passion

GoodGod!

February, 2019

Meet the Gods: Eros

Merry meet.

With the Hallmark holiday, Valentine’s Day, falling in February, it is fitting to turn to lusty Eros, the Greek god of sensual love and primal desire. The word erotic comes from his name.

In some tellings, he is the son of Aphrodite, the goddess of sensual love and beauty, and Ares, the god of war, or of Aphrodite and Zeus, the king of the gods, or of Hermes, the divine messenger of the gods, according to Britannica.

Others say he is a primordial god, the son of Chaos, the emptiness of the universe. Later depictions show him not as an adult male, but as a mischievous child. At sometime he became a winged youth that was made younger and younger until he was the infant we see as a Valentine’s Day mascot that the Romans knew as Cupid.

“In early Greece, no one paid much attention to Eros, but eventually he earned a cult of his own in Thespiae. He also was part of a cult along with Aphrodite in Athens,” according to “Deities of Imbolc” by Patti Wigington on ThoughtCo.com.

In another article for ThoughtCo.com, Wigington wrote, “As a god of lust and passion,?and fertility as well, Eros played a major role in courtship. Offerings were made at his temples, in the form of plants and flowers, vessels filled with sacred oils and wine, beautifully crafted jewelry, and sacrifices.

“Eros didn’t have too many boundaries when it came to making people fall in love, and was considered the?protector of same-sex love?as well as hetero relationships.”

In honoring the lusty Eros today, and asking for his help in matters of love, consider leaving him roses or other flowers symbolic of love, apples or grapes. Offer eggs or hares if it’s the fertility god you wish to honor. Wings, and a bow and arrow are also representative offerings.

An offering to a god is an invitation for him to enter our life. Gods cannot force or demand our worship and cannot violate our freedom or our conscience. Expressing gratitude, appreciation and love toward them, allows their energy to flow back to us.

Merry part. And merry meet again.

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About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.

There Are No Creative Blocks

September, 2017

 

THERE ARE NO CREATIVE BLOCKS

I am a shamanic teacher, painter and author. In this article I am going to explain why, viewed from a shamanic perspective, there is no such thing as a creative block.

This may sound a bit controversial or flippant as creative blocks can feel very real to people who are on deadline for a book, article, film or other creation. For that reason I will start by acknowledging just how soul destroying such times are, when the flow appears to dry up. If you are self-employed this may also mean that your income dries up. In its most severe form it can bring on depression. (I am not a complete monster and I spent years doing shamanic healing sessions with a focus on helping people access their creativity. Before you start sending me hate mail: I DO UNDERSTAND!!)

The thing is that many people love being creative without ever reflecting on where this “flow” originates. Before I undertook intensive training in shamanism I had a vague idea that I had a very lively imagination (I was painting and writing already in childhood) and that the creative flow originated in some mysterious part of my own brain/mind/psyche/imagination.

I have experienced plenty of struggles in my life – due to my “hyperactive imagination” I have a hard time simply falling asleep at night – everything has its downside!! However, one thing I have never experienced is creative block. Full stop. I may have times where painting is not going well but then I switch to writing, poetry, film making or making music.

When shamanism found me and called me, the first few introduction courses made me feel like someone had held a shotgun to my head and blown off the back of my head. Suddenly my imagination was the whole cosmos, stretched across all worlds, including other worlds, the spirit world. The only word for this is revelation! I discovered that the beings I had given form and colour on canvas were not just imaginary, they were spirit allies, otherworld inhabitants, divine beings, who had come forward to work with me and others.

I discovered that inspiration flows through us but does not necessarily originate with us. The key principle in shamanism is hollowing out, becoming a hollow bone for spirit. Once we do so, we are in flow (if perhaps not the exact flow we were planning without conscious mind, but FLOW!) For me that flow is creativity.

At that point my relationship to my own paintings changed completely. In the “regular art world” artists often judge their worldly success by the number of painting sales. Now I do sell paintings – there is a steady flow of them leaving my studio – but the moment you realise that your paintings are powerful beings given a home/body/physical presence on canvas – you can’t just sell them to anyone who asks. Some tough experiences and wild rides have taught me consult the spirit of the painting about where it wants to live – not just sell it to the first person who expresses interest. This has also meant I am sometimes giving paintings away following a dream or message from spirit that instructs me in no uncertain terms that a specific painting was to help a person in their lives.

Decades of daily encounters with creativity have taught me that the creative flow ultimately originates elsewhere – it ultimately connects to the very Heart of Creation itself. It certainly passes through our imagination and the filter of our own experiences/memories/talents but it is a trans-personal force. The creative force is closely related to Life Force and Spirit. – This also means we need to re-think any egoic attachments to what we create, arrive at a more humble attitude. These days I use phrases like “received from spirit” more often and more comfortably than I CREATE….

When blocks in creativity occur a number of things might be going on:

– We may be too focussed on the “ownership of the creative flow” and it not flowing the way our conscious mind wants. The moment we step back and open ourselves to whatever desires to take form – the block dissolves pretty quickly.

– We do not distinguish between internal and external creativity. Meaning that people easily see the outward expression of creativity: paintings, architecture, book, music, films etc. But there is also internal creativity: some people have an amazing talent for problem-solving, for giving creative legal advice, for turning a very dense and complex text into a lucid summary others can actually absorb Surgeons may display great creativity in the way their operate and sew up wounds (minimizing discomfort recovery time for the patient – and so forth! Rather than saying “I am not creative” ask yourself : “What is my unique area of creativity?!” It could be giving other people relationship advice, it could be having conversation with young children that they will remember long after you yourself die….

– Everything that exists in the human and earthly realm has a beginning, middle and end. We cannot escape death and endings. They give events meaning. We do not have “forever” to do things or get them right – we have only the NOW. Often people get into creative blocks (or even depressive states) when they are not willing to surrender to symbolic death and dark nights of the soul. Sometimes it is Autumn, not Spring, even in our personal or internal lives. Sometimes we need Cave Time and Darkness, not light. Sometimes we need to be calmed so something can gestate. The moment we can surrender to this process it takes on a movement of its own and one day people will move “out of the tunnel”. Fighting and resisting the process can stall it – meaning remaining stuck in the tunnel for prolonged amount of time.

I could go on and on – and then this would turn into a book! (Maybe one day I will write that book – but I am busy writing a book about Sacred just now). If you would like to know more and also hear other people (shamans, artists, entrepreneurs and experts in different fields) speaking about harnessing creative power, I invite you all to register for the following

FREE Summit

HARNESS YOUR CREATIVE POWER

with Gunhild Lorenzen

Learn To Cultivate Your Creative Genius, Deepen Your Courage, Find Your Confidence and Blissful Passion!

http://www.gunhildlorenzen.com/harness-your-creative-power-free-online-summit/

I also invite you to check out the following

FREE class

THE HEART OF THE CREATIVE PROCESS

https://www.learnitlive.com/class/9334/The-Heart-of-the-Creative-Process

See you there!

Imelda Almqvist, 23 August 2017, London UK

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About the author:

Imelda Almqvist’s book Natural Born Shamans: A Spiritual Toolkit For Life (Using shamanism creatively with young people of all ages) was published by Moon on 26th August 2016.  She is based in London,UK and teaches shamanism and sacred art internationally. 

For her courses in Norse Shamanism (in both Europe and soon coming to the USA as well) please visit the following webpages

FORNSED IN SWEDEN

http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=211324

2 YEAR PRACTITIONER OF NORSE SHAMANISM PROGRAM

http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=224450

www.shaman-healer-painter.co.uk

https://imeldaalmqvist.wordpress.com/

YEAR OF CEREMONY

http://affiliate.soundstrue.com/aff_c?offer_id=124&aff_id=2260&url_id=86

Excerpt from Celtic Witchcraft by Mabh Savage: The Color Red

August, 2017

 

The colour red appears throughout Celtic mythology and is normally associated with magic in some way. This may be the prophecy of war and bloodshed. Rowan, the tree with the startling red berries, is strongly associated with powerful magic. The Morrígan herself is normally portrayed as having red hair, especially in her guise as a sorceress or poet. Red is the magic of spells, curses, geas and prediction. Red is proactive magic; visible magic; magic that wants to be seen, admired or feared.

 

Think about red in our daily lives. Red means stop; warning; danger; love; passion; blood; fire; forbidden; command; hang up; hot; hazard and generally ‘pay attention right now’. It is the colour of compulsion. We are almost programmed to pay attention when we see red. The term itself, ‘seeing red’, denotes a state of rage that implies we are no longer fully in control of ourselves. In nature, flowers are red to attract pollinators, and insects are often red (or red and black) to warn of venom, or to con predators into thinking the potential prey is dangerous. Birds may flash red feathers to attract a mate and among our own ‘plumage’, red is considered a sexy colour; racy, dangerous and daring.

 

Fire

 

 

Red is used as the colour of the direction of south, and the element of fire. Often a red candle is placed at the southern part of an altar, or the southernmost part of a room where magical work is practiced. It may, however, not be practical for you to use fire or indeed to have candles in places where small hands or paws can reach them. So instead, you may want to use a red ribbon, symbolising the way passion binds us. A red pen can symbolise the fire of creativity. A simple blob of red paint on a stone or shell may bring a Spartan and natural beauty to your sacred space. You can use red flowers from the season; poppies in spring, roses in summer and perhaps chrysanthemums or rudbeckia in autumn and perhaps amaryllis or similar in winter.

 

Other natural additions to a sacred space can be hawthorn berries, rowan berries or holly berries depending again on the season. The juice from elder berries can be used to stain things red, and can even be used as a sort of ink.

 

Passion

 

Our passions are not just the obvious trio of love, desire and lust. We all have passions that stretch into other aspects of our lives; our ambitions, our motivation and our goals. Using red in magic helps us reach out from a place of wanting to a place of having or being. Red is also the connection between the human, physical state and the ethereal, magical state. When you are performing magic, you can imagine red blood flowing through an umbilical cord that attaches you to the universe, combining your own energy with that that resides within everything.

 

If you feel like you have taken on too many tasks, and can’t find a way to prioritise, this exercise is useful. Find a quiet and calming space. Make it feel comfortable; light incense, play music or open a window. Whatever makes you feel more you is very important here. Draw a red spiral on a white piece of paper. Start at the edge of the paper and working inwards from the top left corner, draw the curve clockwise and spiral gently in to the centre. There is no rush. Let the thoughts of the tasks you have piled upon yourself wash through your mind, without focusing on one in particular. While these thoughts flow, keep your eyes following the spiralling line you are drawing. When your spiral reaches a central point, focus on the whole image, then close your eyes and breathe deeply. You should find that you are able to prioritise much more easily, and also that the feelings of stress and pressure have alleviated. You are refilled with a passion to achieve your goals, instead of the fear that you won’t.

 

Blood

 

 

The colour red sneaks into magical and healing practice all over the world. Red is the colour of blood and therefore is intrinsically linked to life, and of course all that goes with that: passions, emotions, health, sickness and even death.

 

This is a technique I learned through my study of the ancient Mexican practice of Curanderismo. When you are feeling particularly stressed out, carry a piece of red ribbon or cord in your pocket. Whenever a problem crops up, tie a knot in the ribbon, concentrating on the issue that gripes at you. At the end of the day, take the ribbon out of your pocket. Look at all the knots. These are your problems. There may be few; there may be many. Go out into the garden, or if you don’t have a garden, use a pot on your windowsill. Bury the ribbon and imagine letting go of all your problems. You are returning the physical representation of your troubles to the earth. Letting go physically helps you to let go mentally.

 

If you enjoyed this, Mabh’s book is available at Amazon and all good book stores.

 

 

 

 

 

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Mabh Savage is a Pagan author, poet and musician, as well as a freelance journalist.

She is the author of:

 

 A Modern Celt: Seeking the Ancestors

 

 

and

 

Pagan Portals: Celtic Witchcraft.

 

 

Follow Mabh on Twitter, Facebook and her blog.