music

Bell, Book, and Canto Music Review

Michele Burke July, 2011

Bell Book and Canto 199x300 Bell, Book, and Canto Music Review

Recently I had the most auspicious opportunity to experience the artistic musical workings of a new musical group Bell, Book, and Canto,  a assemblage of women singing the most spiritually intoxicating acappela music I have had the pleasure of listening to in years.

An all-female acappela choir, Bell, Book, and Canto’s are a spiritually diverse group covering a vast array of Earth based Religions. Invocation (Bell, Book, and Canto’s first album, released this past Beltaine) will undoubtedly be followed by many more wonderful soundings. The richness and intermingling of voices only lends to the quality of music produced by these six extremely talented ladies.

If you are interested in purchasing a CD’s go to http://bellbookandcanto.com/fr_welcome.cfm

Bell Book and Canto Album Cover Bell, Book, and Canto Music Review

Engineers in Your Ear Review and Free Album

Michele Burke January, 2011

Review

Engineers in Your Ear (E.Y.E)

EYE 1 Engineers in Your Ear Review and Free Album


Awhile back we had the honor of interviewing and reviewing Engineers in Your Ear and just in time for the New Year they have just come out with a new album full of great new tracks. This new album is an eclectic collection of some of the best new age musical verse I have ever had the pleasure of listening to; and for a limited time everyone that goes to the E.Y.E band site will be able to hear and download the album for free…

Interview with Cernunnos Rising

Michele Burke December, 2010

George Interview with Cernunnos Rising

work by: Angela Jayne Barnett ~2010

Cernunnos Rising – Review

It is a rarity to find an album that every song touches the heart, but Wild Soul by Cernunnos Rising has accomplished something others have only dreamed about.

Interview with Cernunnos Rising (George Nicholas)

Pagan Pages: Since our last interview I see you have graced us with a new album Wild Soul, what was your inspiration here?

George Nicholas: Well, I had originally done my first album with Medwyn Goodall the famous New Age composer and producer; that project involved my guitar playing and singing only  and didn`t feature any of my friends or group who actually play with me when I perform live at venues etc. I also provided all the original songs to Medwyn and let him arrange a custom sound to it just to see how it materialized, and as it stands it seems to please people a lot and these versions are available on iTunes and on M.G. music’s site amongst other distributors around the world. The answer to your question, ‘what was my inspiration to produce The Wild Soul album’ is simple, many of the pagan/ Druidic fraternity I know had asked me to produce a version closer to what they had heard us play, and with the merry men I gig with, so I couldn`t resist, and I did have the need and compulsion to do this anyway ‘closer to heart’ you might say! And as for the title ‘Wild Soul’, well that about sums me up perfectly. I really feel a lot of folks today have forgotten their inner “wild soul”, and don’t know how to connect anymore… Laughing, dancing, singing, losing inhibitions, enjoying the realms of the creative imagination, not losing your inner child! Let’s face it, nowadays we are all hung up too much about how we look and what others think of us and are we “conforming” and “fitting in”! We really just have to be comfortable in our own skin (warts and all!) and enjoy this little journey!

PP: Are you planning a new album?

GN: Yes I am planning a new album, I want the title to be Urban Druid!-It`s alright me singing and warbling on about the verdant splendor of our wild spaces and places but let`s face it, most of the population live in heavy urbanized or city areas and rely on our meetings and festivals etc to keep us sane. I am very fortunate in as much as I have managed to situate myself in a green and rural environment to live, and I did exactly the same when I lived in Atlanta , Georgia U.S.A… I just had to be with the trees and greenies! That being said, I am originally an inner city Lad from a rough part of Liverpool and even then from an early age I found the need to be amongst the green spaces, and I made sure, I got to these nemeton, serene, bubbles of bliss, where I could ‘Green-Dream’, and meditate , one was in an old overgrown scrap yard , ironic, to watch Mother nature slowly dismantle the many vehicles of some of our recently departed ancestors’ prized and cherished possessions that they probably spent many a year polishing and maintaining… all part  of the ‘Coming and Going’ I suppose.  The other Green retreats was the local park and a wonderful (time-warp) Cemetery, and my bedroom that had wall to wall plants and trees and flowers and cactus, and wood and rocks, and my crazy collection of books and Man Myth and magic magazines etc . But it was inside myself, my heart and mind, I found the great escape!

PP: Will you ever be coming to the United States?

GN: It is a serious wish for me to come back to the United States and share my music with whoever may take the time to listen, I have had 5 emails this week alone asking me this question, many who have had the pleasure of listening to and attending my kind and generous friend Damh the Bard while he was performing over in the States have asked if I will be doing the same, all I can say is, it would be my pleasure!!

PP: So since your new album how have you and the rest of the group been getting on? What have Simon, Nick, and Phil been up to?

GN: Since the new album, Simon has been organizing his own solo gigs as an independent performer (and very cool he is too!). Nick has disappeared again into the mountains and valleys of north Wales; Phil Orme is helping others with their songs and album projects with his plethora of musical skills while feeding them with his superb cooking recipes and showing them some amazing magic tricks (this guy really does not realize how talented he is)! We are also blessed to have with us two new additions to Cernunnos Rising music. We have a truly exceptionally talented flute player Mr. Martin Clarke, who also plays a mean Harp and keyboard, and Mr. Matt McGrory, a brilliant guitarist who has played with many a known artist and has had venues throughout the U.K. including TV exposure… Oh, I almost forgot we are starting to feature some female vocals into the mix by way of my young daughter Katie and a local lass and good friend Carla Lewis; she is also the singing and gigging partner of Phil Orme!

PP: The artwork on this album is exceptional, who was the artist?

GN: A mix between myself, my young Daughter Katie ,and my fabulous and wonderfully talented friend Angela Jayne Barnett from  www.celtic-photography.co.uk A true green soul with an unbridled imagination… go see!!

PP: In our last interview you told us a little about you murals, do you have any new ones?

GN: Yes, I am in the middle of a huge multi-cultural mural project for children at an inner city Liverpool school right now, and another mural project highlighting our ancient and ancestral past featuring some of Britain’s most spectacular and sacred sites.

PP:  Bountiful Blessings go out to Cernunnos Rising. Thank you so very much for grating the readers and I such a magnificent opportunity to be the first to interview another such wonderful album. It has truly been awe an inspiring experience. Again thank you.

To the Readers:

To listen to Cernunnos Risings music click here and prepare to be intoxicated…

Cernunnos Rising Links

www.cernunnosrising.co.uk

http://www.myspace.com/cernunnosmusic

Also on Facebook/Youtube/Red Bubble etc – you can find links on the above sites!

www.celtic-photography.co.uk (Angela Barnett)

Interview with Materdea

Michele Burke May, 2010

    MATERDEA

    mate4r Interview with Materdea

    Pagan pages: Who is MATERDEA?
    MATERDEA (Marco):  For MaterDea she is Diana, an Italian, Latin and Roman Goddess. She is the protectress of wild animals, the guardian of springs and streams and the protectress of women to whom she ensures an easy delivery. She is the bestower of sovereignty and Mystery.  Diana dwells in Nemus, and she is the sacred and vital lymph of Nemi’s Sacred Wood (Rome).
    Diana is well represented in the spoken verse at the end of MaterDea’s acoustic version, the last track of our album:

    “I am the Earth’s green beauty

    The clear moon among the stars
    The waters’ mysteries and the humans’ heart desire
    I am the Goddess, Mother Nature that bestows life to the universe
    Everything comes from me, and to me it must return
    I am the Goddess of love, spreading the stars’ mantle upon the night
    I am the one that heralds the dawn and greets the sunset
    I am the dew that caresses the grass covered in flowers, the lynph that flows in the woods
    That gives life to the winds and waters that weds the land and makes it fertile
    I am She that defeats death and shatters the chains of fear
    I am Love, I am Life, I am the infinite Light”
    But for MaterDea there is also Pan’s strength and passion, Pan, the flocks’ guardian and player of flute. Through his wooded melodies MaterDea’s enchantment is fulfilled: I always get inspiration from every note coming from that flute, it generates an image, from that image comes a sound, from that sound a new composition.
    PP: What were the driving forces that led you to this wonderful album?
    MD: Our passion for music, Marco’s passion for the Roman Deities, our interaction that has always been so fluid, intense and harmonic. It seemed to us that every song had its own purpose and it came into being in such a natural way. We went on discovering them little by little each time getting more enthusiastic and surprised about what we were bringing forth from ourselves.
    PP: From where do you draw your MUSIC?

    MD (Simon): Our inspirations came along merging Marco’s rock background and experience and his love for the Celtic atmosphere together with my natural attitude to sing in a dreamy and soft way. Each song was inspired by the sophisticated harmonies and arrangements that Marco created which permitted me to unleash my imagination, finally allowing me to unite it with a new creation. We were often together in Marcos’ studio, in a beautiful little house in the country nestled among magnificent trees, to decide which was the best direction to take on a particular melody, and ended up recording the entire album there. Each track was recorded after the finalization of the composition. One at a time, every one took on aspects of daily life, of the seasons with their colours and scents, and of the goings-on that occurred in our personal lives during this entire period. Perhaps it’s because of this; the album manages to convey a particular feeling to the listener.

    PP: How long did it take to bring this album into being?

    MD: The recording of this album took place from November 2008 until November 2009. The last period was so intense that we had little time to sleep and we were really tiring ourselves, but our happiness for the results was so great that we kept that pace up and succeeded in mixing all the tracks in time to deliver the album on the Yule days!

    MD (Simon): Our inspirations came along merging Marco’s rock background and experience and his love for the Celtic atmosphere together with my natural attitude to sing in a dreamy and soft way. Each song was inspired by the sophisticated harmonies and arrangements that Marco created which permitted me to unleash my imagination, finally allowing me to unite it with a new creation. We were often together in Marcos’ studio, in a beautiful little house in the country nestled among magnificent trees, to decide which was the best direction to take on a particular melody, and ended up recording the entire album there. Each track was recorded after the finalization of the composition. One at a time, every one took on aspects of daily life, of the seasons with their colours and scents, and of the goings-on that occurred in our personal lives during this entire period. Perhaps it’s because of this; the album manages to convey a particular feeling to the listener.

    PP: When did you two meet?

    MD (Marco): The first time we met was in 1991 during a recording session. Then for many years we didn’t have the opportunity to work together and each one of us pursued our own musical career. Then in summer 2008 we met again in a recording studio and worked together for some months. It was then that I asked Simon to join me in the creation of a Celtic soundtrack for a short movie. That composition took on the name “Mater Dea” and we were really happy about it! After that we decided to work on an entire album. “Below the mists, above the brambles” was born from that particular moment.

    PP: Is there a new album coming anywhere soon?

    MD: oh, yes, of course! We are planning to start working on a new album next summer and release it next year.

    PP: Who has been your biggest inspiration?

    Marco: Pan’s passion and power, Diana’s spirituality and Simon’s voice.

    Simon: The beautiful and dreamy musical atmospheres Marco always submitted to me to create a new melody and a new story…… and of course his powerful guitar playing!
    “Many thanks to you all! it is a great pleasure to have met you, and our greatest honour to having been interviewed by Pagan Pages!”

PP: Bountiful Blessings go out to MaterDea, thank you so very much for grating the readers and I such a glorious opportunity to see firsthand a look into your artistic lives. It has truly been an awe inspiring experience. Again thank you.

Free Sound ClipElder Flute

Intervista con MATERDEA

Michele Burke May, 2010

MATERDEA

mate4r1 Intervista con MATERDEA


Intervista con MATERDEA



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PP. Chi è MaterDea, la donna?

Marco: Per MaterDea la donna è Diana ed è una dea italica, latina e romana, signora delle selve, protettrice degli animali selvatici, custode delle fonti e dei torrenti, protettrice delle donne, cui assicura parti non dolorosi, dispensatrice della sovranità e del Mistero.

Abitatrice del Nemus, è la linfa sacra e vitale del Bosco Sacro di Nemi (Roma), Diana è ben descritta nel testo recitato che si trova in coda al brano “Mater Dea” versione acustica, l’ultima traccia del nostro album.

“Io sono la bellezza della verde terra,

la luna bianca fra le stelle,

il mistero delle acque e il desiderio del cuore dell’uomo.

Io sono la Dea, la madre della natura che dona vita all’Universo.

Ogni cosa proviene da me, e a me deve fare ritorno.

Io sono la Dea dell’amore che stende un mantello di stelle sopra la notte.

Io annuncio l’alba e saluto il tramonto.

Io sono la rugiada che scende sui prati fioriti, la linfa che scorre nei boschi,

che anima i venti e le acque, che sposa e feconda la terra.

Io sono colei che sconfigge la morte e spezza le catene della paura,

Io sono l’amore, io sono la vita. Io sono la Luce infinita”.

Ma per MaterDea esiste anche la forza e la passione di Pan, custode di greggi e suonatore di flauto; ed è proprio attraverso le sue melodie boschive che ogni volta si compie l’incanto di MaterDea. Io prendo sempre ispirazione dalle note che provengono da quel flauto.. ad ogni nota corrisponde un’immagine, ad ogni immagine un suono, ad ogni suono una nuova composizione.

PP: Quali sono state le forze trainanti che hanno portato a questo meraviglioso album?

MD: la nostra passione per la musica, la passione di Marco per gli Dei Romani, la nostra interazione che è sempre stata così fluida, intensa ed armonica. Ci è sembrato che ogni canzone avesse un suo proprio intento e si concretizzasse in modo così naturale. Abbiamo cominciato a scoprirle poco per volta rimanendo sempre più entusiasti e sorpresi da ciò che stavamo tirando fuori da noi stessi..

PP. Da dove traete la vostra musica?

Simon: Le nostre ispirazioni sono nate fondendo il background rock di Marco, la sua esperienza ed il suo amore per le atmosfere della musica celtica con la mia naturale attitudine a cantare in modo soffice e sognante. Ogni canzone è stata suggerita dagli ambienti sofisticati delle armonie ed arrangiamenti che Marco ha creato e che mi hanno permesso di lasciare volare libera la fantasia per poi approdare insieme ad una nuova creazione. Spesso insieme ci siamo trovati per decidere per la linea melodica migliore, nello studio di Marco, in una casetta di campagna immersa tra bellissimi alberi, dove è stato registrato tutto l’album.

Le registrazioni sono sempre avvenute subito dopo l’ultimazione delle composizioni, una per volta, ed ognuna ha assorbito anche aspetti della vita quotidiana, delle stagioni con i loro colori e profumi e degli avvenimenti che si sono susseguiti nella nostra vita personale durante tutto questo arco di tempo. Forse per questo riescono a comunicare una particolare emozione all’ascoltatore, perché sono state vissute in maniera assolutamente coinvolgente da noi stessi.

PP. Quanto tempo ci è voluto per portare a compimento questo album?

MD: La registrazione di questo album è avvenuta tra il novembre 2008 e novembre 2009. L’ultimo periodo è stato così intenso che ci rimaneva poco tempo per dormire e stavamo realmente esaurendo le nostre energie! Ma la felicità per il risultato era così grande che siamo riusciti a mantenere quel ritmo e a mixare tutte le tracce in tempo per fare uscire l’album nel giorno del solstizio d’inverno!

PP. Quando vi siete conosciuti voi due?

MD (Marco): La prima volta che ci siamo incontrati è stato nel 1991 durante una registrazione, poi per molti anni non abbiamo più avuto opportunità di lavorare insieme ed ognuno di noi ha seguito la propria carriera musicale. Successivamente nell’estate del 2008 ci siamo riincontrati in uno studio di registrazione ed abbiamo lavorato insieme per alcuni mesi. È stato allora che ho chiesto a Simon di creare insieme a me una colonna sonora celtica per un cortometraggio. Quella composizione è stata intitolata “Mater Dea” e ne eravamo assolutamente entusiasti! Dopo questo evento abbiamo deciso di lavorare ad un intero album. “Below the mists, above the brambles” è nato da quel particolare momento.

PP. C’è un nuovo album in uscita prossimamente?

MD: Oh, certamente! I nostri progetti sono di iniziare a lavorare ad un nuovo album questa estate per farlo uscire l’anno prossimo.

PP. Quale è stata la vostra più grande ispirazione?

MD (Marco): La passione e il potere di Pan, la spiritualità di Diana e la voce di Simon.

Simon: Le bellissime e sognanti atmosfere musicali che Marco mi sottoponeva sempre per creare una nuova melodia ed una nuova storia, e naturalmente il suono possente della sua chitarra!

PP. Tantissime Benedizioni per MaterDea, grazie mille per avere donato ai lettori ed a me una tale gloriosa opportunità di potere in prima persona vedere uno squarcio della vostra vita artistica. È stata veramente una esperienza molto ispirante. Ancora grazie!

MD: Grazie mille a tutti voi! È stato un grande piacere averti conosciuto ed un grande onore per noi potere essere intervistati da Pagan Pages!

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Scarica gratuitamente una traccia dell’album – An elder flute

Engineers in Your Ear (E.Y.E)

Michele Burke November, 2009

Review

Engineers in Your Ear (E.Y.E)

eye1 Engineers in Your Ear (E.Y.E)

Engineers in your Ear (E.Y.E) is an up and coming new age, self-produced group of hip hop artists who teamed up to make a different sound.

Engineers in Your Ear (E.Y.E.) was born with the idea that Hip Hop has no boundaries and anything is possible. E.Y.E. consist of Paul B & Kylo Rich. Kylo is a relative new comer to the world of engineering and hip-hop contrasting Paul’s years of studying composition, musical styles and the art of recording music. Paul and Kylo met through a mutual friend/artist, J-Hoop, at the end of 2008. They decided to put their minds together and see what would happen. Well, only 9 months later, with Kylo’s fresh ideas and lyrics, with Paul’s instrumental talent, their first album was written, recorded, mixed, produced, and released.

When Paul and Kylo write and record, they seek to inspire themselves and subsequently those around them. E.Y.E is thrilled to be a musical part of the positive energy dispersing through our awakening consciousness. Relying on a spiritual connection and believing strongly in the power of focused positive thinking, E.Y.E. seeks to grow as individuals, as a team, as hip-hop, and as part of the human race on our mother planet. They have a song called Planet Earth that details the Yin and the Yang of our Planet and a love for it.

eye Engineers in Your Ear (E.Y.E)

Currently, E.Y.E. is promoting the first Album “With This MIC In My Hand”, which was just released 09/07/09!

Links for E.Y.E

http://www.cdbaby.com/cd/einyoure

http://www.myspace.com/engineersinyourear

http://www.facebook.com/pages/Engineers-in-Your-Ear/61348372721

Cernunnos Rising

Michele Burke October, 2009

Green Man

Cernunnos Rising Album cover Cernunnos Rising

For those of you who have never heard of the band Cernunnos Rising, let me introduce you to the men behind the music, George Nicholas and the band Cernunnos Rising (Simon, Nick and Phil). George is the founder and main driving force behind the registered charity ` art For Their sake’.  As for the rest of the band well, what is there to say except WOW. Cernunnos Rising is in my opinion, one of the greatest up and coming bands I have had the pleasure of interviewing to date.

George Nichols Cernunnos Rising

(C) Copyright George Nicholas


Interview with George Nicholas and Cernunnos Rising

Pagan Pages: When you are not making music how do you earn a living?

George Nicholas: I earn my living as a muralist. wherever there`s a wall, we can make a change… That could be a child’s bedroom, it could be a restaurant, it could be a swimming pool, and it could be a toilet! Anyway have a look, www.impact-murals.co.uk

PP: What other creative outlets do you have?

GN: I have a very potent imagination and this has come in handy when involved in the creation of some of my inventions, one that I had the most fun with was the creation of the children’s character concept THE WEREBEARS. It took me a whole year just to do that cgi animation trailer on the website with a friend but I can honestly say I learnt an awful lot in the process. Anyway! I make sure I’m active and effective in this modern world we live in, share my skills, and strive to be of benefit in any way possible, and that includes my poetry and music, and I hope people share my sentiments and enjoy the words and feelings I’m trying to share. My heart is with spirit and essence of the green world and nature and all my `inspiration` comes from my time in `connection` with her and my pursuit of the essential principal of balance within and without.

I try to express this in my album Cernunnos `Wild Soul` And convey the message of the need to acknowledge the turbulent forces within as well as without! Also I, like many have a deep reverence for the seasonal aspects and complexions of the year and wished to pay tribute with my words and music; The journey of the soul, and The Coming and Going features heavily on the album and a song about my very earliest recollection/dream about waiting to come into existence and having my chance to become me, to become my wonderful children!

PP: Can you tell us a little more about yourself and the rest of the band?

GN: Some details on our Simon… At 22 years of age Simon is a very versatile and competent musician and multi-instrumentalist. Simons love of nature is such that we don’t often see him much as he disappears to the mountains of north Wales with his backpack full of apples and nuts, and his flute protruding from the top, often stopping in beautiful and ancient  locations  playing his flute like the great god Pan annoying all the locals and wildlife (Joke)!

Simon has been a member of Cernunnos for six months and we bumped into each other at the ancient monument and burial site of Bryn Celli Ddu, on the Isle of Anglesey, North Wales; Simon now lives by the Formby Nature Reserve on the North West coast.

Simon works and looks after old people and is a qualified chef, but they are all very unhappy with the constant diet of apples and nuts he provides (another joke maybe). All Joking aside Simon is a very caring and helpful soul and will often seek out opportunities to help wherever he can, in work or the local community. He has now become a full time volunteer of the charity we run called art For Their Sake.

Our other band member Nick Reynolds, At 49 yrs of age comes from North Wales and lives in a little place called `Nercwys`. Nick is a bass guitarist and session musician and stands at 6ft5ins tall and is a multi-media designer. Nick was one of my layout artists and scriptwriters when I produced the Werebears comic many moons ago. Nick is another forest dweller and has this longing for the wilder places that we all share.

Then there is Phil Orem, he owns and runs the studio where we are doing our album. Phil is also the owner and engineer/producer  of “The Doghouse Studios” and has worked in recording since 1984, working with some of Liverpool’s finest bands along the way. He set up his first studio back in 1987 with little more than a Tascam 244  and a couple of mic’s, and has progressed to the current Pro-Tools based set up he uses today. As well as running The Doghouse Studios, Phil has worked with several top North-West show bands, including The Untouchables, The Emotions” and The Memphis Soulhounds. He is currently Playing guitar for The Salford Jets who had minor chart success back in the late 70’s with such songs as Gina I’ve got a Cortina, Manchester Boys, Who you Looking At and Looking at the Squares. He Is also with Mike Sweeney and the Thunderbirds a 60’s 5 piece Band playing revival weekends with the likes of The Foundations, Steve Ellis (love affair), Herman’s Hermits, The Troggs, The Merseybeats and The Searchers.

Now as for me…mmm, where to start? I was born 1955 in Liverpool, England, the usual very poor upbringing and childhood  I discovered at a very early age i was artistic and creative and had an unbridled imagination and often  thought about `the other realms` and their inhabitants, maybe most kids do, but my sketches of them upset my parents a bit. I spent most of my time in the local woodlands/cemetery, an amazing escape from the not too distant urban sprawl and noise. I used to love to draw trees, and this place became my own little timeless wildwood. Enduring the bullying that went on for most of my early years i decided to pursue `boxing` as a form of self defense and became very successful along with my crazy brother Ray who is now a very busy and respected  pro Stuntman. We soon discovered how to use and direct that Chi force with formidable results often many bouts ending with left jab knockouts?, I found the whole thing very interesting and I am convinced it was the power of intention and mind, I now know in my later years that this is the case, and the same `energy`, direction, and intention of mind, and imagination can also be used to creative ends, or to destructive ends. For the last 40yrs I have made a point of using my `creative` skills to benefit others particularly those disadvantaged and ill, hence setting up the charity  art For Their Sake this is one of the `loves of my life!.

After being accepted into art college at the age of 15 yrs of age and coming out of that straight into a no job situation, I found myself working on building sites, and nightclub security in the unfolding years.(these were black soulless years for me, trapped in a city of conflict and crime).I eventually found myself a job as a scenic artist at the Empire Theatre, I stayed there until i was made redundant and cast back into the city rat race, I then found myself a job as a sign-writer, that lasted a year and I was made redundant again(I`d had enough).

I immigrated to Georgia, U.S.A..and made my way to the very `green` Jonesboro. At last!. somewhere with trees;  I ended up being a full time pro-Fireman, and also an E.M.T, and paramedic, ran a sign company, and art studio. It was bliss for a couple of years until I smashed and broke my back in a serious fire falling through several floors, … My first Daughter Sharon being born with medical problems, my house being cut in two by a massive tree during a storm, my Dad suffering stroke problems and a random attempted murder on my brother Ray, and I had two heart attacks due to a stupid doctor giving me massive muscle relaxant overdose( twice).

I returned home to merry old England and her ancient places and distinct seasons and realized and practiced my inherent spirituality, and so the journey began.

Although I was only still 26 yrs of age I felt I had been alive forever! Bored, I decided to paint the world’s `longest` mural at Alder Hey children’s hospital; Europe’s largest

children’s hospital, this earned me a place in the Guinness book of world records. Although they sent me the certificate with the hospital name on it  and not mine, (Never mind,. the pleasure was in the doing)!.

It was about this time I became a singer, and also started doing some acting on TV. I also worked for an animation company and this prompted me to become a pro-cartoonist, and create my own characters and syndicate them to all the newspapers,.. this then led to a full time occupation of publishing and creating my very own children’s comics nationally selling 100 thousand of each issue, these years were great fun, but I still just wanted to go sit in the woods and write my songs and poems, and soak up that awen, mmm! The next period led me to invent the werebears , wow! Things became busy and I ended up in the U.S. again talking to film giant Universal Studios and others; and secured a very successful toy deal and publishing deal back home. That was years ago but there seems to be new interest in the werebears and I’ve just spent the last year creating the new hybrid toy that not only changes from cute to nasty, but he howls if you squeeze his paw, and his eyes light up in the dark,.. I can`t help myself , I just have to be doing things! If this concept is a success again, I want the royalties to go to our charity because it will help fund all the many projects and schemes with have on our `to do` list, some of them very big indeed!

Anyway The best bit!,..I had decided at our Yule gathering on the isle of Anglsey to fulfill my desire to turn my poems into song and perform them! This was going to be interesting! I needed to learn to play the guitar first, so I could at least put some tunes together around my lyrics ( time to light some serious candles and imagine this whole thing coming together, like never before!!). After asking for some tunes to drop out of the ether, and consulting with the consultants in the `field`, one by one my songs began to materialize. I actually had to visit the isle of Mona for a top up and plug-in! and fill up on `inspiration` so to speak. What is remarkable, is that for the first two and a half months of this year I was laid up with slipped discs for six weeks and then was struck down with an acute

and very nasty condition called Llabrynthitis, this is a deep middle ear infection resulting in your whole world spinning violently `round  and `round constantly with no let up, needless to say this makes the sufferer violently sick and constantly vomiting, for about 8 weeks solid ( it is possibly the worst thing I’ve ever had and makes you want to give up and catch the next bus to Tir_na-nog!). Anyway making the most of this period of not wanting to open my eyes in case I fell off the world, I had time to think and refine and decide upon my songs, as a result of this forced reflective void in my life, I made up my mind and final decisions concerning the songs and so this is where we are today.

I feel I have been totally true to myself and have reflected my feelings and sentiments and beliefs in the words and music(feels weird!). All this has taken six months up to now. What started the ball rolling was my 14 yr old daughter Katie just decided to design a logo and  my space page ( the stuff that`s up there now) and put my stuff up to see what kind of feedback we`d get,…What can I say, Things are manifesting for sure! Jumping the gun a little the title for the next album is URBAN DRUID, should be interesting, as there are thousands of the buggers out there!

Just to finish off we will be creating our own CernunnosRising website and our music and our own home spun album will be available from there in the very near future!

Thanks sooo much for your interest and I hope I have not bored you to death with the fiddly bits of some of my life /journey, Love and Blessings, George xxxx

PP:  Bountiful Blessings go out to George, Simon, Nick and Phil. Thank all you so very much for grating the readers and I such a magnificent opportunity to be the first to interview such an absolutely wonderful up and coming group of artist. It has truly been awe an inspiring experience. Again thank you.

To the Readers:

To listen to Cernunnos Risings music click here and prepare to be intoxicated…

Cernunnos Rising Links

http://www.myspace.com/cernunnosmusic

www.werebears.com

www.artfortheirsake.co.uk


www.impact-murals.co.uk

Lord – Music Review

Theresa C. Newbill September, 2009

Lord Lord   Music Review

Lord is an Australian heavy metal band that is really a mix of styles from all over the world with their own unique spin on it that’s hard to quantify exactly. I would say more than anything you can hear a hunger and a drive in Australian metal because the scene there is so small, and to be a cut above anyone else and to make a real go of it you need to be up there with the best in the world or you have no hope of making the leap from small bar band to international touring act. That hunger trickles down from the top tier of international touring acts right through the entire scene. It’s that drive that gives the Australian bands a freshness and energy that’s lacking in some of the more over saturated markets.

With LORD, while they say they’re a heavy metal band, there’s much more to their sound than just being under that label. They have the obvious elements of traditional and power metal, but they also mix it in with a good helping of thrash, melodic hard rock, melodic death, and even incorporate elements of things as diverse as prog metal, mainstream rock, AOR and many extreme metal styles. It’s that diversity that makes up the LORD sound, so while they are proudly an Australian heavy metal band, they’ve also evolved into something far more broadly than that.

LORD was born from the ashes of Dungeon, who were one of the longest running and better-known Australian metal bands. The singer/guitarist of Dungeon was under the name of “Lord Tim” (which is actually more of a joke name than anything else), and he released an album of solo material as a side project in 2003. He disbanded Dungeon in 2005 and started LORD as a proper band rather than a solo project. It was convenient to use that name because they already had an album out, so the name was known, plus LORD is a fairly ambiguous word that can mean a lot of different things to different people, so it suited the diverse sound that they were aiming for. Essentially LORD is Dungeon when you break it all down, but with even more diversity in its style.

Dungeon, toured with Megadeth, Opeth, Mayhem, Destruction, Doro, Angra, Edguy… the list goes on. LORD has toured with Nightwish, Queensryche, Nevermore, Gamma Ray, Saxon, and lots more as well. They are very fortunate that their profile makes them one of the go-to bands for promoters to choose as a support to international acts that tour there, and getting the opportunity to tour the world with the likes of Megadeth, Queensryche and Edguy who are some of their favorite bands, and play with incredible musicians like Angra and Opeth is just a fantastic experience. They have also had the great honor of collaborating with members of bands like Doro, Dio, Megadeth, The Poodles and Angra. As the band puts it,” It’s amazing thinking back to when you were growing up and seeing posters of these people on your bedroom wall and then one day you find you’re not only just a fan, but you’re now a peer that is either touring or collaborating with them. That’s a pretty amazing feeling!”

It’s a pretty amazing feeling when we listen to their music as well. On A Night Like This is actually a cover of a Kylie Minogue song, believe it or not. It’s one of those wacky ideas that they did semi-seriously and it turned out great, and has since gotten national airplay and tens of thousands of plays on their My Space page. It’s a cool song and a lot of tongue-in-cheek fun.

Rain is one of the more popular songs on the Ascendence album, with a very Queensryche kind of vibe. It’s possibly the most ballad-like song on the album but when it gets to the middle section, it becomes quite heavy. The band says,”  It’s a challenge to play live but very satisfying and I think we’d get lynched if we ever stopped including it in the live set.”

Footsteps in the Sand is another mainstay of their live set. The lyrics are about deja vu and precognition, with a discussion asking if destiny is already mapped out and we’re just following “footsteps in the sand”, or if there are infinite possibilities and paths to follow. The band says,” This song is great to play live because there’s a big Iron Maiden-esque sing along part in the middle that always gets a great reaction.”

Reborn has so much cool stuff in there – dozens of guitars, hundreds (literally) of vocal tracks, orchestras, choirs… you name it – and because it tells the story of the demise of Dungeon and the birth of LORD, it’s very symbolic.

As for Last Rites, the subject matter is fairly thought provoking and it goes through a wide range of movements and themes to tell the story.

One thing everyone says about LORD is that even if they’re not particularly a fan of their style of music, they still enjoy the performance. The band likes to put on a show rather than just standing there and playing their instruments. There’s a lot of crowd interaction, lots of jokes and crazy stage moves. People can see they’re having a great time on stage and not taking some of the stuff they do too seriously, but all the while actually managing to play the complex material they have on their albums.

LORD has the following albums out: A Personal Journey (2003, remastered and re-released in 2005 when LORD became a proper band), Ascendence (2007), Hear No Evil EP (2008) and 2009 will see their new album Set in Stone released. There’s also been a limited edition live album called Live at the Metro (recorded live in late 2006, released 2007). They tend not to count A Personal Journey as a “real” LORD album, although they’re still proud of the material on there and play some of it live, so as far as evolution goes they would say it starts with Ascendence. That in itself was a continuation on from Dungeon’s style and was very much a transitional album between the more straight ahead heavy metal sound Dungeon had into the more adventurous sound that LORD was developing. That continues on into Hear No Evil where there’s more of a blend of elements like thrash and mainstream rock into the core heavy metal sound, and Set in Stone is more diverse again, and the most ambitious project that they’ve done yet in both LORD and Dungeon.

The band is currently putting the finishing touches on their new album, Set in Stone, which should be due out this year. You can expect a couple of video clips and possibly a limited edition DVD sometime this year as well, and then they plan to take a much needed break from writing/recording until 2010 sometime because it’s been absolutely non-stop tour/record/tour/record for the band since it was formed. They’d also like to concentrate on touring and recharging their creativity before they tackle the next one, and given the high mark they are setting themselves with Set in Stone, I think they’re going to have a tough act to follow.

No tour dates in the US yet, unfortunately, but they are working on international dates at the moment. Hopefully that’ll take them to the US sometime in early 2010 if all goes well and their distribution is in place. For all of LORD’S tour dates, the best place to check them out is on their My Space page: http://www.myspace.com/lordaus they’re just about to embark on an Australian and New Zealand tour in a week, and they’re adding more national and international dates as they get confirmed.

You can get LORD (and Dungeon) albums at their online store: http://store.lord.net.au and you can also legally purchase MP3s from the Hear No Evil EP from places like iTunes, Rhapsody, Napster, etc.

Modern Invasion is the Australia label that released A Personal Journey and Ascendence. Soundholic is the label that released Ascendence in Japan. From Hear No Evil onwards, LORD has been and will be released through Dominus Records, which is their own label. They’ve chosen to go that route to give them more control over their product and marketing, and they’re arranging distribution and sub-licensing for territories around the world.

Interview with Saira B

Theresa C. Newbill August, 2009

Saira B.thumbnail Interview with Saira B

PaganPages: Who are the members of your band?

Saira B.: It’s just me.

PP: Where were you born and raised?

SB: South Bend, Indiana

PP: Can you tell us about your childhood, parents, siblings, and surroundings?

SB: I really don’t talk about my childhood…. Let’s just say, it influenced the way I am today.

PP: What instruments do you play?

SB:  I dabble with playing instruments… When I was younger, I played piano.

Tried guitar (acoustic)

PP: When did you start to have an appreciation for music? What age?

SB: Ever since I can remember. Always. I was always singing.

PP: What was the culminating point in your life where you decided that music was something you wanted to make a career out of?

SB: It’s all I’ve EVER wanted to do.

PP: Who gave you your first musical instrument and what was it? What age did you start singing and writing?

SB: I was given a guitar at age 12… I’ve been singing as long as I can remember.
When I was younger, my sis & I would sing for people (neighbors) for a quarter…. lol

PP: What spiritual path or spiritual belief system/religion were you raised as?

SB: I was FORCED into church my whole life…. I didn’t appreciate it, other peoples beliefs forced on me constantly. I do not attend church of any sort now…

PP: Did you take musical lessons as a child or is the ability that you have self-taught?

SB: I can say I taught myself, because I did. I would listen to songs on the radio, and do what they did… I could do everything they did and more… I always knew it was what I was meant to do. I also was in choir all through school…. I was, and still am obsessed with everything music related.

PP: What other bands or musical groups were you in before?

SB: I was never in any music groups. I’ve always been known as a great vocalist around town…
I did ‘hooks’ for other artists (and whatever other vocals they needed). I was always wanting to record a song that was all my own…

PP: How did you meet the musical artists that have influenced your music and career as well as your writing?

SB: I have yet for that…. I am influenced by ‘life’ & ‘feelings’ — not people directly.

PP: Whose idea was it to form the band we all know of today as Saira B.?

SB: Me. It’s always been formed in my mind…. just didn’t have the means to make it a reality.

PP: What influences do you personally bring to the band?

SB: Hopefully, the influence of Darkness.

PP: Who were your musical idols growing up?

SB: So many… Sade, TLC, Mariah Carey, Jewel, Sarah McLaughlin, Destiny’s Child, Toni Braxton, Brandy. No Doubt there are so many… I could go on & on…

PP: What other bands do you admire now?

SB: Beyonce, Cradle Of Filth, Keri Hilson, Draconian, Razed In Black, BrokenCyde, 3oh!3
All Kinds of Dark & Crunk S!#*!

PP: How would you describe the music you make and the lyrics you write?

SB: They need to be heard… I have a dark message for everyone… I have ‘twisted’ love songs bleeding through the pages… I have visions of a dark ‘Dream’ That I know as A ‘Reality’…
The whole world will be black…. inside & out*

PP: Is Saira B. your real name or a stage name?

SB: Saira B. is my real name. My last name begins with a B.

PP: What other bands/musical artists have you collaborated with/toured with/played with/opened for? Tell us about those experiences.

SB: I haven’t toured yet. I will eventually.

ists I’ve DONE SONGS WITH…

KRUSHO

Rob of Necrodemon

Steve Dickson (Signal)

Bryon DeVolder

Crook & F-5ive

So Many in South Bend & Mishawaka…

If I didn’t remember your name…it’s probably because you f*%$#@ me over in one-way or another. (Let’s just say I’ve done lots of recordings that I don’t even have a copy of…let alone get credit for)…

PP: Let’s talk about 6 of your songs: Your picks although my favorites are Secrets and Spun. Tell us about each of these songs.

SB: Secrets— A song about… Obsessing over someone…. Forever… Willing to play a deadly game, just to prove a point to the one you ‘LOVE’ so much…

Spun— Wanting to be with someone… no matter the cost… The past is irrelevant… being away from them is torture… Intoxicated— The feeling you get when your ‘in love’… it consumes you & makes your heart dance…

Surreal — Very intense feeling. Sadness & longing to die with the one you ‘love’… In Death, nothing can touch the two.

Thugged Down — More of a ‘need’ for short-term closeness…A past and present friendship…. unspoken, unbreakable bond.

Endless
— A song about power, regret, revenge, hatred…. and a f*%$#@ up ending.

PP: Do you have a personal favorite song? If so which one is it and why?

SB: My Personal favorite is ‘Secrets’—- I’m all about insane S!@#…. revenge & stalking…who said it was over? Do you believe them? Do you believe yourself??? Why???? Reality Hurtzzz…

PP: What can one expect to find when we see you perform live?

SB: When the time is right… Sooner before later…

PP: Can you tell us a bit about your cd’s and DVDs’ special projects or endeavors etc.?

SB: My first cd… Darkness Falls, will be out SOON! Also an ‘X’ Record’s compilation album featuring 2 songs from each of their artists.

PP: How do you see yourself evolving as an artist?

SB: I want to touch everyone. I claim no genre. No Boundaries here. I want to spread darkness across the world & beyond. I want to work with some of my fave producers & such… TimBalAnD would be just fine (can we say, top spot?)!!

PP: What special projects, new releases can we expect to find from you in the near future?

SB: My Album…. Darkness Falls, The ‘X’ RECORDS compilation album. Lots of collabs!

PP: Any tour dates your fans should be made aware of? What are your latest tour dates?

SB: None as Of Right Now… Eventually…yes!

PP: Please give us links for ordering your cd’s and dvd’s etc. and for any other special projects that you would like our readers to know about.

SB: My first CD will be available soon through X Records: www.xrecords.biz. All of my music will also be available on all the digital download sites. For now everyone can simply visit:
www.myspace.com/sairabmusic

PP: Do you think an artist should play it safe of push the envelope? Why? And are you signed to a major record label yet? What is your present record label? Tell us about it.

SB: I was recently signed to ‘X’ RECORDS (October). I say be yourself…. Whatever that entails… Really…. never change for ANYONE, NO MATTER WHAT.

Thank you for the great interview, Saira.

Marcomé – Music Review

Michele Burke August, 2009

Marcome Portrait Marcomé   Music Review

Courtesy of Marcomé

Female Canadian vocalist, composer and producer Marcomé blends an enchanting mix of new age and world music creating a unique new genre known as New World music. Her beatific voice takes hold of your attention from the first time you embark on the breathtakingly beautiful musings of her richly textured ethereal voice. Marcomés newest Album River of Soul successfully combines the sultriness of World music with the peacefulness of New Age. For all of you who have never heard Marcomés intoxicating sound I must say you do not know what you have been missing.

Marcome Marcomé   Music Review

River of Soul

Video Clip – River of Life

Free Sound Clip – Dawns Spirit

Album in MP3: $12.99CAD – $11.74 US

Album in Wave: $15.99 CAD – $14.45 US

Album on CD: $15.99 CAD – $14.45 US