ritual

Celebrating the Old Ways in New Times

April, 2018

Bright Blessings!

We have “sprung forward”, and are rejoicing that the daylight hours are longer. Some of us are STILL adjusting to the time change, however happy we are about it. Spring officially starts in four days from the time I am writing this, and many have already had their Sabbat celebrations for it.

Like many others, I am coming out of hibernating with the warmer, longer days. My energy levels have increased, and my mood is more enthusiastic. I have been a LOT more busy, and that means that I have forgotten to pace myself. As a result, I have had a couple days when absolutely nothing got done, and I sat around a whole lot.

One thing that has gotten done is massive patio cleanup, and hand fertilizing of the raised garden bed we built some years ago. I have carefully crumbled eggshells, cut up fruit peels, and thrown in both tea grinds, and used coffee grinds.

I am glad I live in modern times and get to “cheat” and throw in store bought soils as well. Soon, peas will be planted in the beds, and after those are spent, pretty flowers, all of which I have seeds for already!

Spring is a big deal at our house!

In Nature, everything is sprouting, and the snowdrops are already glittering through last fall’s dead leaves, on the forest floor. Daffodils are about to sprout, and our crocuses came up first, and soon, fritillaries will follow suit.

Birdsong has returned, and gets louder daily. Squirrels, and bunnies are jumping all over the place, reminding us of how very alive the Earth is. I’ve even seen a couple of mosquitoes already!

Everything in creation from plants, to animals, and even people , are seemingly awakening from Winter’s deep sleep, and are raring to get out in the sunshine and enjoy life!

Some of us spend time outdoors, gardening, and “grooving with Nature”, as my Priest puts it, but are more into the arts. We create, we dance, we enjoy music and theatre. Many of us LOVE to read! What is better than a nice book, and a hot cuppa’ in a cozy room with Spring light streaming in?

Those who are prolific readers are in for a real treat!

A new book was published recently, and let me tell you, it’s an exquisite read.

It’s called Megge of Bury Down (The Bury Down Chronicles) (Volume 1), which is part of The Bury Down Chronicles by Rebecca Kightlinger and is set in Thirteenth Century Cornwall, England. It is magical, chock full of mystery, the Old Ways, and Family Traditions. This book draws you in immediately, and Kightlinger’s descriptive narrative voice is so deep, you actually FEEL like you are THERE, watching in person. The firelight flickering in the darkness is so well detailed, you can almost smell the woodsmoke, and the faces of the women are so well described, you can almost reach out and touch them. You need this book, like , yesterday. Step into Bury Down with Kightlinger’s book.

 

 

I was lucky enough to get the opportunity to speak with Kightlinger via emails, for an in depth, very intimate interview, in which she speaks not only of her book, but her own background, and women’s issues.

First, please have a look at her amazing website:

https://www.rebeccakightlinger.com/

 

And next enjoy the interview! Afterwards, this month’s working will be provided below.

 

Interviewing Rebecca Kightlighter

 

Saoirse (S)– Bright Blessings, Rebecca. First, tell me a bit about yourself and your work!

 

Rebecca Kightlinger (R)My book, Megge of Bury Down (The Bury Down Chronicles) (Volume 1), is about the daughter of a midwife in medieval Cornwall. Megge’s mother and aunt– a healer and a seer, respectively—each hold an ancient grimoire that they must pass down to their daughters, who will then become their apprentices. The books are companion tomes that together enable the women to harness the knowledge and wisdom of every previous heir to the books. They are able to query these ancestors in order to learn the secrets that enable them to serve the people of their village. The problem is that although Megge wants nothing more than to become a woman of Bury Down and be truly a part of her family, she is frightened of her mother’s book. When the time comes for her to accept it, she refuses. 

The stakes are very high for Megge’s mother, so she and Megge’s aunts must bring Megge to accept her charge and assume her role as a woman of Bury Down.

The themes are the desire to belong while being unable or unwilling to do the one thing that will make you a part of the group; the desire to find and follow your own path despite pressure to follow one laid down for you; and the closeness that can unite two people of different generations, the younger being able to learn from the elder, who brings wisdom and unconditional love.

I was an obstetrician gynecologist for many years; but in  2010, a serious injury to my right hand brought that work to an abrupt end. It was then that I started writing fiction. One day in 2011, when I was writing another story, letting scenes play out in my mind and describing them on paper, I saw not New York City or Amsterdam, where that story was set, but a pastoral scene: a grassy hill where sheep were grazing and a girl dressed in rough, heavy woolens was sitting on a big rock at the top of the hill. The girl seemed to look right at me and said, “When you’re done with those Dutch people, I want to go next.” And when I had finished the other story, she showed up again and just started telling me about her life and the lives of her ancestors. At the time, I knew very little about Cornwall and even less about the middle ages. But Megge spoke to me clearly, and with humor, showing me the scenes, and I felt this was something very real, though I had never before experienced anything quite like it.

Having been a visitor to Lily Dale spiritualist community many times, I called a medium, Jackie Avis, to talk to her about it. We had a telephone visit, and even before we started to talk about Megge, Jackie said she was seeing near me a big, very old book with a heavy wooden cover carved with symbols. She perfectly described The Book of Seasons, the book Megge was so afraid of. Our long conversation set my mind at ease, making me comfortable inviting Megge into my life. 

I knew that in order to tell this story well, I would need some serious writing skills, so I applied to The University of Southern Maine’s Stonecoast MFA program. Poet Annie Finch was the director, and we spoke by phone. It was she who accepted me into the program.

In the summer of 2013, I went to Cornwall to visit the place I thought might be the region Megge had described as home. Arriving at Botelet Manor, where I was staying, was an incredible experience. Everything Megge described was right there. There is even a house on the manor that had been there during Megge’s day. The remains of Bury Down hillfort, built thousands of years ago, stood at the site Megge had described as the healer’s grove, where women came for healings at night. The church, the village location, and the castle were all as I had seen as she spoke.

Writing this book has been the most rewarding experience, and I hope this comes through in the book. 

 

S- I will add, I am a psychic advisor/seer/reader, or whatever people choose to call me also. I am thrilled you spoke with a seer! I refer to this as a gift of spirit, as do many others. I feel we all have gifts of spirit including, speaking with the dead, healing, comforting the grieving, ability to use prayer to intervene in other’s lives, etc. What are your personal beliefs and views about oracles/seers?  Do you feel you have gifts of spirit, and if so, what are they? It sounds like a spirit showed up and told you her story! Is that right? What is your spiritual path, and how does that influence your writing of this book, and your writing in general?

 

R- My mother and great-grandmother had strong spiritual gifts, and it may have been their openness to spiritual communication that has enabled me to accept this communication without fear, judgment, or censure. Like you, I think we all have the ability to perceive the presence of some who are now, as Megge says, in the ether. I sometimes feel my mother or father very near and have had communication of a sort with my mom through dreams after she passed. She told us in her final days that she would “stay nearby as long as possible” to comfort us after she passed, and when she did, I felt her spirit in the room with us for a good long time. It was a sense of joy I’ve never forgotten. 

I believe strongly in the power of intention and prayer, and I know that people’s needs are somehow made clear to the person who can help. I’ve been in that situation many times as a physician, and I know it’s true.

Is Megge a spirit? I can’t say. All I know is that when I’m ready to write, she seems to come and take me through her story. I don’t see or hear her with my senses, but her words come through me onto the page along with scenes as clear as any you’d see in a movie. And the only time this happens is when I’m at my typewriter or keyboard, ready to write. Her home, her village, and all the people in her world are just as vivid and consistent as anything in this world. 

I don’t know what my spiritual path is or where it is leading. One thing for sure is that my daily life is much more solitary that it ever was, and this feels right. It’s not lonely or boring in any way. The writer’s life seems to suit me now, where it would have been wrong for me before this. I used to have a busy practice, which I loved, and I worked with and taught some wonderful, caring, skilled, intelligent people. My patients, mostly middle-aged and elderly women for the last ten years of my practice, were smart, canny, funny, and insightful. I loved being their doctor. I remember talking to a lot of them about matters of the spirit, and I saw that as we all got older we seemed more in touch with it. It stopped seeming like something outside ourselves and became a source of both comfort and, well, interest, for lack of a better word. As I and my patients and friends began to experience more of the spiritual, we began to talk more openly about it and realized that we were having many of the same experiences. 

Other authors, I’ve learned, experience a similar kind of communication in their writing. One young man related in a lecture that when he sat down to write, he would close his eyes and see his narrator arrive at the door and ring the bell. He would let her in, and she would tell him her story. At a recent book-signing event, I asked the author how he invented his characters, and he kind of laughed and shook his head. “They just show up,” he said. “They do whatever they want. I had no control over this story.” Other writers have no idea what this means. They construct charts and plot points and have the beginning, middle, and end mapped out before they even start their story. Many search newspapers for inspiration or ideas, or capture snippets of conversation that they write down and build a story around. That sounds harder to me, more cognitive, but is probably a more efficient use of writing time!

For me, the cognitive part begins after a scene is down. I research the era and place–I visited the place Megge described–and cut and splice scenes, sometimes changing names or details where needed. But I don’t change the overarching story. I stay true to what I’m seeing so the story can continue to move forward. It may sound funny, but I want my narrators to trust me. I want the narrators who are waiting in the wings to tell their stories to know that I won’t mess with them too much. 

It feels like there are countless narrators/spirits out there waiting to tell their stories and searching for someone who can “hear” them. Is this how we return to the living world? Through a storyteller? Is this why many stories somehow just ring true? I can’t say. The first novel I wrote was narrated by an entire town. I had asked my husband for a manual typewriter for Christmas one year. He bought me an Olivetti, and I sat down at it for the first time ever and had no idea what to write. So I closed my eyes and thought, “Who has the story?” And in seconds, probably thirty or forty people showed up in my mind’s eye, all looking like working-class people and farmers from the 1930s, and all jostling to be the one to tell the story. It seemed they had all come back to tell their part of a horrific event that involved all of them but that that none of them knew the whole story of. Each one ended up telling his or her part, often interrupting each other and correcting details. Every night, at 8 pm, I sat down to write. For an entire year. And the whole story came out, all the details that had been kept secret. When it was done, those narrators disappeared. I’ve not heard from them again. One day, when Megge’s story is done, I’ll go back to that one. I hope I will have developed the skills by then to tell it well.

And this is probably much more than you wanted to hear! But it is unusual for me to be able to relate this kind of information about myself and my writing to someone who will understand and not judge. I’ll be very interested to learn if others have this experience and how they deal with it. How it first started and how they reacted. To me, it felt natural, inviting. I’ve never questioned it, and I hope it never stops

 

S- As somebody with a medical background, how does the past misunderstanding of illness, combined with superstition strike you? What do you have to say about it? Have you ever seen similar attitudes in today’s world?

 

R- There have always been and probably always will be superstitions about illness. Back in the Middle Ages, when so little was known about the body in health or illness, it’s understandable that people would confuse association with causality. The scientific method hadn’t yet been designed to distinguish between the two. So, when a patient made a spontaneous recovery from illness after taking a remedy or submitting to bloodletting, charms, or prayers, the association of that treatment with recovery meant that it must have worked! Word went out, and the treatment became more widely used.

My feeling is that even today there are treatments that work but whose mechanism of action we don’t understand despite considerable scientific research. Additionally, there are many treatments and remedies that might be beneficial but that will never be adequately studied simply because no one has a sufficient stake in the results of controlled, double-blind studies. And if the research might show that the product doesn’t work, it’s a gamble. For this reason, some approaches that are considered “superstitious” or “magical” may never be scientifically proven safe and effective, even if they are. 

But, while superstitions in healing can sometimes result in harm, I’m less concerned about that than I am about people harnessing the power of superstition to do ill to the most vulnerable in society. We saw this in Megge’s story just as many have seen throughout history: the most powerful in society using both superstition and strong beliefs against the most vulnerable.

In the worst cases, superstitions are thinly-veiled excuses for committing violent acts. In The Midwife and the Witch, author Thomas Forbes cites “the crowing hen.” From the time of Aristotle until as recently as the late 1800s, a female showing masculine characteristics or behaving “like a man” (i.e., talking) was said to foretell doom. Often, this resulted in the death of the offender.

Whistling maids and crowing hens

Should have their necks wrung early.

(Scheftelowitz, 1913; Jones 1880)

A German proverb prescribed punishment for both hens and women who would dare make their voices heard:

When the hen crows before the cock

and the woman speaks before the man,

then the hen should be roasted 

and the woman beaten with a cudgel. 

(Abbot, 1903)

So, to my mind, the danger of superstition is not so much that the superstition itself will directly harm the believer, it is that others often use the power of belief to control and punish. In the case of Megge and the midwives in her life, someone uses both religious dogma and fanciful beliefs as an excuse to harm both women and children. 

 

S- Attending University in Maine placed you in New England- not horribly far from Salem, Mass. where one of the most famous accounts of witch scare happened. Have you studied this much, or have any insight into it? 

 

R- I’ve studied witch trials from all over the world and in different eras. When I first started looking into the history of this horror, I went to the Cornell University special manuscripts library and studied some original trial transcripts. 

I came away with a picture of ordinary women being tried, often tortured, and put to death after having been accused of witchcraft, sometimes by her neighbors, and often out of fear or retribution. The accusations rarely made sense, and the atmosphere of misogyny and hatred was almost palpable in these documents. Those who controlled communities engaged in witch trials needed a scapegoat for their rage and to control those in their jurisdiction, and this was often either the most vulnerable member of the community or the outsider.

Midwives were often targets of accusations, especially in the Middle Ages, as they treated the most frequently maligned portion of the population–women–and they often did so through techniques and remedies outside the understanding of the medical and religious communities. This made them suspect, and suspicion made them victims.

 

S- Magic is all around us, and in many forms. Your ladies in your book understand this, and practice well. They understand the power of blood bonds, as well as adoptive family bonds. They understand the power of women working together in a man’s world. They understand the power of working in generations. Today’s neo-practitioners are 50/50 in love or hate with this idea. Some shun it, and recognize no elders, believing they are born very powerful and don’t want anybody telling them how to practice. Some like me value our elders, who are passing our craft on to us. This is more ancient, and what the women of Bury Down are doing. I see value in both, personally. In your historic readings, what have you read about passing traditions down? About mentors and students? About family traditions? What examples can you share from history?

 

R- Nearly every profession, skilled trade, and educational or spiritual community relies on one generation teaching the next through both formal, didactic education and mentorship or apprenticeship. The alternative to being thought by someone more skilled or educated is to be an autodidact. People will dispute this, but while I understand that many of us possess innate talents and gifts that we can develop to some extent on our own, I think raw talent needs shaping from the outside, otherwise one’s learning tends to center on readings and teachings that substantiate our own theories and biases rather than challenging or questioning them with an eye to dispelling misconceptions, arriving at a truth, and honing our skills. 

Living by and passing down traditions is documented in religious, cultural, medical, artistic, and every other societal group or profession I can think of. While there are many short-lived splinter groups organized and led by one person, religion and spiritual traditions probably provide the most universal example of laws, rules, mores, and history transmitted to children through their parents, their schools, and their religious/spiritual leaders and teachers, with didactic learning supplemented by sometimes very intimate, inter-generational mentorship in the home. This is documented throughout history in religious texts and in literature ranging from The Iliad to the Mists of Avalon and The Red Tent

Another example of passing down traditions is the oral, storytelling or bardic tradition strikingly manifest in The Mabinogion, a suite of eleven Welsh prose tales passed through generations by storytellers (another profession whose practitioners learned from masters from the preceding generation).

Finally, witchcraft and magic have a long tradition of being practiced by those who draw on ancient knowledge coupled with the skill and insight of a master practitioner. In preparing the manuscript of Megge of Bury Down, I studied numerous grimoires including Picatrix, a compilation of works from the ancient, the medieval and the Renaissance eras, which urges its readers and students to learn from sages: “The wise who are endowed by nature with intelligence never cease nor neglect to seek and inquire that they might learn and understand the secrets of the sages, who sealed them up in their books and wrote them in hidden words, that the aforesaid might search them out by careful investigation until they attain what they desire…” [The Picatrix, Trans. Greer, John Michael, and Warnock, Christopher. Adocentyn Press, 2010, 61.] 

While I am neither witch nor magician, I see in the writings about spiritual practice the value of sages, of teachers, of mentorship. This is the basis of Megge’s story and path. She seeks and finds mentors throughout her life; and this, I believe, is what many people have always intuitively known they’ve needed, have sought throughout history, and continue to seek.

 

S- What that we have not discussed would you like included in my article, please?

 

R- Megge of Bury Down is the story of a young girl growing up in another time and place. It is historical in that it takes place in the past. But it is not really about the history. It is magical realism in that Megge’s family is charged with passing down two grimoires whose power preserves the spirits of their ancestors. But it is not about the genre of magical realism. 

The historical research and the literary technique here serve story: the story of a girl growing up in a family of women. A girl who wants to be one with the mystical women she admires but whose fear and misconceptions keep her apart. A girl who must find the courage to look past her fears to a terrible truth and find a new path. It is about the love, the traditions, and the teaching that unite generations. It is about the women of Bury Down, but it is mainly about unbreakable bonds, crafted over lifetimes, that precede us into each life, sustain us as we find and do the work we came to do, and then guide us into the next. 

 

Many thanks, Rebecca for this amazing interview! Blessed Be!

 

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This Month’s Working

Our next Sabbat after this is published is Beltaine. For the first time in years, I am not hosting!

I’m also not planning to attend Sabbat anybody else hosts!

What will I do with myself for Beltaine this year?”, I wondered.

I thought on it, and was inspired by some things I saw, and decided to send out an appeal to other women to do a One Month Challenge with me instead of a one-time Sabbat rite.

In Wicca Beltaine, May traditions crown a May King and May Queen, and they represent the Goddess and God in ritual, blessing everybody, and bringing life, growth, and in some traditions, sexuality to the people in the ritual.

There are a lot of “Sabbat Pagans” who attend Sabbat, and seemingly forget they are Pagans until the next gathering.

What can I say? It saves time for some folks.

Not everybody has the time, or ability to do lengthy daily, or even weekly devotions. It is easy to assume that we do, but the truth is, for some people, it’s just not happening, and it’s not in any way a choice.

What I thought of was a way to, for 30 days, bless other women, and ourselves, thus blessing, venerating, and adorning the Goddess in each of us women. Collectively, then, we adorn the Mother Goddess through the bodies , hearts , and souls of her daughters, the Earthly representations of her.

The topics brought up in the interview, specifically of abuse of women, and children made me think of an ugly truth. We often focus on abuse men direct at women, and completely ignore the toxic competitiveness we have with one another.
“That bitch thinks she is something, doesn’t she? I’m prettier than her!” Instead of “You go girl! Shake that tailfeather!” We sometimes become jealous that another woman has pride, and we are afraid if she is proud, she will take away the good things about us. Instead, we need to ALL root for one another.

It is not a competition- we should ALL want to help each other succeed.

I see examples of women who are not fat at all get attacked online, and called fat by women who are obviously jealous. Why does this happen? Because we think we don’t look as attractive? Because we would rather she be physically ill and bulimic or anorexic than comfortable in her skin, and healthy?

And why do we make fun of the “scrawny” girls? Maybe they DO have an illness, but this does not mean they should shroud themselves away, unfit to be seen.

Why do we place unfair demands on mothers? If they work, they are accused of putting career before family. If they are stay at home moms, they are accused of being ambitionless freeloaders. If they are tired, and not all made up fancy from keeping up with kids, we accuse them of “letting themselves go”. If they do not want children, they are accused of refusing the “responsibility” of being moms. If they have a lot of kids, we ridicule them, calling them breeders, sluts, and baby factories.

These harsh words do not just come from men. They oftentimes come from other women.

We cannot do this.

We need each other.

We need to build one another up.

This is the inspiration for my working.

Without Further adieu, I would like to share my working with you.

If you would like to, do this working with me.

 

Saoirse’s Solitary 30 Day Adornment of the Goddess/Crowning of the May Queen

For thirty days, do these three things. If you forget a day, oh well, nobody will know!

You may journal every day what you do if you like, but you don’t have to.

  1. For 30 days, give an honest compliment to one woman per day. Build another woman up with your words. Words are mouth magic, and we create whatever we want to with them. Use your words every day to build one woman up to bless, and adorn the Goddess.
  2. Reach out to one woman in the next 30 days, and do something nice for her that will make a difference in her life. It can be small, or great. Maybe you know a lonely woman who loves coffee. Dedicate one day every other week from now on to sitting down to coffee with her. Say you know a woman who is trying to eat healthier. Encourage her, and share recipes with her if she would like that. Say your neighbor loves plants, but says she has no time to garden this year. Gift her with a hanging basket, and offer to help keep it watered if she needs it. What you do to make a difference in one woman’s life can be a great thing or a small thing, but it will make a huge impact.
  3. Finally, do not forget the Goddess in you. It might be easy to do something good for others, but not yourself. It’s time to do one of the kindest things for yourself.

We are often our own biggest, and harshest critics, and while yes, others may tear us down, we sometimes internalize toxic voices, and tear ourselves down worse than anybody else.

Think of something you really find frustrating about yourself. This can be something as simple as age spots on your skin, or something big like, having panic attacks. This is to be a thing that always bothers you. Something you are upset with yourself about.

Now, you are to start forgiving yourself of whatever this is.

This is going to be the most difficult part of the challenge, and it will last beyond 30 days. It may entail deprogramming, tears, or the resurfacing of past aches, but it’s very important.

While we can easily see the Goddess in others, and nurture that, we also need to see the Goddess in ourselves, and nurture that as well.

Enjoy the Spring, Beltaine and being the Goddess you are.

Blessed Be!

***

About the Author:

Saoirse is a recovered Catholic.  I was called to the Old Ways at age 11, but I thought I was just fascinated with folklore. At age 19, I was called again, but I thought I was just a history buff, and could not explain the soul yearnings I got when I saw images of the Standing Stones in the Motherland. At age 29, I crossed over into New Age studies, and finally Wicca a couple years later. My name is Saoirse, pronounced like (Sare) and (Shah) Gaelic for freedom. The gods I serve are Odin and Nerthus. I speak with Freyja , Norder, and Thunor as well. The Bawon has been with me since I was a small child, and Rangda has been with me since the days I was still Catholic. I received my 0 and 1 Degree in an Eclectic Wiccan tradition, and my Elder is Lord Shadow. We practice in Columbus, Ohio. I am currently focusing more on my personal growth, and working towards a Second and Third Degree with Shadow. I received a writing degree from Otterbein University back in 2000. I have written arts columns for the s Council in Westerville. I give private tarot readings and can be reached through my Facebook page Tarot with Saoirse. You can, also, join me on my Youtube Channel

 

 

 

Worth the Witch

April, 2018

The City Witches

 

 

Wow, do we have a Gorgeous Box for you this month! This issue we feature a jam-packed recurring Monthly Subscription Box from The City Witches. Their boxes, called Magick Mail, can be bought one at a time & in 3-month, or 6-month subscriptions. Their prices range from $20 for an individual box to $120 for a subscription. The City Witches offer a new theme each month to their fully packed boxes! This month’s box … Magickal Workings for the Moons of the Month.

 

Three Informative Grimoire Pages

When you open your box you are greeted with 3 pages for your BOS. The first page describes the Moon Phases for Magickal Workings. Helpful addition to any Spellsbook. The second page teaches, briefly, how to create your own moon spells. The information suggested on this sheet are helpful and handy to have. The third sheet is a Full Moon Chant.

 

Purple Bag of Goodies

Next thing that catches my eye from my City Witches Box is a Purple Bag full of goodies!

The first thing I pull from the goody bag is a Star Shaped Wooden Incense Burner & it is adorable. I love how it can hold an incense cone and many sticks. This will be perfect in my next moonspell.

Next we have Amber Sugar Scrub Cubes. Opening the jar I find they are in the shapes of roses. Delightful! Just like their smell. I use them on my hands and the feeling I am left with when I dry off is a lovely softness.

The black little bag is Moon in Sagittarius Bath Salts. The smell is heavenly and I can not wait for the time to be right for it’s use. There is enough for a good soak or even two!

The little blue bag is a Mixture of Salts & Herbs to be burned or used in a bath. Unfortunately, I am not sure of it’s exact contents. I can smell lavender & see the salts.

A vial of Virgo Moon Oil is included in the bag of goodies. The bottle is a little tight a difficult to open. However, there seems to be a slight glitter to the oil! Glitter is always good to this Gal!

We get a small Vial of Black Salt. Good to add to the stash of supplies and to work moonmagick with!

A Chunk of Charcoal is included for the Bottle of Full Moon Powder Incense.  It comes out as a tuft, like a cloud from the jar. The smell is light, a slight heed to it’s sweetness. I think, up-to-date, this has been my favorite homemade incense so far. I just wish I knew what was in it.

Last, a few pieces of Sage to keep handy. Never know when you’ll need a quick cleanse. Convenient! It’s like a traveling MoonMagick Bag!

 

Black Candle

Over 7” tall black Blessed Candle “Drawing Down the Moon” for the New Moon by Coventry Creations, Inc. The candle reads it is for Beginnings, Innocence, and Creativity. The back of the candle explains about what a New Moon is, what it’s opportunity holds for you. This candles packaging is amazing. Not to mention the size they send in this box! But, are you ready for this…

 

White Candle

Another 7” tall white, this time, Blessed Candle “Drawing Down the Moon” for the Full Moon by Coventry Creations, Inc. The candle reads it is for Magic, Imagination, & Mystery. This candle explains and teaches about the Full Moon. These look very exciting to use.

 

Sage Smudge Stick

Next up I find SAGE!! A nice hunk of a Smudge Stick! This will last a long time

 

Clear Glass Bowl

This lovely glass bowl can fit in your hand. It is crystal clear. No blemishes. Beautiful for any altar. I am guessing it is included, being this is a moon box, for maybe moon cleansing. You can clean stones, tools, anything during these meaningful moon moments with your new Altar Bowl.

 

Three Gemstones in Gauze Bags

In two purple gauze bags you will find 3 large, polished gemstones. The stones are, from left to right; Fluorite, Malachite & Amazonite. The colors are vivid, and the patterns on the stones are sensational.  The sizes they sent are generous.

 

Huge Moonstone Point

This HUGE, solid, speckled moonstone point is amazing to view and to hold. You can feel the peaceful energy this sizeable piece of stone is bringing. It is a wonderful addition to anyone’s gemstone collection.

 

Moon Incense Sticks

Included in this recurring Monthly Subscription Box is a large box of HEM “The Moon” scented incense sticks. There are 20 sticks in this box. I’m impressed with the size they have included. Usually I see the smaller size, 5-10 sticks, enclosed in boxes. They are HEM so they are of good quality.

 

Witch’s Brew Oil

Crafted with Magic! Witch’s Brew Original…by Coventry Creations. Myrrh & Mugwort blend for a scent out of this world. The label reads “Ignite your Magic,” and you can smell the power. This is no cut-price blended oil, but an item made with skill.

 

Druzzy & Moonstone Necklaces

My next find in this amazing box is another little black box. It’s exciting to find jewelry inside. Not one piece, but two. Two gorgeous necklaces. A Black Druzzy & a Moonstone Point. Each has been placed on cording and ribbon for a lovely effect. On my path I have not worked with any druzzy stones, so I am not sure what their uses are. This is, however, a gorgeous piece, and I will be sure to look into what it’s uses are. The moonstone I do know. This eye-catching, point, suspended in copper is simply luxe.  An elegant way to keep the energy of moonstone with you everyday. They have included two new pieces of ritual jewelry for moon working.

 

Box of Gemstone Surprises

One more little black box contains a collection of Gemstone Surprises! Hiding in this box we receive another piece of jewelry, a lovely mixed gemstone, beaded bracelet. The beads are of medium size and the bracelet itself is 9 inches and is one size fits all, on stretch cording.

Next up in the box we find two cute moonstones. Perfect for pocket carrying.

Lastly, but not least we have a small selenite wand. Palm size. Shiney. I like the size for travel and easy quick use.

 

Moon Spell Magic Book

 

Click Image for Amazon Information

 

We are getting to the bottom of the box and two things remain…One being a book for our personal libraries on the boxes theme, the moon. Moon Spell Magic: Invocations, Incantations & Lunar Lore for a Happy Life by Cerridwen Greenleaf. The book teaches the lunar calendar and gives spells for every phase, demonstrates how to set up your own lunar altar, informs you about celestial Gods & Goddesses, and includes a plethora of spells & rituals you can perform on your own.

 

Journal

Stay Focused Because You Totally Got This. We do! Inspiring words outside, and on the heart bedecked inside, it says more…”I look forward to holding any thoughts, dreams, goals, *brilliant ideas, and AMAZING moments…” This box is sure to bring those, and this journal is now ours to record them. All the spells, rituals and things we learn on our way, about the Moon and all it contains. I think it is a lovely book to use as a Moon BOS.

 

My Overall Impression…

For the first time I am noticing a trend in the packaging everything comes in. There are bits of sage in them. What a beautiful way to cleanse, purify, & bless all you send. Every single gauze bag, small black box, and even the big box everything comes in itself has sage in it! I am very touched.

Now I want to mention the price. This box is bursting at the seams and I cannot believe how little they charge. Could they really be making money here?

I thoroughly loved this box for celebrating the moon. I feel all the contents went with the flow of the Moon Magick theme. I really found it gratifying how the company did not send you just tools and stash to help you celebrate, like candles & incense, or stones and jewelry to harness the moons power. Instead, they went the whole gambit, and by this I mean they sent you a method to really fully learn about the moon. They send you a book & a journal and tell you learn! They rally you to GO FOR IT! Now I have not reviewed the book. I do not know how good it is, but it is a starting point. The 3 BOS pages that are sent are a great starting point, as well…this box doesn’t just give you items, it encourages you!

 

Who is behind the inspiring Magick Mail Boxes from The City Witches?

None other than Jade Perri & Selene Serket. They were gracious enough to take some time to answer some questions for our readers about Magick Mail Monthly Subscription Boxes, their shop The City Witches, and Themselves. Here’s what they had to say…

 

PaganPagesOrg: How did the idea for a Monthly Subscription Box come to you?

Jade Perri & Selene Serket: The idea of the Monthly Magic Box, came to us, after subscribing to many ourselves and being unhappy with the contents. To us, getting a box monthly, themed for aiding us in our practice was very exciting. Many people do not have access to a metaphysical store near them, or they do not have the time to go shopping, or they do not know what to buy. It seemed to us, that if you could subscribe to a “magick” box each month, it would automatically come to you, and would contain items you could use to practice-not just a box full of random items. Our box contains relevant items to be used together or separately, all based on a certain theme. It is a nice way to also build up your stock, so you have everything you need, if you chose to use at a later date.

 

 

PaganPagesOrg: How did you begin your Boxes?

Jade Perri & Selene Serket: We began with a what we thought was a universal and important part of our craft. The Moon Magick Box. The Moon can represent New Beginnings, so we thought that would be perfect as our first box to introduce.

 

 

PaganPagesOrg: How do you choose each Box’s contents?

Jade Perri & Selene Serket: We choose what is in our Monthly Magick, based on the theme of the month. Each box contains approximately 10 items, that are all relevant to the theme. Normally each box’s base contains a ritual, a crystal, herbs or essential oil, items for your home or altar, as well as jewelry, a journal, and candles. Additional items will vary based on the theme of that month.

 

 

PaganPagesOrg: How do your Box Subscriptions work?

Jade Perri & Selene Serket: Our box can be purchased monthly, or as a subscription. It is more cost effective to purchase as a subscription box, for example, if you sign up for a 3-month subscription, you pay $75 ($25/per box) instead of $90. If you sign up for a 6-month subscription you pay $120 ($20/per box) versus $180. Boxes can be purchased for $30 individually.

 

 

PaganPagesOrg: Who are The City Withes?

Jade Perri & Selene Serket: The City Witches was created by two of us. Selene Serket and Jade Perri.

Selene is a a practicing eclectic High Priestess, who has been practicing for over 30 years. She is an experienced teacher and specializes in numerology, astrology readings, ritual magick, custom spells, and Sabbat rituals. She also has an extensive knowledge of all craft-related topics including Reiki and Chakras. In addition, she offers classes and certifications on many different topics such as A Year and a Day (Year 1-3), Chakra 101, and Crystal Magick. Selene is certified in Wicca High Priestess, Reiki Master and holds various Tarot, Crystal, Herbology and Astrology certifications.

Jade is an eclectic Witch has been practicing for more than 10 years and offers guidance on an array of topics. She specializes in divination from tarot cards, oracle cards, runes, and pendulums, as well as scrying and automatic writing. Jade also practices animal magick, dragon magick, and poppet magick. She is also an enthusiastic teacher and offers classes and certification in many different areas such as tarot classes and dragon magick.

 

 

PaganPagesOrg: What do the two of you enjoy besides working in The City Witches 🙂

Jade Perri & Selene Serket: Jade is married with two children and is the manager of her local animal shelter. She enjoys spending time with her family and advocating for homeless animals.

Selene lives with her furry family of 5 Himalayan Cats, she enjoys reading, spending time gardening, continuing her Wiccan Education through classes, and spending time with her friends.

 

 

PaganPagesOrg: What did you feel the Pagan community was missing to make you put your Box out?

Jade Perri & Selene Serket: We felt that with the options people have out there for monthly boxes, we wanted to design a box that was useful , fun, and educational. We wanted to really give our clients the best quality box for an affordable price. We also are lucky enough to work with other small businesses, such as Enchanted Reeveries, who provides items handmade from polymer clay, as well as Valessence Skin Care, who provide handmade bath products. We also include our own brand of handmade candles and essential oils.

We do not use printed boxes, or spend extra money on packaging, however, our boxes are stocked with everything they need for the month. What we save on packaging, we give back to our clients-each and every box contains additional free surprise gifts as a Thank You, to our customers.

The other option we offer, is that we do not pull our boxes once the month is up. They are available to our customers at any time. This is very helpful to customers, if they are unable to purchase during the month, they will not miss out-and can purchase anytime throughout the year.

 

Thank you Jade Perri & Selene Serket for this great interview. Your Magick Mail Subscription Boxes definitely live up to what you desired them to be and that is to all our benefit.

 

How can you get your own Magick Mail Subscription, visit The City Witches Shop, or Follow them? Just like this…

For the Direct Link to Magick Mail Subscription Choices & Back Log of Boxes Click HERE.

To Visit The City Witches Shop Online Click HERE.

You Can Like & Follow The City Witches on Facebook by Clicking HERE.

They are, also, on Instagram as thecitywitches.

***

About the Author:

Jennifer Sacasa-Wright is simply a Witch. She runs PaganPagesOrg eMagazine.  She loves hearing your opinions & thoughts on the eMagazine and welcomes comments. You can email her at jenniferwright at paganpages dot org.  When she is not working on PaganPagesOrg she is creating in some other way & trying to make the world a better place with her family.

SpellCrafting: Spells & Rituals

March, 2018

Egg Spells

Merry meet.

Eggs are one of Ostara’s most prevalent associations. Like all seeds, it contains the promise of a new life. It is a potent symbol of fertility because it contains the power to become something: a chicken, a turtle, a bird, a fish. Eggs are a symbol of abundance, prosperity and the rebirth of nature. In some traditions, the entire universe is portrayed as an egg. That makes them very magickal.

At Ostara, the Wheel of the Year is perfectly balanced. Day and night are of equal length. Masculine and feminine, inner and outer, dark and light are also balanced as the world begins to come alive. Imbolc’s whispered hopes become Ostara’s actions. At this moment, the light defeats the dark. The power is expansive and exuberant.

To harness Ostara energy in a spell, let an egg be the seed that will bring forth your desires. Inscribe it with symbols, pictures or words for abundance, joy, healing, strength, security, laughter or whatever you can imagine and feel yourself possessing. Consider dying the egg in a corresponding color, such as green for abundance, fertility, or eco-magic; and red for will, strength, passion or purification. Yellow corresponds with laughter, thought, travel, communication, happiness, freedom and beginnings; while blue can be used for healing, compassion, love and dreams.

As you decorate the egg, infuse it with the feeling of already having these qualities, of having reached the goal or of having had the wishes come true. Clear your mind and hold the egg as you continue to add your energy to it with breath, song, dance or words, focusing on your desires and their place in your life.

Then, on Ostara night, bury it, perhaps in a garden, as an offering to Mother Earth, and know that as it transforms and feeds the earth, it feeds and transforms what you wish to manifest.

You can also use an egg as a spell bottle of sorts.

First, make holes at both ends of the egg and blow the contents into a small container to be used for recipes. Rinse out the empty shell and let it dry.

Write your spell on a piece of paper small enough that you can roll it up and slip it into the hole at one end of the egg. You might want to include symbols, anoint it with an oil related to your desires and perhaps include corresponding botanicals before rolling it up.

Once it is inside, seal the holes by dripping melted candle wax on them.

Place the egg at the base of a special tree and ask it to guard your workings, adding its strength to yours.

If you have other spells involving eggs, please share on our Facebook page so that we all might benefit from your experience.

Merry part. And merry meet again.

***

About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.

Book Review – The Crystal Seer: Power Crystals for Magic, Meditation & Ritual by Judy Hall

March, 2018

The Crystal Seer

by Judy Hall

 

Power Crystals for Magic, Meditation & Ritual

Hardback, 176 Pages

Publisher: Fair Winds Press

 

While the title of this new books sounds a fantasy series I’d like to read, I came to read Judy Hall’s new book with glee.

She is one of my favourite writers about crystals and “magic, meditation and ritual” sounded right up my alley! I was positively giddy to read this book.

I must firstly congratulate the author on her fine work, yet again. Yet this book would not be what it is (which is glorious) without Timothy Samara, and John Van Rees, Jr.

The layout and design in this book are pleasing and easy to access, thanks to Timothy. The photography of the crystals is nothing short of stunning. John Van Rees Jr seems to be able to capture the light and essence of the crystals while maintaining their distinct qualities.

This means that you can see the colours and shades of the stone, the refractions and texture exceptionally well.

The table of content is crisp and clear, and easy to follow.

The introduction speaks about connecting with the stones and crystals (I believe she called it empowering and dedicating) which is almost exactly how I was taught to “awaken” and program crystals back in the day. She is ever knowledgeable and respectful. In this section she has a diagram of a body and Chakras, including more than the usual standard seven, which I was pleased about as many writers use main Chakras to mean all Chakras.

As always, Judy Hall mixes what I know with what I don’t. She uses folklore and lovely ancient quotes to embellish her work without making it fussy. There are crystals you have heard of and even someone who is rather well read will not have seen. This is a running theme in Hall’s work being a rather amazing predictor of the trends that cycle within the crystal community. I can’t help but feel the focus for the crystal business, once focused on Afghanistan and Iraq for its wonderful stones is looking other places. Certainly India, Mediterranean, and the Americas seem to be more sharply brought in focus. This means exciting things for us rock loves with new, and new variations of crystal coming to light.

It was a quick read, that being my only grip. While each crystal gets its own meditation or placement on or around the body to meditate with, I did feel I could have had more. The folklore and spell idea suggestions were well and good but I would have loved more, perhaps with ritual context.

I’d have quite liked a part two. That said, I know I am going to buy this book to sit happily next to her other books, and I look forward to seeing the new crystal trends unfold.

For Amazon Information Click Image

 

Sacred Place, Sacred Space

March, 2018

LABYRINTHS

(Photo Credit: almanac.com)

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The point of a maze is to find its’ center.

The point of a labyrinth is to find your center.

– Unknown

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Labyrinths are found in more places than I originally thought. While I have a finger labyrinth, I had not given labyrinths, in general, much thought. However, as they have come up for me in my own personal soul work, I chose to look into them a bit further.

A labyrinth is a single path that tends to curl in on itself and always leads to the center. The center of what is up to each individual person who undertakes that journey. They date back at least 4,000 years ago.

They are associated with spiritual, religious and magical undertakings. They can be a place of ritual and other personal ceremonies.

Even though the words are used interchangeably, a labyrinth is quite different from a maze. A maze is set up to confuse you and trick you into thinking you are moving toward the center when you are most likely headed toward a dead end. Labyrinths are for meditation, reflection and contemplation. For most, it is a personal journey.

There are several different types of labyrinths – 11 circuits, 15 circuits, concentric – but all have the same purpose, to aid in personal and spiritual growth.

While they are abundant in all parts of the world, these are just a few of them. Links will follow on how you can find a labyrinth near you, if you choose.

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A labyrinth is a spiritual journey……but it is a map we can really walk on,

blurring the difference between map and world.

-Rebecca Solnit, “Wanderlust, A History of Walking”

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(Photo Credit: crusaderhistory.wordpress.com)

CHARTRES LABYRINTH, CHARTRES, FRANCE

Found at the Chartres Cathedral, this rose labyrinth dates back to 1205.

It is a single path that curls, turning back and forth on itself within

a 40-foot circle.

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(Photo Credit: smithsonianmag.com)

Photo by Andrew Gurthrie

DUNURE CASTLE, SCOTLAND

This rock labyrinth dates back to the 13th century.

It is not only beside a beach, but in view of the Dunure Castle ruins.

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(Photo Credit: www.smithsonianmag.com)

THE EDGE, HOGSBACK, SOUTH AFRICA

A one-mile long labyrinth located at The Edge Retreat. The town itself is famous for attracting, yogis and yoginis, crystal healers and spiritual seekers.

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(Photo Credit: listserve.com)

LABYRINTH OF THE BLUE VIRGIN

Located off the coast of Sweden on an uninhabited island is this labyrinth.

It was already there in the 18th century. It is believed from archeological dating that rituals were held in the nearby caves back to 7,000 BCE.

It also has a history of curses, the supernatural and witches. You might find yourself having extreme bad luck if you take one of the stones from the labyrinth site.

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With a labyrinth, you make a choice to go in –

and once you have chosen, around and around you go.

But you always find your way to the center.

— Jeff Bridges

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(Photo Credit: www.aruba-travelguide.com)

ARUBA PEACE LABYRINTH

Based on the Chartres model, it is located at the Alto Vista Chapel and on the front gate is a pole with the words, “May Peace Prevail on Earth”.

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(Photo Credit: smithsonianmag.com)

DAMME PRIORY, DAMME, GERMANY

Owned by the Munsterschwarzach Abbey, which also owns another nearby labyrinth, you find yourself walking through a rock path, surrounded by trees in the middle of the woods

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I thought of a labyrinth of labyrinths, of one sinuous spreading labyrinth that would encompass the past and the future and in some way involve the stars.

— Jorge Luis Borges, “The Garden of Forking Paths”

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(Photo Credit: thegreenrevolution.it)

REIGNAC SUR INDRE, FRANCE

This is the largest garden labyrinth in the world!

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(Photo Credit: uncharted101.com)

REDSUN LABYRINTH, VICTOR, MONTANA, USA

This labyrinth pattern was made with 25 tons of

fieldstone!

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To enter a labyrinth is to choose to walk a

spiritual path.

— Reverend Dr. Lauren, ress Grace Cathedral

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(Photo Credit: Susan Morgaine)

DUNCAN CONFERENCE CENTER, DELRAY BEACH, FL

I was fortunate enough to visit the Duncan Conference Center in FL recently.

There are two labyrinths located there.

The outdoor one, pictured above, is quiet and peaceful.

The indoor one is located within The Schofield Chapel, pictured below, is absolutely gorgeous.

(Photo Credit: southfloridafoodandwine.com)

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I have found that there are at least three labyrinths near me, which I have plans to visit once it warms up a bit here in New England. If you feel that you would like to find one near you, both of these websites (with which I have absolutely NO connection) will help you find one:

www.labyrinthlocator.com

www.labyrinthsociety.org

***

About the Author:

Susan Morgaine is a Daughter of the Goddess, Witch, Writer, Teacher, Healer, and Yogini. She is a monthly columnist with PaganPages.org Her writings can be found in The Girl God Anthologies, Whatever Works: Feminists of Faith Speak” and Jesus, Mohammed and the Goddess, as well as Mago Publications She Rises, Volume 2, and “Celebrating Seasons of the Goddess”. She has also been published in Jareeda and SageWoman magazines. She is a Certified Womens Empowerment Coach/Facilitator through She is the author of “My Name is Isis, the Egyptian Goddess”, one in the series of the “My Name Is………” children’s books published by The Girl God Publications. A Woman International, founded by Patricia Lynn Reilly. She has long been involved in Goddess Spirituality and Feminism, teaching classes and workshops, including Priestessing Red Tents within MA and RI. She is entering her 20th year teaching Kundalini Yoga and Meditation, being a Certified instructor through the Kundalini Research Institute, as well as being a Reiki Master. She is a member of the Sisterhood of Avalon. She can be found at https://mysticalshores.wordpress.com/ and her email is MysticalShores@gmail.com

For Amazon Information Click Image

 

Sacred Art Video

February, 2018

THE RESURRECTION BONE

 

Many spiritual traditions call the human body a Temple.

It has taken me 50 years on this planet to fully comprehend the truth of this teaching! The Tzeltal Maya people take this concept a few steps further. They believe that the human bodies and the bodies of animals they hunted have a so called Resurrection Bone.

This bone is part of the pelvis and it often the last bone to survive when a body is unearthed long after burial. Tribal hunters believed that from residual essence here a person will be reborn after death.

This is why they often carved the sacrum of animals they hunted. Ritual care for this bone ensured success in the hunt and carry favour with the gods.

They also believed that the human body has loci (places) of transformative power. This means that we can access the cosmos, powerful gods, ancestors and other worlds using portals in our own body.

Watch this brand new art video, created in January 2018, to find out more about this profoundly intriguing cosmology!

**

About the Author:

Imelda Almqvist is an international teacher of shamanism and sacred art. Her book Natural Born Shamans: A Spiritual Toolkit For Life (Using shamanism creatively with young people of all ages) was published by Moon in 2016.  She is a presenter on the Shamanism Global Summit  2017 as well as on Year of Ceremony with Sounds True. She divides her time between the UK, Sweden and the US. Her second book SACRED ART, A Hollow Bone for Spirit – Where Meets Shamanism will be published in the Autumn of 2018.

Click Image for Amazon Information

www.shaman-healer-painter.co.uk  (website)

https://imeldaalmqvist.wordpress.com/  (blog)

https://www.youtube.com/results?search_query=imelda+almqvist 

(Youtube channel: interviews, presentations and art videos)

Imelda is a presenter on Year of Ceremony with Sounds True

http://affiliate.soundstrue.com/aff_c?offer_id=124&aff_id=2260&url_id=86

And she presented on the Shamanism Global Summit with The Shift Network in both 2016 and 2017

http://shamanismsummit.com/program/132

Brighid’s Healing Sword: Imbolc

February, 2018

This turn of the Greater Wheel moves us towards a place of newness and the quickening of what was brought to light at Yule, the Winter Solstice. We stand at the mid-mark between the act of revealing (Winter Solstice) the fertility that lay dormant from the triple harvest and the action of sowing and planting (Spring Equinox) what we hope will prove viable and grow to its fullest potential. This is the time of quickening and enlivening the hidden seeds of transition and preparation of what will wither and die and what will germinate a become viable product.

Our coven, Oak and Willow of the Assembly of the Sacred Wheel Tradition, uses Imbolc to focus on the Celtic Goddess, Brighid. We craft candles, infusing them with her healing properties. We make oath and re-dedicate to our Coven and Tradition that the quickening of our minds and hearts awaken what can blossom in the months ahead. And, we call upon her creativity to inspire us as we move forward towards the next turn of the Wheel. This year we will call forth the Goddess as Warrior and wielder of the healing sword.

For most, the first encounter with this fiery Goddess is one associated with her triune nature. She is Maiden, Mother and Crone holding the keys to creativity, inspiration and deep healing. She is also the Triple Flame, acting as central catalyst of the purpose intended and initiator of those who willingly cross the threshold of transformation. As the patroness of poets, divination and prophecy she is the Fire of Inspiration. In her role of patroness of healers and Goddess of fertility, she is the Fire of the Hearth and childbirth. And, as patroness of smiths, craftsmen and the forge, she is the Fire of the Forge, burning brightly and transforming and transmuting all that enter the heat of the flame.

But, there is also a lesser-known aspect of the Goddess Brighid. Her ancient name of The Fiery Arrow gives some indication of this aspect, although it is usually associated with the Goddess as maintainer of justice and right action; setting the course of action in a balanced way and clearing away all that would interfere or challenge that state. If we take this idea to a deeper place of understanding, Brighid’s energy becomes that of the Warrior who wields the flaming sword that destroys, cauterizes and then heals. It is She, who heals with the precision of the surgeon guiding the scalpel. She, who cuts through the glamour and unyielding ignorance of ego driven will and carves the path of knowledge that becomes true gnosis. And, it is She, who plunges the un-tempered blade of inventive mind into the hellish fires that forge and manifest a blade that is pure, clear and strong in its action and intent.

I have worked with this aspect of Brighid for many years and in many ways, and the mark of its transformation has been lasting and opened the way for growth and a deeper understanding of the process of release and healing. Just as the sword’s blade goes through multiple steps of heating and cooling, resting and shaping to achieve the brilliance and beauty of what will become a finely crafted sword; the process of this healing warrior Goddess tests the metal of your own making. She allows you to see the rough product that is your will and plunges you deep into the flaming desire for what you wish to achieve. If you remain too long from inertia or misguided will, what emerges is misshapen and unusable. It’s brittleness breaks your spirit and the wounds it inflicts are jagged and long to heal. If tempered with enough flexibility to change course as needed, the honing and sharpening of the skills required for successful change are exacted. All is brought to the quickening fires so that what has been reshaped and reformed may become as one and part of the finished product. A time of rest and integration occurs and finally as the blade is brought from its place of synthesis and strengthening, it is plunged once again into the heart of greater Will and the flames of Intentional Desire. The finished product is a work of beauty and a gift from the forge of Brighid.

I offer to you a pathworking, inviting you to invoke the energy of Brighid’s Healing Sword and the opportunity to stand in Her radiance of remaking. May your journey be powerful and may the Goddess bless you with the crafting of your own healing blade.

The Smith’s Blade

Take a few deep breaths and allow your consciousness to settle at the space of the third eye. Turn your attention within and see on this inner landscape a blank screen and allow yourself to be drawn towards it. As you focus on this space you become aware of a small mist of indigo blue energy forming in front and around you. The particles are very small and the energy is both uplifting and relaxing as it encircles you. Take a few deep breaths and step through this veil.

As you emerge, you find yourself standing outside what appears to be a blacksmith’s shoppe. You can hear the rhythmic clanging of a hammer and smell the fires from the forge. It is evening and all is dark around you save for the light glowing from within and shimmering through slats of a wooden building. You step forward towards the open entryway and stand quietly observing a wiry built man bent over and working deftly as the glimmer of unpolished metal flashes.

Repetitively and with great precision, he places the unshaped metal into the forge, heating it and then pulling it out to the edge of the table, gently hammering it into the desired shape or at times simply allowing the red glow to cool before it is placed once again in the hot flames. This occurs for several times and with each heating and hammering, the metal takes on more of the shape of the blade.

He looks carefully at what has been crafted and satisfied that this process is finished, he gently wraps the blade and places it aside allowing it to cool completely. He pulls from the space in which he placed the cooling blade another wrapped item and as he unwraps it you see that this is a blade that had been crafted a day earlier.

He steps over to the grinder and begins to sharpen and finely hone the edges and point of the blade. You notice that this blade seems to glow and has a certain shine to it already, although it is not polished. You feel drawn to it, but remain standing in the doorway, hoping that you will remain unnoticed. He looks carefully at the edges and then plunges the sword into the heat of the flaming forge. Quickly the glowing red blade is retrieved and plunged into a water bath to speed the cooling and hardening process. Again the blade is tempered by heat and water and you think on the process of emotion and will and the need for the correct balance of each to be in place to make for supple yet strong action and purposeful will.

You see the Smith smiling as he lifts the blade upwards, knowingly and assured that it will have a certain amount of flexibility yet still retain its sharp edge. Now the sword is ready for completion. He selects the necessary parts of pommel, guard and hilt and with skill assembles all precisely and artistically. The sword is now complete and he lifts his gaze, staring directly at you, beckoning you to come towards him.

You are ready to speak, but he lifts a finger to his lips indicating for you to be silent and to follow behind him as he brushes past you. He steps outside and you turn towards him, both of you facing a sky that is now colored with the rising of the morning sun. He lifts the blade upward and it shines brightly as the first fiery rays of sunlight stream across it. The brilliance of its reflection expands and for a moment you close your eyes, the intensity is so great. You open them and see that the blacksmith is gone and hovering mid-air the sword glows red and pulses with heat that seems to course through you. The flaming glow fills the space and from its center the blade elongates and transforms into a woman of great beauty and flaming red hair. Her eyes glow like sunlit embers of flame and you bow in homage to the Goddess, Brighid. As she approaches you feel the power and strength of Her presence. You see that she carries the sword that you witnessed being crafted and you feel a gentleness about Her that offers you comfort as to how this Divine sword might be used. She has come as the healing sword to offer her many gifts if you ready for her transformative energy.

You approach and kneeling before her you speak of what needs healing and transformation. Each word spiraling up and out like wisps of smoke heated and released by her power. You surrender to her all your doubts and fears and one by one each is dissected and removed from your being leaving you feeling light and unencumbered. When you have finished offering all that has troubled you, she bids you to look upwards and as she lifts her fiery blade warm droplets of healing water shower down about you. Compassion and warmth envelope you and you are held in the embrace of the Goddess as she quickens and enlivens you. Rest in this state for as long as is needed.

When you have received all that is needed at this time, you gently rise and offer up gratitude to the Goddess for the blessings she has given. As these thankful thoughts quicken in your mind and move easily from your lips, you begin to step backwards, as flames begin to rise where Brighid was standing. They reach upwards like strands of red hair caught in a breeze and give the appearance of flickering with shades of emerald green and flashes of silvery metal. You stand taking in the beauty of the sight and the warmth of its heat and the knowledge that you have been transformed by the Goddess, Herself.

The flames gently dwindle and fade and in their place is the smith holding the sword of the Goddess. He walks towards you and gently places it in your hand, softly telling you that it had been crafted for you. He tells you that the gift of the healing sword is given to those who will use it wisely and courageously. And, that the Goddess who offers this gift is always near at hand, ready to inspire and offer her healing so that you may thrive and grow as Her Divine Child.

You take a deep breath in and close your eyes, holding the sword tightly to your breast and as you exhale and open your eyes, you see that your awareness has returned to that of observing the blank inner screen of your consciousness. You take a few deep breaths in and with each exhalation your awareness settles back into the space of your physical being and space surrounding you. You gently flutter your eyes open and look around at your surroundings with keener sight and the knowledge that you carry the healing blade within.

So Mote It Be!

 

***

About the Author:

Robin Fennelly is a Wiccan High Priestess, teacher, poet and author. She is the author of:

 

The Inner Chamber, Vol. One

It’s Written in the Stars

Astrology

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The Inner Chamber, Vol. Two

poetry of the spheres

Qabalah

 

The Inner Chamber, Vol. Three

Awakening the Paths

Qabalah

 

A Year With Gaia

The Eternal Cord

 

Temple of the Sun and Moon

Luminous Devotions

 

The Magickal Pen, Volume One

A Collection of Esoteric Writings

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The Elemental Year

Aligning the Parts of SELF


The Enchanted Gate

Musings on the Magick of the Natural World

 

Sleeping with the Goddess

Nights of Devotion

 

A Weekly Reflection

Musings for the Year

 

Her books are available on Amazon or website and her Blogs can be found atRobin Fennelly 

 

Follow Robin on Facebook and on Instagram 

The Bad Witch’s Guide

February, 2018

 

The Bad Witch’s Guide to Imbolc


I am a bad witch. There are a long list of reasons why I am a bad witch. Having been out of the broom closet for some considerable number of years I would on occasion get asked “but you’re a good witch though?” My response to that depending on the person asking but I found I started to say “yes, a very, very good witch” rather darkly as it usually got the point across…


January was called Wolf month in Anglo-Saxon. Where the starving creatures ventured into villages snapping at the young and helpless, just like the bitter winter winds. January stalks through the cold and damp towards the wet helplessness of Imbolc, lambing season.


There is power in that fragility, in the force of hope. Power in the vulnerability to decide to grow and reach towards the light. February can feel more like winter than December weather wise at least in the British Isles. Sometimes we get unexpected sunshine and warmth, but for the most part it’s sleet, snow, high winds and driving rain.

 

(Brigid Imbolc Corn Dollie by Carlie Bodey of GreenWitchGlamour on etsy.)


Imbolc to me makes more sense if it is part Valentine’s Day, part Mother’s day, part birthing ritual. It is a celebration of hope and the power of love. Sexual love, motherly love and love of life. Brides (Brigid dolls and crosses) are usually the decorations but in truth in our house, we usually finally take our live tree from Yule outside. It is still covered in lights but the ornaments are packed away long ago. We have a Spring clean. I might set up a small altar or temporary shrine to spring.


Breed day, Brides day, all have a sense of sexual expectation I can never seem to muster at this time of year. It is still too cold to shave my legs! I grew up on a farm and much like Lughnasadh represents the frantic hot work of getting the hay harvest in rather than some languid holiday revelry; Imbolc is lambing season. You might have to herd sheep in from one place to another. Bring them in (or let them out, weather dependant) and hunt for stray ewes and small grey bundles abandoned on the luridly green grass. It is cold work. Usually having to be done gloveless. It lacks the communal jovial atmosphere a lot of other seasonal farm jobs have. There is loss and death aplenty. Little miracles happen too.


After all these years I can’t get the after-birth off my hands. I can’t get my hands warm, my feet either to this festival. I don’t hate it. Imbolc is necessary. Birthing is hard. It is dangerous. Liminal and primal. It is a labour. A labour of love. It is where all the loving words are blown away by the roaring wind and your actions really matter. It is what you do, here and now that counts.


I guess this is why I struggle with the whole modern idea of fasting and dieting around January. It feels punitive when everything already feels hard. The weather’s awful. A lot of people are sick. It feels counterintuitive to try and throw yourself into some fake “good” mood. I usually like January. For me and my family it is full of birthdays. And yet, and yet this anticipation of the grind, the work ahead feels overwhelming. So this year I am going to give someone who really needs some love some attention: me.
Just do the one thing that needs doing now. Then the next thing. One breath at a time. Keeping your head where your hands are. One step. One moment after the next. I’m going to try and stop myself from berating myself at how much I have not done, and try and celebrate what I do.


My bad witch self is going to clean and bless my space. Then I’m putting on a playlist designed to be impossible to feel sad or sluggish while playing. I might even eat some good stinky cheese (maybe even goat or sheep cheese) to honour the milk, blood and labour. Then I’m going to look at my “to do list” and try not to wince! I might feel up to doing something fancier on the full moon but I’m not going to force myself to “go through the motions” when all I want to do is hibernate!


Self-care and self-love seem to be so far down most folk’s lists of stuff to do. I have many of the women I know running families, jobs and education who refuse to stay home when they are sick because they “don’t have time to be ill”. Women are routinely told to put themselves last and in the spirit of the birthing season I ask you to give yourself the same compassion and support you give others because you cannot fill others from an empty cup. You don’t have to be everything to be enough.

 

Spell- Rite (You are Worthy)


You will need:


Feel good music (the only rule is that it makes you feel happy)
“Naughty” food, be it ice-cream, stinky cheese or a decadent veggie-burger.
Hot bath or shower.
Candle (scented or otherwise)
Incense (something sweet like amber)


Firstly have a long hot shower or soak in a bath. Use your best products, add some salt. Scrub it all off.


Next in your ritual wear. You can either, dress up the nines. Go all out, or put on your most comfortable ‘jammies or nightwear.


Light your candle and say


I light this fire to remind myself to shine. I am of the same radiant light and I am worthy.”


Then light your incense and say:


“I light this fire to remind myself to find faith in myself. I am of the same breath and I am worthy.”


Just sit for a moment and take in the light and sweet smoke. Then put on your playlist and grab your food and feast. Sing-along, dance, and enjoy.


When you are done extinguish your candle and if you like you can keep this as your self-love candle. You can light it if the day is dark and scary and remind yourself you are worthy. Learning to love yourself is important and honours the gift that the Old Ones have given you.

 

Affairs of the Pagan Heart

January, 2018

Happy New Year and Happy Carmentalia!

Carmentalia is two separate feast dates honouring the Roman goddess Carmenta. It is said that she could see back in the past as well as forward into the future at the same time, and her history is rife with protests and standing ones ground. At one point the Roman Senate denied certain privileges to women during the Second Punic War but didn’t immediately reinstate those privileges once the war had ended. As a mass of people started to grow to discuss and argue about this inequality, women from all over the countryside joined in, first gathering in the Carmentis gardens at the foot of Capitoline hill. They went as far as refusing to work on their husbands’ stock, and in some extreme cases even inducing abortion as a form of protest until privileges were restored.

They saw what they had, they saw what they lost, and they could see how it would affect them in future. And they did something about it. Celebrating Carmentalia honours the early efforts of these Roman women.

Observing Carmentalia can be for our own hearts as well. What can we do to attract love to our lives? What can we do to improve our sexual relationships? How can we nurture the connections we already have? What can we learn from the goddess of fertility and prophecy who cared for all womankind to in turn care for all mankind? It’s different for everyone.

We’ve see what we have had and if we look hard enough we can see what we’ve lost, and we can therefore prepare ourselves for the future. New Year’s Eve is a time when people make resolutions for change in the coming year. We vow to do better, lose weight, save money, stop smoking, etc, because we can see what we deemed was wrong or bad or off in the past and how it can be better in future – how we can be better in future. The changing of the year allows us to start fresh on a particular day when we would physically or metaphorically be switching out the calendar for a new one. We leave the past behind and focus firmly on the future.

Carmentalia was celebrated on two nights, January 11 and January 15, with a feast and celebration for achieving one’s goals. Two weeks into the New Year we can already see if our New Year’s Resolutions had an impact or if they were just words left spoken.

Start by burning some bay leaves as incense and offer popana cakes (a type of bureka) and milk and think on the following Carmentalia prayer:

With pious rite I call out, I summon, I entice with songs that You come forth, Carmenta,

And look favorably upon the matrons of our families.

In You, dearest Mother, in Your hands we place our safekeeping.

In offering to You this cake of cheese I pray good prayers

in order that, pleased with this offering of popana,

May You be favorable towards our children and to us,

Towards our homes and our households.

May Carmenta be favourable to you, your hearts, and your homes. And may you have a bright and blessed New Year!

***

About the Author:

Rev. Rachel U Young is a pagan based in Toronto, Canada. She is a licenced Wedding Officiant and under the name NamasteFreund she makes handfasting cords and other ceremonial accessories. She is also the Chair of Toronto Pagan Pride Day.

The Enchanted Cottage: Magick for the Witch’s Home

November, 2017

To Protect the Witches Home

“We will set to work on that” said Hansel, “and have a good meal. I will eat a bit of the roof, and though, Gretel, canst eat some of the window, it will taste sweet.”

Hansel reached up above, and broke off a little of the roof to try how it tasted, and Gretel leaned against the window and nibbled at the panes. Then a soft voice cried from the room.

“Nibble, nibble gnaw,
Who is nibbling at my little house?”

The children answered,

“The wind, the wind,
The heaven-born wind,”

and went on eating without disturbing themselves….

From Hansel and Gretel—Grimm’s Complete Fairy Tale

 

Grimm

 

The above tale is from one of my favorite fairy tale books. Reading the myth and lore that the Brothers Grimm collected not only brings me comfort during the cold and dark months, I also enjoy unraveling some of the meaning behind the tales. One of the lessons I have learned from Hansel and Gretel is that if you don’t want random children nibbling on your home, you better learn how to set up protective boundaries. If the old witch in the candy coated cottage had installed magical shields around her property, she may not have ended up being cooked in her own oven.

There are many ways one can go about protecting their home from evil and unruly spirits, enemies, and unforeseen forces. It is always best to figure out what shielding magic works best for you but I will share a few methods that I have found to be effective.

Red Brick Dust. A staple in New Orleans Voodoo and Appalachian Hoodoo, Red Brick Dust is my go to formula for most protective magic. Easy to find on the internet and fairly easy to make, this magical powder is made from the grindings of a red brick. The trick is finding a brick that is red throughout, they can be difficult to find. To use, just sprinkle across your doorways and window seals. If feeling the need for extra protection the dust can be sprinkled around the perimeter of you house.

Gargoyles. Found on Egyptian and Greek temples and many churches, the grotesque gargoyle started out as a water spout. Now they can be found everywhere as a decorative feature on many homes and businesses. I have found these creatures to be fiercely protective and have a few around my home. They not only defend my home from unwanted entities, they also have been known to protect my home from natural forces such as storms and falling branches. All of my Gargoyles have names and they are treated like part of the family.

Herbs. There are many herbs that can be used in the protection of your home. You can sprinkle them across entrances much like Red Brick Dust or you can make magical brews and washes out of them to clean or draw runes and symbols with. This list is but a small portion of herbs that may be utilized for protective measures. Garlic, anise, bittersweet (poison), cinnamon, datura, juniper, wolfsbane (poison), and my go to favorite herb—vervain.

Runes and other symbols. These can be drawn through the air or “painted” on doors and windows with washes and brews. They can also be carved into the ground at the four corners of your property. Runes can be used on their own or combined to make bind-runes. Isa, Nauthiz and Algiz are just a few of the runes that can be used. The pentagram or pentacle is another popular protective symbol that is used as is in some magical circles, the cross.

What I have shared here are a few techniques that I use in protective magic for my home. There are many methods that have been known to work just as well as mine and it is wise to find the ones that work best for you. As the nights grow colder, I offer you many warm blessings for your hearth and home. May your home be safe from the nibbling of children…

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