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Review: 2019 Lunar & Seasonal Diary (Northern Hemisphere) by Stacey DeMarco

December, 2018

Review:

2019 Lunar & Seasonal Diary (Northern Hemisphere) by Stacey DeMarco

Rockpool Publishing

ISBN: 978-1-925682-13-7

List Price: $21.95 USD / £16.99 GBP

The 2019 Lunar and Seasonal Diary is a beautiful, spiral-bound calendar, richly illustrated with pleasing sepia color pages. As one would expect, it tracks the waxing and waning of the moon and the lunar eclipses of the coming year. It also provides the astrological house of each new and full moon and features the eight annual festivals of the wheel of the year.

I reviewed the Northern Hemisphere edition of the Seasonal Diary. Both Stacey DeMarco and Rockpool Publishing are based in Australia, which is why special care is made to tie the festivals to the seasons themselves instead of calendar dates. After all, our calendars follow the reality of the Earth and her seasons, not the other way around.

Especially well fitted to the new pagan, the diary has a well written introduction the hows and whys of spellcraft and the basics of working with crystals. The moon phases are introduced, as well as the elements, directions and the wheel of the year – not enough to complicate things, but enough guidance to use the daily and monthly prompts that follow. Each month features a specific deity, as well as an appropriate ritual or spell, drawing inspiration from traditions as varied as Slavic, Celtic, Hindu, Norse, Egyptian, Greek, and Shinto. I think the selection is broad enough to be interesting for almost any pagan.

I found the Lunar & Seasonal Diary a beautiful resource to keep me connected to the monthly rhythms of the earth. Each month begins with a page questioning “What am I devoted to?” – asking us to simultaneously reflect on what we have been wrapped up in the month just past as well as what we would aspire towards in the month ahead. Prompts are given for important dates and goals to focus on and manifest in the month ahead.

This monthly return to focus seems a positively recharging reset to our frame of reference, especially during those stressful times when we’re just happy to it through one calendar page to the next. It reminds us to recall what we are working for in the first place, reminding us that the daily grind is a process and not an end in itself. This monthly taking-stock can allow you to stay open to the living world around you, to stay fast with what is truly important to you, or to shift your focus and goals each month, working on different aspects of your life just as the energy of the earth changes through different phases around you.

With the space for taking notes, prompts for both reflective and aspirational record keeping, I think this is a great notebook for any pagan who sees the value of the occasional ritual to keep one in tune with the seasons, and it especially shines for those new to the pagan path.

2019 Lunar & Seasonal Diary: Northern Hemisphere on Amazon

Seeing the Signs – Book Review of Cartomancy with the Lenormand and the Tarot by Patrick Dunn

October, 2018

Book Review of Cartomancy with the Lenormand and the Tarot by Patrick Dunn

I found Cartomancy with the Lenormand and the Tarot: Create Meaning & Gain Insight from the Cards, by Patrick Dunn, at my local public library. As usual, I discovered it while looking for something else which naturally wasn’t on the shelf. (This happens so often that I expect it). I got it out and read it quickly and returned it within the borrowing period. A few weeks ago, I borrowed it again. This is the kind of library book that you don’t want to return. I plan on purchasing it for my own sometime in the future. It’s a mass-market paperback, put out by Llewellyn Publications.

As regular readers of my column, “Learning the Lenormand” already know, I have been using The Complete Lenormand Oracle Handbook: Reading the Language and Symbols of the Cards by Caitlín Matthews as my “basic text” for learning the Lenormand. This is a wonderful book and I can’t recommend it enough. But as fabulous as this book is, I want to read other books about the Lenormand. Let’s face it – the more you study, the better you’re going to be able to read the cards. have always been an important part of my spiritual quest. Reading, taking notes and working with the concepts that I learn through the printed medium – or online, nowadays – is how someone like me learns.

My original intent was to review this book for “Learning the Lenormand” but the scope of this book is way beyond simply either the Lenormand or the Tarot. After reading this book several times and taking notes, my take is that Dunn’s main reason for writing this book is to show the relationship between the Lenormand and the Tarot. He has a bunch of very interesting ideas. This is much more than a “how-to” book on reading the cards.

In the introduction, Dunn writes that he wanted to write about “divination through the use of cards” (Dunn, xv) and that he is focusing on the Lenormand and Tarot cards – the Lenormand because it is relatively “little-known” in the United States while the Tarot is familiar to most people, even with folks who have never sought its wisdom and knowledge. He also writes that he wanted “to provide some ways to use the two systems together” (Dunn, xv). But he goes on to say that “this is a book about types of knowledge and ways of listening” and that “this book serves as a meditation” on that particular worldview (Dunn, xv-xvi). He also says that while you can use the book as a how-to book, it is really about “how to develop a relationship” with the cards (Dunn, xvi). I think anyone who has spent time with any divination method will agree with this – you need to have a good working relationship with your cards – whether they are Tarot, Lenormand or some other oracle deck.

He starts off talking about the Lenormand. He covers its history and association with playing cards and fortune-telling. I find it interesting that he does not mention “The Game of Hope” or “Coffee Cards”, both mentioned in The Complete Lenormand Oracle. (Matthews, 4-6) He asserts that Mademoiselle Marie-Anne Lenormand’s method of using cards to foretell the future changed the popular idea of the card-reader from its association with Gypsies and the “Roma people”. (Dunn, 2) Instead, reading cards for divinatory results became “thoroughly genteel”. (Dunn, 3) Instead, he focuses on the readers of the cards and their somewhat unsavory reputations. He fully credits the various schools of Lenormand reading that sprung up after Mademoiselle Lenormand’s death with this evolution of attitude. (Dunn, 3)

He writes that there are various methods of reading the cards – a French method, a German method and South American method. (Dunn, 4) He says that an “American” method – meaning the United States – has “yet to arise” but there are “hints” of a “developing system”. (Dunn, 4-5) He laments the lack of resources for American readers of the Lenormand but admits that this is actually “good news”. Instead of reading dozens of books on the subject – like you can with the Tarot – a practitioner is forced to “begin with the cards themselves.” (Dunn, 5)

His descriptions of the meanings of the cards are simple and to the point. I made scans of these pages to add to my own Lenormand notebook.

 

I put these pages and the others I scanned into my notebook. I like how there’s a blank area below the description of each card so you can write in your own notes. If this book was my very own – instead of a library book – I would have already had this book all marked up!

The very next chapter is about the Major Arcana of the Tarot. He doesn’t cover the Minor Arcana at all. He writes that his focus on the Major Arcana is due to the “fruitful” relationship between the images of the Major Arcana and the Lenormand, focusing only on the “esoteric or inner meanings of these symbols” (Dunn, 29)

Here are some of the scanned pages from his chapter on the Major Arcana:

So then Dunn veers away from both the Lenormard and the Tarot to devote a chapter on Occult Symbolism. He writes, “All human are geniuses at one thing: interpreting symbols.” (Dunn, 40) Perhaps this is true – at any rate, humans do try to make sense of the material world and how it mirrors the esoteric. I personally feel that this chapter is a bit long-winded – the reader can be forgiven for skipping over it for more interesting parts of the book. However, this chapter does – however circular his reasoning might be – lay out important concepts for reading both the Tarot and the Lenormand. Using the Anima Mundi as a guide, he discusses the elements, patterns of numbers and cards, and how astrology fits into all of this. Yes – you might be forgiven for skipping over this chapter, but I will guarantee that you will return to it before you are done with this book. There is a lot to digest here. But it is a necessary step in understanding.

Near the end of the chapter, he asserts, “Once you start looking, you begin to see these symbolic patterns everywhere” (Dunn, 55) – which is certainly true. He writes that the Tarot was no more than a “popular card game with evocatively decorated cards” (Dunn, 55) until the “magicians of the eighteenth-century occult revival” happened to notice the patterns of symbols embedded within the cards and rightly suspected that these cards were “something more” than a card game. (Dunn, 55)

Dunn writes that he doesn’t quite believe that the Tarot was designed to be anything more than a popular card game – but the Anima Mundi is “always whispering” to us. But he admits that it “doesn’t matter” (Dunn, 55) – what matters is how we view the symbols on the cards and how we use them for divination.

Therefore, the next chapter is all about the symbolic structure of the Major Arcana. He writes about how most of us “use the book” when we are doing any kind of divination – especially the “Little White Book” that comes with every set of Tarot, Oracle and Lenormand cards – but he says to look at the symbolism of the card and read it accordingly. (Dunn, 59) This, of course, is what many other Tarot scholars say – most notably Mary K. Greer, Angeles Arrien and Rachel Pollack. He points to the relationships between the cards and prompts us to read them in terms of their energy – Cardinal, Mutable or Fixed – and their Element – Air, Fire, Water and Earth. These designations also belong to the world of Astrology, so he connects the Tarot to that divinatory system. Again – none of this is new when it comes to reading the Tarot. But I really like the way he arranges his thoughts – putting together the cardinal cards, for instance – The Emperor, The Chariot, Justice and The Devil – and looking at the relationships between these cards. (Dunn, 63) He repeats this with the mutable cards and the fixed cards. I had never thought of this before and I am still meditating on this concept.

The next two chapters are about getting ready to read the cards and preparing “to tell a story”. I personally think that these two chapters could be one.

After that, he presents a chapter entitled “Some Tarot Spreads”. I have to say that this must be the first time I have ever read anything about the Tarot that does not mention The Celtic Cross. Perhaps he thought that the reader of this book would already be acquainted with The Celtic Cross, so there was no need to talk about it. Or perhaps the way a person reads The Celtic Cross – a card on each position and read as such – didn’t fit into Dunn’s theory of card “relationships”. Of course you can read the Celtic Cross in both ways and as far as I’m concerned, that’s the way to do it – that’s how you get the most of the reading.

He writes about a method of reading that he terms a “reading procedure”. (Dunn, 100) He says that the difference between a procedure and a spread is that with procedures, there is no “layout or set meaning to card positions”. (Dunn, 100) He says that after focusing on your question and shuffling well, you pull the top card from the deck and set it to one side. This card is the “answer to your question, or the overall theme card”. (Dunn, 101) After you pull the “answer card”, you lay out the rest of the cards in three rows of seven cards each. The top row can be the past, the middle the present and the bottom row the future – or you could have the first row be the plot, the second row the characters and the third row the setting. Or you could read the rows in terms of mind, heart and body. It’s up to you.

The first card in every row is that row’s theme card. He writes, “Combine the theme card’s meaning with the overall theme card to get an overview.” (Dunn, 101) And then he writes, “Now it gets tricky” – because apparently you don’t read every card that has been laid out – just the ones pointed to by the theme cards and by using the chart he provides – you count from card to card – depending on what theme cards you have. This is the chart:

Ok, I thought. Sounds interesting. So I laid out my Major Arcana cards as he instructs, after shuffling and cutting and thinking about what was most pressing in my life right now – which is, as always, recovery. This is what I laid out:

As you can see, XIV Temperance is the overall theme card. I didn’t really have a question but that seemed to be a decent enough answer. I need a better sense of sobriety and balance in my life. However, combined with XII The Hanged Man, XI The Hermit and IV The Emperor, I would say that my sense of sobriety and balance is marked by a sense of waiting – for what? – and loneliness and rigidity. I definitely need to work on all these issues. And figure out what the hell I am waiting for.

Ok, so now I started counting from card to card using the chart in the book. I turned over the cards I wasn’t going to be reading.

Reading this as “Past, Present, Future”, I can see my early recovery in my past in both XII The Hanged Man and III The Empress – giving birth to my son and that long stretch of sobriety when he was a little guy. The present is how I am still reeling from the aftereffects of XVI The Tower – the divorces, the abusive relationships, the DWI’s, the descent back into active addiction and the struggle to get sober again. The future is XVII The Star – how lovely is that? For someone who is chronically depressed, that certainly gives me something to look forward to. All I have to do is keep working my program of recovery.

He writes about reading the cards that you “don’t read” – he says that they are not “irrelevant” – they offer information about the cards next to them. (Dunn, 102) So there is a lot more to this reading but I am not going to get into it now – there’s so much more to this book!

After discussing Tarot spreads, he moves onto spreads using Lenormand cards. The first thing he talks about are Signifiers. Usually the only Signifiers the beginner hears about is 28 Gentleman and 29 Lady for a man and a woman respectively. However, he lists quite a few signifiers, based on concepts. Given that every card has a keyword, each card could be a signifier for a question or an issue.

The first spread he discusses is the Grand Tableau, which he calls The Book of Life, a term never used in the Matthews book. I have to say that his explanation of reading the Grand Tableau is very straight-forward and easy to follow. But it’s much too involved of a spread to get into in an article like this one. Believe me when I say that it’s well worth the read.

He talks about other spreads – the Petit Tableau and one called the No Layout spread, which I found very interesting. You choose one or more signifiers and then you draw cards until the signifier appears. I tried this and found that it works better if you have more than one signifier. I thought about it as I was shuffling the cards and decided upon 29 Lady – for myself – and 5 Tree for my overall health – but specifically my mental health and recovery – and 22 Paths (Crossroads) for advice on where to go and what to do next. I ended up laying out the entire deck, since the 5 Tree card was the very last card to show! Since I was laying the cards out on my bed, I almost ran out of space!

I lined the cards up so that they “read” a little more easily. Although the diagonal pattern is real interesting, isn’t it?

Here is the 22 Paths card, which I had as a signifier for “advice” to help me achieve my dreams. I think its advice is clear – looking above the 22 Paths card, there is the 14 Fox card, which calls for hard work. Next to the 22 Paths card is the 18 Dog card, which tells me that nothing is achieved without the help of at least one good friend. On the other side is the 2 Clover card indicating that a good dose of luck is also necessary. And to the bottom are 12 Birds – as a writer, I can write all day long but if I don’t publish, all that writing is for naught. The birds are telling me to sing my song and feather my nest.

I read the 29 Lady card and the 5 Tree Card similarly – looking at the cards all around them to get an idea of what they were telling me. I also considered the diagonal cards. There’s a lot going on with this spread. Too much to write about here – but I am glad that I was introduced to it!

The following chapters are about the language and grammar of symbols, intuitive reading, the symbolic interaction between the Lenormand and the Tarot and something he calls “Synergy”, in which you use both decks of cards in one reading. The chapter entitled “Symbolic Interaction Between the Lenormand and the Tarot” is most informative. He points out where the images of the Lenormand show up on Tarot cards – for instance, O The Fool contains 18 The Dog, 21 Mountain and 31 Sun. III The Empress contains 29 The Lady, 24 The Heart, 5 The Tree and 9 The Flowers. He gives many more examples. He calls this concept of finding Lenormand images in the Tarot “Synergy”. (Dunn, 170-71)

The rest of the book deals with discussions about fortune-telling versus divination and DIY magic – how to scry a card and revising a reading – and two superlative appendixes. The appendixes alone are worth picking up and opening this book. In all – I would recommend this book to anyone interested in either the Lenormand or the Tarot or in divination in general. I plan on purchasing it myself – it’s probably going to be under my Yule tree this very year!

As for now – I have to get to the library – Cartomancy with the Lenormand and the Tarot is two weeks overdue!

*All photographs © polly macdavid

References

Dunn, Patrick. Cartomancy with the Lenormand and the Tarot: Create Meaning & Gain Insight from the Cards. Woodbury, MN: Llewellyn Publications, 2013.

Cartomancy with the Lenormand and the Tarot: Create Meaning & Gain Insight from the Cards

Mathews, Caitlín. The Complete Lenormand Oracle Handbook: Reading the Language and Symbols of the Cards. Rochester, VT: Destiny , 2014.

The Complete Lenormand Oracle Handbook: Reading the Language and Symbols of the Cards

***

About the Author:

Polly MacDavid lives in Buffalo, New York at the moment but that could easily change, since she is a gypsy at heart. Like a gypsy, she is attracted to the divinatory arts, as well as camp fires and dancing barefoot. She has three cats who all help her with her magic.

Her philosophy about religion and magic is that it must be thoroughly based in science and logic. She is Dianic Wiccan and she is solitary.

She blogs at silverapplequeen.wordpress.com. She writes about general life, politics and poetry. She is writing a novel about sex, drugs and recovery.

Eclipsed

August, 2018

Lunar Eclipse and Blood Moon 27 July 2018

My dear friend Susan Rossi who is a gifted astrologer (https://openchannelastrology.com/) has taught me to pay close attention to eclipses and the, so called, annual Eclipse Season. She tells me that eclipses act as gates or portals for human consciousness we can pass through. If we handle the challenges right we can even unhook from “karmic theatre” – meaning that we can put long-standing dysfunctional dynamics between us and others to rest. Easier said than done, but when we achieve it there is instant relief and head space.

In November last year I discovered some cysts in my breast which opened a period of medical investigations married to deep inner work on Mother Issues:

  • Myself as both mother and “shadow mother” of three teenage sons, parenting with great delight all my personal imperfections
  • My real life Mother and my Inner Mother (the magical place within where I can mother myself because I am a grown-up now!)
  • My Mother-In-Law and life-giver of my husband
  • People who have reached out to me in maternal ways during my lifetime. (Women who have nourished my soul and afforded me shelter under their wing when I needed it – I am eternally grateful to them all!)

As a family we plan our summer around our children’s school holiday. We did not consult an astrologer but nevertheless we were at my mother’s house in the Netherlands the day the July 12th eclipse occurred and my mother-in-law was here with us in Sweden for last night ‘s lunar eclipse and Blood Moon.

You cannot make that up!!

Anyway, I decided to walk through these Eclipse Gates intuitively. It is tempting to read other people’s interpretations and astrological interpretations as there is a myriad of on-line articles just one click of the mouse away.

Here in Sweden forest fires rage and everyone is praying for rain. Last night’s eclipse brought that rain!! Actually it started raining the exact moment I started writing this article! I performed an informal rain dance, naked in the forest, at 4 a.m. this morning and a passing wild boar family grunted at me. One bat nearly landed on my head. – I must have done something right…

We took my mother-in-law for an outing on the lake in the early evening (this involved requesting permission from the local castle and land owner to use their jetty – and permission was granted!)

The first sign of the eclipse was a most peculiar cloud appearing over the lake. Our whole family collectively shifted into an altered state of consciousness.

This was followed by some sightings of a beaver swimming alongside our boat.

A few hours later the Blood Moon rose: hard to spot, the palest orange outline against a metal blue Scandinavian sky. All photographs of it failed. They just show darkness – as (I guess) the Moon wants them too. (I do not want to be photographed either when I disrobe and step away from prying eyes).

The next stage of the eclipse process looked like a red horse shoe birthing a new galaxy – or possibly an embryo gestating in deep sacred darkness:

This article will now continue in the form of photographs and poems as I do not yet have access to mainstream linear words for the Lunar Eclipse that occurred within me.

 

The Queen of Blood

 

In one eclipse vision

I meet

The Queen of Blood and Lineage

Seated on her throne

Within me

She hands me her star-spangled cape

 

Says

Time to stop wearing

The Midnight Sun!

Stir the cauldron

That is the eclipsed Moon

Make the Night Sky your altar cloth

The Big Dipper your ladle

 

Remember the woman in the supermarket

Who had

The Milky Way

The Winter Street

Tattooed on her back?

You are She!!

 

You are the mother bear

Whose spine is the Milky Way

As she walks The Winter Street

And leads the way through Darknesses

So it is safe

For the Moon to return

Another day

 

When I die

Wrap me in tonight’s sky

Let the Morning Sun

Burn me in a watery blaze

 

The Eclipsed Moon

Is my Home

I am

And I am not

Simultaneously

Eternally

 

This phase was followed by the tiniest crescent of reflected sunlight returning.

As this crescent expanded and we saw all phases of the Moon in one evening: a true once-a-century spectacle!

Next planet Mars, at his closest point to Earth and fiery red, rose over the tree tops (I was observing all this from a forest by the Baltic Sea).

 

 

I meditated on all the occasions when I had felt eclipsed –

and/or played my part eclipsing others:

 

Eclipsed

 

During this

Total lunar eclipse

I no longer feel eclipsed

by people

I gave too much power

 

They stood with me

As a male wolf-serpent ate the Moon

And a female serpent-wolf called Blame

Unwound from my heart

 

She joined the Great Wolf in the Sky

Where she swallowed some stars

But soon vomited up even more stars

My pain, my fear,

My attachment to that old self

Now twinkle overhead

In the neighbourhood of the Pole Star

 

Next Mars rises

The colour of pulsing rage

As he did so

Three gunshots were heard

In the deep dark forest

They killed a phantom

The Old Me

 

As a crescent of light

Reappeared on the Moon

I stood naked

Resurrected

Safely wrapped

In a wolf fur sky

 

 

 

Dream: I am the Universe

A few nights ago

I dreamed that I was the Universe

Brimming with stars

Planets and black holes

Cosmic Breath

A turning inside-

And outside-in

Weaving in and out of existence

 

Rhythm

So this is

The sound of

One hand clapping…

 

 

 

Skulls don’t lie

 

I look at the sky

Where puffy clouds lie

Skulls with pincers

Crabs

Lobsters

Dis-ease

 

On a hot day

Hidden in plain view

Something in me dies

Whenever I tell

Polite lies

 

I look at the sky

Where my own skull

Grins right back at me

 

 

 

Wild Boar Medicine

(A small dose)

 

Right above

Solstice Rock

The Resurrected Moon

Rests in a tree

To meet all eyes

Gazing up at her

They become one giant

Golden eye

That will greet The Rising Sun too

With awe

Without question

 

Fifteen baby wild boar

Return her gaze only briefly

While grazing in the field

Believing that

The Resurrected Moon

Is the Morning Sun

In the Scandinavian

Sky

 

Having faced

My fears and phantoms

I stand reborn

A Wild Boar Person

With solar attitude

A great love for solitude

 

At this point I decided to go to bed but my bed turned into an art studio and “poet’s corner” as I cannot possibly sleep when the energy is so high!

 

 

 

Imelda Almqvist, Sweden, 28 July 2018

***

About the Author:

Imelda Almqvist is an international teacher of sacred art and Northern European shamanism. Her book Natural Born Shamans: A Spiritual Toolkit for Life (Using shamanism creatively with young people of all ages) was published by Moon in 2016.  She was a presenter on the Shamanism Global Summit with The Shift Network in 2016 and 2017. In 2018 she is a presenter on Year of Ceremony with Sounds True. She divides her time between the UK, Sweden and the US. Her second book Sacred art: A Hollow Bone for Spirit (Where art Meets Shamanism) will be published on 29 March 2019. She is currently working on her third book: Medicine of the Imagination.

Natural Born Shamans – A Spiritual Toolkit for Life: Using Shamanism Creatively with Young People of All Ages

www.shaman-healer-painter.co.uk  (website)

https://imeldaalmqvist.wordpress.com/  (blog)

https://www.youtube.com/results?search_query=imelda+almqvist  

(Youtube channel: interviews, presentations and art videos)

 

 

 

Review: WitchEmoji by Pam Grossman

May, 2017

Hunt for Witches No More: WitchEmojis by Pam Grossman

Emoji2

Witches now have their own charmed emoji to use with iMessenger, thanks to Pam Grossman, a Brooklyn-based writer and curator who focuses on witches, magic and esoteric art.

I created WitchEmoji because I couldn’t find any great witchy, magical emoji to use in my texts,” she states on the witchemoji.com website, adding, “Necessity (or obsessive desire in this case) is the mother of invention.”

Working with an emoji designer who created the icons based on her designs and direction, she then built the app herself. Costing $1.99, it launched early April 2017. The iMessage sticker pack is compatible with iPhones and iPads with iOS 10.1 or newer.

It became the number one sticker pack in the App Store in its first week, beating the likes of Star Wars and Kim Kardashian,” Grossman said. “It’s currently still in the top 20 and getting stellar reviews, which has been very heartening. Just goes to show how much the archetype of the witch is currently resonating with people of all ages.”

WitchEmoji’s 80 images include a besom, cauldron, Book of Shadows, pentacles in all colors, a chalice, a candle, an owl and a love potion along with witches of all hair and skin tones in a variety of situations from flying on a broom to honoring the full moon.

There are so many more emoji I’d like to add to the pack,” she said of her towering list. “It will just depend on what I can afford to develop, so hopefully the pack will keep selling well so I can invest in making more.”

Explicit directions on how to download and load the emoji can be found at https://www.witchemoji.com/.

Emoji1

I’ve been a witch since I was very little – before I even knew to call myself one,” Grossman said. “Like lots of kids, I gravitated toward stories and artwork that deal with magical themes, and engaged in my own intuitive rituals and wild imaginings. Once I was a teenager, I began to read a lot and explore the path a bit more formally. But it was really discovering the surrealist artists and the writings of Carl Jung and Joseph Campbell that opened things up for me, and made me realize that creativity is the surest path we have to the divine. My practice is very personal and syncretic, and draws as much on the art world as it does on spiritual systems.”

Last May her 36-page book “What Is A Witch,” was released. Illustrated by Canada’s occult sweethearts Tin Can Forest, and published by Tin Can Forest Press, it is described as “an illuminated incantation, a crystalline invocation, a lovingly-crafted celebration of the world’s most magical icon” and a “manifesto on witchcraft.”

Grossman’s blog, Phantasmaphile, can be found at Pamgrossman.com.

She is the associate editor of Abraxas International Journal of Esoteric Studies, co-organizer of the Occult Humanities Conference at New York University, and co-founder of the former Brooklyn arts and lecture space, Observatory, where her programming explored mysticism.

Grossman’s writing has appeared in “Sabat Sciences Occults,” “Huffington Post,” and MSN. Lectures include such topics as the occult in modern art and female magic in Western , and she also teaches classes on spellcraft, ritual and herbalism.