a Poetic Note

Faery Queen of the Rainbow Realm

Cerulean skies and raindrops form her realm.

On her throne she sits her rainbow hued wings outspread.

Dressed grandly in deep sky draperies, iris blossom crown her head.

From her hand Faery archer’s dip their arrows into her shimmering light,

Taking aim fiery arrows soar high into the stormy night, illuminating the murky sky with polychromatic rays of hope to darkened hearts.

Promising joy and healing to come.

~ Michele Burke (Burke, 2008)

Coming In November:

The Woman of Peace and the Spirit of the Air (Bean sidhe (Banshee.)

Bibliography and Works Cited:

Joe, J. (1999). Dísir. Retrieved October 14, 2008, from

http://www.timelessmyths.com/norse/beings.html#Disir

Joe, J. (1999). Timeless Myths. Retrieved October 14, 2008, from

http://www.timelessmyths.com/celtic/faeries.html

Spiritfae.com, (1999). Types of Faeries, Retrieved October 14, 2008. From
http://spritefae.com/types.htm

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