Poetry

Musings of a Massachusetts Witch

CricketSong February, 2012

Lullaby of Avalon

In Avalon they honor Mother Goddess

Following the path of those before them

Stepping past the blossoming flora

That lay below the high fertile hills

While the young maidens

In the silent groves

Casting magick circles.

Midnight black ravens caw as they fly

Priestesses under a brilliant shine

Harvesting herbs from the gardens

Alongside the Lady of the Lake

Hear hoof beats

From the great horned stag

Leading the wild hunt of Imbolc.

O Great Mother, Goddess of the earth and of fertility,

Sweet voiced mistress of the moon and sorcery,

Let be your wisdom, your blessings,

Protection and love

My eyes close in sleep.

Comforted in the chaos

Of Life.

Musings of a Massachusetts Witch

CricketSong January, 2012

Sophia

This is noon time, this is mine, tranquility -

The sound of the gong,

An echo, intelligent note

Caressing with the wisdom

Of what psychic visions will appear in my mind.

I hold her in my arms.

It is happiness.

The full tone saturates my brain.

Her small arms encircle my neck.

It is in this place where I encounter,

This astral meadow that seems to breathe

And allows us to meet

Another time

And space again – chakra glows in my chest.

One emotional tear makes her real.

At first my mind will not comprehend

It rebels against concepts told not real, illogical.

I hold my breath so she will remain,

Unconceived infant,

Young and beautiful. Chestnut hair

Tied back. She beams at me.

Her smile initiates my tears.

Fingers graze my cheek like a butterfly

Across the face of flowers, sunny yellow,

While her blue eyes

Search, wisdom of All held within.

Alerting time is over with the beep

That keeps my spirit engaged

On this physical plane. Pulling me back, back!

She is of us, young daughter

Born of love, she remains

Apart yet joined by Divine,

To me, to him.

Ethereal cords. Of love of light.

Manifesting when the time is right.

Me,Myself and I, Notes from a Solitary Practitioner

Rayneschild December, 2011

The children of the Craft of the Wise

Look greatly forward to this day

When the time is nigh for this beloved Sabbat

We know the light is on it’s way

Through this longest night we celebrate

Knowing now the light will grow

And the joy that every spirit feels

Proves that the heart does also know

As the sun goes down

And the Yule logs burn

Our loved ones gathered round

And even Earth’s creatures participate

As they do not make a sound

When the fires cold and the night grows short

This sacred time comes to a close

And the flames, and joy that come at Yule

In each person’s heart now glows.

Since the Sun is also considered helpful in workings of prosperity, during the burning of the log provides an opportunity to work some prosperity magic as well.  One way of doing this is to take a square of cloth or paper and lay it out flat.  Add one or more herb’s for prosperity such as cinquefoil, clove, or patchouli.  You can add a written request before drawing up the corners and tying it into a bundle to be burned in the fire, or you can speak your desire as the bundle burns, but either way I have found this to be a successful added bonus to the Yule fire.  I hope all of you have a Blessed Yule and a Merry Christmas!

Buzzard The Burying Man

James Choron July, 2011


In Memory of Dr. John Thomas Bailey

(South Louisiana Yellow Fever Epidemic of 1866)

We’ve all of us heard o’ the Queen o’ the West

In the summer o’ forty-five.

And how they desp’ratly clung t’ the boats

When she took her final dive.

We’ve all of us heard of the boilin’ sun.

And the hunger And tharst bearin’ down

For twenty-nine days on the rolling sea

And prayin’ for to drown.

Some says they ate their shipmates

So as to stay alive.

Ninety-eight souls in two little boats

And ended with thirty-five.

And we’ve all of us heard o’ Doctor Death

And his pickin’ who lived and who died.

And maybe it’s true and maybe it ain’t

But the women and children survived.

But when it was over and when they was found

The doctor, his life was done.

He lived but he died in that terrible ride

Of twenty-nine days in the sun.

They called him a killer. They called him a fiend.

They called him a murderin’ lout.

He crawled in a bottle of whiskey.

Crawled in… and didn’t crawl out.

He gave up on healing. He gave up on life.

He took for to death as a trade.

He cleaned ‘em and dressed ‘em And buried ‘em

And he wept and he drank and he prayed.

He drifted around to hide from his shame

Through the years that the tale would span.

How Doctor John became Doctor Death

Then, “Buzzard” the Buryin’ Man.

For ten long years he ran from his past

Then finally settled down

As the funny old drunk with the measuring tape

That laid people down in the ground.

In a tiny town where nobody knew

And nobody seemed to care

That the village drunk and buryin’ man

Was more than it would appear.

In time he built a life, of sorts

But not like the one he knew.

And sodden drunk and sombre

He watched as his business grew.

Sodden drunk And sombre

And dressed in his black frock coat

He’d  clean ‘em And dress ‘em and plant ‘em

And remember those days in the boat.

He dwelled at society’s bottom.

Humanity’s lowest place.

He hid behind his bottle

And his sombre buryin’ face.

Then a horror came to the little town

Worse than those days at sea.

When Yellow Jack stalked the village

Taking one out of three.

And wagons rolled in with the dying,

And the hospital beds were full.

And the moans of the sick and suffering

Gave the Buryin’ Man’s heart a pull.

Three wagons came in, in the morning

Thirty souls who were at deathes door.

Thirty desperate, suffering people

The poorest of the poor.

And the Burryin’ Man, he saw it,

And he knew what had to be done,

And he knew there was no one to do it.

And he went to them at a run.

And they laughed when they saw ‘im comin’

With his battered old bag in his hand.

Sodden drunk and sombre,

Old “Buzzard” the Burryin’ Man.

But he didn’t come for the dyin’

He came for to make ‘em live.

And in he dove with a mighty shove

And gave all he had to give.

For four long days he stood there,

With his measure around his neck

But in his mind he wasn’t there.

He was back on that pitching deck.

Back then they’d called him “killer” and “fiend”

And called ‘im a “murdering lout”.

But whatever they’d thought of “Doctor Death”

The women and children got out.

Now the sodden drunk old Burying Man

Looked to the work to be done,

He stayed on his feet through the tormented days

And he never lost a one!

And the whiskey vapors left him.

And ‘is mind began to clear.

An’ th’ man that they’d called a murderin’ fiend

Felt somebody standing near.

And when it was over and when it was done,

He silently went away.

As if it had never happened,

With not a word to say.

Nobody noticed his going.

Nobody noticed he came.

Except for the sick and the dyin’

Who prayerfully uttered his name.

Sodden drunk and sombre,

Dressed in his old frock coat.

He slaved o’er the sick and the dyin’,

The same as he had in the boat.

And sodden drunk and sombre

With his battered old bag at his side,

T’was sodden “Old Buzzard the Burying Man”

As kept us all alive.

No matter how other folks seen him;

For those to whom he came

T’was th’ angel o’ God’s own mercy,

And “Buzzard” was his name.

NOTE: Dr. Bailey was essentially accused of implementing a system of “triage”, assisting only those who he estimated had a chance for survival. This was considered unethical for a physician at the time. There were accusations of “cannibalism” made by the press although there were still supplies in the lifeboats when the victims were recovered. None of those charges were ever substantiated and he was acquitted in a public trial of any wrongdoing. None of the survivors of the shipwreck would testify against him. This however did not prevent his license to practice medicine revoked or his being denied a further licence to practice medicine.

© 2011 by J. Lee. Choron; all rights reserved unless specifically granted in writing by the author.

Crossroads

Kat Elizabeth June, 2011

In the realm of smoke and mist,
a maiden searches for true loves kiss.

From lips of a fairy, soft as a breeze,
she falls in love beneath the trees.

His eyes emerald green, his hair like the night.
His gaze made her innocent soul take flight.

They lay together beside blue crystal streams
and talked about their hopes and dreams.

His to be mortal, hers to be his
neither happy with what is.

To cross the veil she’d have to lose her life,
the thought of this filled her with strife.

All her family would be gone.
If this didn’t work, she’d be all alone.

She would give it all up to be with her prince.
Nothing mattered and nothing made sense.

She made the choice with a moment to spare.
She couldn’t lose him, she wouldn’t dare.

Together forever, forever as one.
Their journey together has now begun.

For the History Keepers

Sama April, 2011

you, who sing the histories,
who hold the memories, the hearts and souls
lift up your voices round the fire
and bless the ones who went before.
sing to the gods of battles fought, and won,
praise well the heroes – all who lived
and kept their honour with the Ones
who guarded well their souls.
lift to the gods the ones who stayed behind,
those who held the home-place safe from harm.
honour the children, new-woven in the thread of life
which ties us all to those who lived so many lives before.
and honour well the ones who love the gods today,
keeping them, claimed, within their hearts
so none are lost
but burn still, incandescent, in our souls.

copyright sama 2011

Spellwork through Poetry, Lesson 7

Heather Obrien February, 2011

Limerick

The limerick is a five line poem that has a very distinctive rhythm. It follows a rhyme scheme: AABBA, with the first, second, and fifth rhyming lines being longer than the third and fourth. Limericks are often humorous (and the best ones are dirty).

This one, from Wikipedia, is an excellent example:

The limerick packs laughs anatomical
In space that is quite economical,
But the good ones I’ve seen
So seldom are clean,
And the clean ones so seldom are comical

Using limericks in spellcasting can be very fun. In my personal experience, the topic of which I was casting was never serious, an in I need this to happen pronto, nor was it serious, as in this subject is important and should not be goofed with. My favorite limerick that I have written involves the birds and the bees:

A The flutter of the birds and the bees

A All over the grass and the trees…

B The maiden will blush,

B The man will rush,

A And both will go weak in the knees.

One I have used with spells related to the blooms in my garden:

A The spring bud turn to summer bloom

A Gentle flowers I come out here to prune

B Pull out some weeds

B Plant some more seeds

A Arranged so as to leave room

Assignment: Try your hand at at least one limerick

Brigid

Sky_Emmons February, 2011

Brigid

The coming of spring
Pulses in the vains
Of rivers hushed
Underneath the strained

Ice that cracks
A trickle
Becomes a stream
Flowing freely
Love unrestrained

If I could find
The threads of hope
I’d weave a blanket
For those sick or old
For those in need

Under the snow
Kept silent in winter
Till the new seeds grow
Harvest the light
Keep the darkness away

Send Brigid
Send peace on it’s way

Spellwork Through Poetry, Lesson 4

Heather Obrien October, 2010

Lesson 4: What is poetry

Objective: to define poetry as an art form and a tool; to become familiar with the kinds of poetry we will be working with for the remainder of the class.

What is poetry? “poetry is literature in metrical form” is what you will find in the dictionary. That barely scratches the surface of what poetry is. poetry really is something that is almost impossible to define, it is so varied from form to form, author to author, that it if definition-less. While we can’t make a nice definition wrapped in a little bow, we can discuss what poetry is. poetry is, in many critics’ opinions, the ultimate linguistic art form. It is to writing what splatter paintings are to art; specs laid in the most precise ways to show the world another view. poetry is saying the unsayable, bringing the intangible to life. poetry is discovery of the human spirit, to be heard and understood. While prose is made to be logical, poetry is not. poetry is not illogical, but rather the escape of logic. poetry is evocative. poetry is the ultimate use of language.

In the end, we can say one thing for sure about poetry: it is “doesn’t like your definitions and will shirk them at every turn. If you really want to know what poetry is, read it. Read it carefully. Pay attention. Read it out loud. Now read it again. There’s your definition of poetry. Because defining poetry is like grasping at the wind – once you catch it, it’s no longer wind” (Flanagan).

Assignment:

The four poetry forms we will be focusing on are: sonnet, limerick, villanelle, and haiku. Use the internet or your local library. Find at least one example of each to become familiar with the forms. Submit to me the title and author of each poem you read. What did you like about each form? What do you think will be a challenge to you?


Faeries, Elves, and Other Kin

Kathryn Cranston July, 2010

poetry and the Fae

poetry and the fae have a long association, with the best known being that of True Thomas, or Thomas the Rhymer.

Born Thomas Learmonth around 1220, he is the author of many prophetic verses, although some were most certainly fabricated after his death around 1298 in order to further the cause of Scottish independence.

Thomas’ gift of prophecy is linked to his poetic ability, a gift granted him after he spent seven years in Fairyland with the Queen of Elfland.

While I am no True Thomas and have never spent but more than a few hours at a time inside the magical realm of faerie, I’d like to share with you two pieces of my own poetry inspired by the fae.

The fae think they make delightful light summer reading during the turgid, drowsy month of July.

THE FAERIE FOLK

Down in the meadow where the mosses grow,

The Pixies dance with their hair aglow.
Deep in the forest where the trees grow tall,

The Dryads hold men’s hearts in thrall.

In rivers, springs, fountains and streams,

Naiads whisper their sultry dreams.
On the moonlit shore of a secluded bay,

Kelpies shed their skins and play.

Beneath the ocean’s waves and foaming curls,

An Undine entwines her hair with pearls.
Upon a rocky shore perhaps you’ll hear

A Mermaid singing, soft and clear.

Look to the sky and high mountain peak

If it’s the winged Sylphs you seek.
High in the midnight sky do climb,

Dragons and Gryphons in their prime.

Within their deep dug diamond caverns,

Dwarves drink in their shinning taverns.
Wherever minerals gather in great numbers

So the Gnomes are wont to slumber.

Be you looking for shoes or wealth,

Tis the Leprechaun you must approach with stealth.
Next to the hearth you will always find

A loyal Brownie to each house assigned.

Slight not these helpful fellows nor spurn,

Or Hobgoblins into Boggarts turn.
From under the eaves when death draws near,

The Banshees wail and soon appear.

Out on the marshes at the end of day,

Will o’ the Wisps wait to lead you astray.
Rocking in the cradle by the candle light,

Changelings cry o’er their pitiful plight.

Beware the shape-shifting gray horse,

The Kelpie will drown you and much worse.
If you at night a black horse do meet,

Tis a Pooka and your foot best be fleet.

To see the Faerie Folk is to be granted a boon,

Given only under a Faerie Full Moon;
Come dance with me when the moon is bright

In my Faerie Circle to gain Faerie Sight.

Kat Cranston

February 2008

MY HOUSE FAERIES

The other night I chanced to hear

A scuffle going on quite near.

The sounds weren’t very loud at all,

But did sound like some kind of brawl.

I looked around my room to see

Just what on earth the noise could be.

I closed my eyes and concentrated,

The fighting still had not abated.

Was that a yelp that I just heard,

A clash of swords? Oh, how absurd!

Now without the aid of eyes,

I let my ears become my spies.

Quickly realization spread;

It came from underneath my bed!

There behind the bed’s dust ruffle

Was going on a mighty scuffle.

All my brownies and house elves

To the teeth had armed themselves.

The enemy were (the mere thought sickens)

Dust bunnies grown as big as chickens.

Each had two beady eyes, redly glowing,

And two long yellow teeth, still growing.

They really were a gruesome sight,

And not at all inclined to be polite.

Encouraging our side to do their best,

I lay back down to get some rest.

I had no doubt by break of day,

Those dust bunnies would be cleared away

By my faithful, dust bunny-eating fae.

Kat Cranston

February 2010

May a faerie muse seek you out and amuse you throughout the whole of summer.  Bendithion!

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