talk

Interview with Just Plain Bill, Author of Here, There, and Everywhere

May, 2019

Bill Holtry a.k.a. Just Plain Bill is the author of Here, There, and Everywhere: A Clarification of Reality. Not only did I get the chance to review the book, but I also interviewed Just Plain Bill. At the end of the interview, Just Plain Bill shared his website with us. Make sure to check it out. From the website you can learn more about Just Plain Bill and purchase your copy of Here, There, and Everywhere. Don’t forget to check out my review of Here, There and Everywhere in this issue of PaganPagesOrg.

Deanna (D) – First, let me start by saying Here, There, and Everywhere is one of my favorite books now. The content of the book had me thinking throughout it. I had to stop a few times and think about what I had just read. All in all, it made so much sense with what I’ve always wondered throughout my life. I’ve read Here, There, and Everywhere a couple times now and I always learn something new with each reading.

I want to take a minute and thank you for allowing me to interview you.

Just Plain Bill (JPB) – Thanks so much for honoring me with your request. I look forward to our conversation.

D – In Here, There, and Everywhere, the reader gets a glimpse into the Everywhere. How old were you when you first got to see the Everywhere?

JPB – Little did I know that I was being prepared for this experience my entire life. Unfortunately, it took me 68 years to understand my gift. And it is a gift.

The “back story” occurred during my first visit to Lilydale Chapel in New York where I visited “the Stump”, a place of reverence and peace. My wife, Susan, felt inclined to hold back and take pictures while I walked to the Stump. When we returned home and downloaded the pictures, there were several orbs around me. After speaking to a friend who understood these things, I started automatic writing which opened my eyes to the clarification of reality.

D – Are there any special preparations that must be done before you visit the Everywhere?

JPB – I have a routine. At about 5AM, I make coffee, open my laptop and with an empty mind, I accept what comes. I take a deep breath and place my hands on the keyboard and open the portal in my mind. It’s like putting blinders on and I envision where I am. I immediately begin by typing what I “see” and then about an hour later, I have finished what has come to me. Frankly, I have no idea what I have just written. Without reading, I stop and let my head “clear” and then Susan reads it. For some reason, she usually awakens about the time I finish. This is an amazing experience. I am not in a trance, but I must say my focus is strongly driven by my desire to type whatever comes through me to my keyboard.

D – In the beginning of Here, There, and Everywhere you mention automatic writing. Can you explain what it is and how it’s practiced?

JPB – There are different definitions for the term, automatic writing. It was described to me as writing from a meditative state with the writer being unaware of what is being written. I am merely the vehicle through which the information flows and I type the words.

I often use the term, “Just Delivering the Mail” because the words come to me as a result of this gift. I never know what the next sentence is until it’s completed.

D – With every visit you learn something new. Sometimes you have questions, while other times it seems that the Everywhere has a lesson waiting for you. How do you come up with the questions that you ask?

JPB – Although it seems like I have questions, they arise through the “conversations” that occur during my session. The questions just “occur”. I wish I could take credit, but I can’t.

D – Throughout the book, the reader can see that the Everywhere changes with each visit. Do you have a favorite setting in the Everywhere?

JPB – Probably my favorite setting is the original overlooking the valley with the brook. I am no different than anyone else who enjoys the feeling of going home. I have the understanding that my family tree comes from that valley but it’s just a feeling. I have never received any specific information to believe this. It’s just a feeling.

D – Besides heights, is there a setting you least enjoy?

JPB – Ironically, my entire family is afraid of heights. I am laughing as I write this. Any others? Well actually, if I am in a boat and someone tells me how deep the water is below me, I have the same feeling of height. It’s just the craziest thing and something I laugh at myself over this. But apparently, it transcends my “travels” too.

D – It seems you have met a wide variety of people that come from all different walks of life. Has there been anyone you would like to talk with but haven’t had the chance?

JPB – I never want to take advantage of my gift, so I visit with anyone who wishes to be there. I sense the visits are set up for me by someone or something else. I suspect my Pap is a project manager of sorts.

D – Are you able to request a visit with a certain spirit?

JPB – I have never requested to visit with anyone specifically. I feel and this is only my opinion, that a request from me would be unfair, given my gift. So, I respect who decides to visit with me. Every visit brings me lessons to learn. I sense I am just there to deliver information and lessons for all of us to learn from and to be better for it.

D – It seems like you meet a new spirit with every visit. Besides Pap, is there a spirit that visits more frequently?

JPB – I have had only one or two other visits from past friends who have moved on to return to the Everywhere. Believe me, every day is as much a surprise as it is a lesson. I am blessed to just deliver the mail.

D – What is a lesson you hope people learn when they finish reading Here, There and Everywhere?

JPB – Several who have read the book have said they feel peace and understanding about their reasons for being and for situations they find themselves in. There is so much common sense to the clarification of reality, it’s amazing to me why so many humans are struggling. But then, if they didn’t, maybe not as many lessons would be learned and after all, that’s why we are all here. To learn and return with lessons is a requirement of our journeys.

Here, There and Everywhere explains that some of us are here today to bring humans back to the understanding from which we came. We have strayed so far from the values of family, love, honor, trust and peace and must stop the pain or we will destroy the human race. I am but one of millions who has been assigned to get the Wave back on track.

D – If you could share one lesson from the Everywhere, what would it be?

JPB – Open your heart and let life teach you all it can. And spend each day enjoying family, love, honor trust and peace. After all, that’s all we bring and all we return to the Everywhere with. There is no real end to the journey.

D – Will there be a second book following Here, There, and Everywhere?

JPB – My first book has about 70,000 words of life, learning and visits. I have more than 700,000 words at this point and there is a lot to share about so many topics. I can only imagine what lies ahead!

Thank you so much for your interest and kindness. I can tell by your questions, you have a wonderful way about yourself. I wish you and your readers all the best and look forward to our next visit.

If I may share our website, it is www.here-there-everywhere.net

Thanks again. Keep smiling…

Just Plain Bill…Delivering the mail.

Interview & Review – Laura Tempest Zakroff: Sigil Witchery

February, 2019

A Book Review

Sigil Witchery

(An interview with Tempest follows this review.)

It was very serendipitous that as this book was coming up for review, I had just registered to take a workshop with Tempest based on this very book.

The word “sigil” means “seal” or an action/word of a spiritual nature. I would hazard a guess that most of us have seen sigils that mean specific things, written and drawn by others.

Tempest brings sigils to us in a more personal way, with the sigils drawn by us, to have meaning to us, specifically. She simplifies it for us, while never detracting from their power.

Before doing this, she gives us a brief history of what she calls “making marks”, discussing the paintings, symbolism and markings of previous civilizations, which are still so important to us today. Tempest does on to explain the differences between sigils and signs, seals, designs, etc.

There are sections on the basic shapes used in sigils and their meanings, adding directions, letters and numbers, how to use the elements in our sigils and how they work.

There is space for us to create our own symbols for specific words that Ms. Zakroff has listed for us, thus building our own library to make our own custom sigils. She gives guidance on designing our own, what tools we can use, why we should craft our own sigils. She offers us suggestion sigils and a gallery of her own custom sigils.

We don’t have to be “high magicians” to utilize the power of sigils and the how-to’s are all right here, in an informative, friendly, easy-to-read-and-relate-to manner.

As one who has never given much thought to sigils, on their own, this book has tempted me to not only think about it, but do it.

Interview With Laura Tempest Zakroff

Susan Morgaine (SM): Hi Tempest – it was so nice to see you while you were on tour.

So, belly dancer/performer, event producer, artist, witch, author and teacher. That is quite impressive. I knew you primarily as a dancer and performer when we met many years ago, and it wasn’t until I saw the logo for Waking Persephone that I realized you were an artist, as well

SM: How did you start and what did you start with, realizing it was most probably a circuitous journey? Please only respond with what you are comfortable with sharing.

Tempest: I definitely started with art, going back as early as age 3. By first grade I was taking formal art classes on a regular basis – all the way through high school. Then for college, I graduated from the Rhode Island School of Design. I discovered modern Witchcraft and Paganism in my teens, and got into dance in my college years. When I moved to California in 2001, dance and Pagan stuff pretty much took over my life. I didn’t have much room or resources to make the kind of art I had been doing in school, so art took a bit of a backseat. It manifested through my costume designs and creations, graphic design, and some small drawings and paintings. When I moved back to the East Coast in 2007, I started working as a fashion jewelry designer. I did that until mid-2012, when it was time for drastic life shift. In that process I moved to Seattle and began working for myself full-time in all the things I do (dance, design, art). Sometimes I feel frustrated that I didn’t just keep going with the fine art out of school, but I realize I wouldn’t be where I am now, on this path – if I had.

SM: What was the impetus behind the idea of Waking Persephone. I know there were several years here on the East Coast; are you continuing it on the West Coast?

Tempest: I co-produced Gothla US from 2008-2010 – which took place in California. It was supposed to switch coasts, but that didn’t happen. Which was frustrating because most of my east coast, home-base students couldn’t afford to attend it. So much work and the people I worked the closest with couldn’t participate. I also had a vision for something that encompassed more, without stylistic labels – to bring in more ritual/sacred dance, more artistry, more diversity. That became a reality first in Tapestry Dance Retreat (2011) and then Waking Persephone the following Spring. We did 2 years in Providence, and 3 more years in Seattle. At this time, I’m not producing any events, because I needed to focus on my art and writing, but when the time comes, something will probably emerge again. Producing events takes up so much time and energy. I transformed that time and focus into something else. Since the last WP in 2016, I’ve written 4 books, published an anthology, and pushed my art deeper.

SM: When did you realize your were a Witch? It’s so interesting to hear about other’s spiritual journeys.

Tempest: I was at odds with the Catholic Church since my youngest days. I got sent to the principal’s office at age 6 because during a field trip to the church, I insisted on sitting where the priests and altar boys did (like my brothers!), and couldn’t understand while girls weren’t allowed. So much doctrine that made no sense – I felt that God was more present in nature and everywhere around us. I discovered that there were other options to the Abrahamic religions in my mid-teens – that Witchcraft and Paganism was a thing. The realization that there were names for what I believed and felt, and that other people saw the world similarly was a huge revelation.

SM: What made you decide to start to write, and then to follow that with teaching?

Tempest: I’ve been writing for a long time – in high school I was the editor of the literary magazine. At RISD in 1997, I got involved with Crescent Magazine – where I became an associate editor and had regular columns. I started up a website on Modern Traditional Witchcraft around then as well. Around 2000, I started offering Witchcraft classes – and kept that up until around 2005 or so. Then I burned out on being a public Witch, and retreated to a solitary path for almost a decade. After getting my life reset in 2012, I ventured out of my cave a bit with renewed focus and purpose. I started up a blog (which moved to Patheos in early 2016 I think), began teaching again and toyed with the idea of finally writing a book. In the Fall of 2015, I was offered the contract to write “The Witch’s Cauldron” for Llewellyn. It was a wonderful way to just dive right in, and was really well received. So from there, I wrote “Sigil Witchery” – after folks taking my workshops asked why I hadn’t written a book yet on it. And well, it’s just kept going from then.

SM: I was fortunate to have had the opportunity to take your Sigil Witchery workshop (which is reviewed somewhere else this month in Pagan Pages). What did you learn from your travels and sitting with/teaching so many Witches and Pagans around the country? I found it fascinating to see, on Instagram, the sigils you created with each workshop.

Tempest: No matter where folks are located or what path/label they use – Witches/Paganfolks have so much more in common than not. The community (or whatever we wish to call it) is incredibly diverse, but we share many beliefs and loves, as well as fears and concerns. There is so much potential in recognizing our collective power and connections.

SM: So what is next on the agenda for you, Tempest? Any sneak peeks?

Tempest: A. I’m finally working on an oracle deck! The tentative title is “The Liminal Spirits Oracle” and it will be out via Llewellyn I believe some point next year 🙂

You can reach/follow Tempest at the following:

Owlkeyme arts – Design & Fine art by Laura Tempest Zakroff | Seattle, WA

www.owlkeyme.com

Mago Djinn – Modern Folk Wear

www.magodjinn.com

Author Site – www.lauratempestzakroff.com

Sigil Witchery: A Witch’s Guide to Crafting Magick Symbols on Amazon

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About the Author:

Susan Morgaine is a Daughter of the Goddess, Witch, Writer, Teacher, Healer, and Yogini. She is a monthly columnist with PaganPages.org Her writings can be found in The Girl God Anthologies, “Whatever Works: Feminists of Faith Speak” and “Jesus, Mohammed and the Goddess”, as well as Mago Publications “She Rises, Volume 2, and “Celebrating Seasons of the Goddess”. She has also been published in Jareeda and SageWoman magazines. She is a Certified Women’s Empowerment Coach/Facilitator through She is the author of “My Name is Isis”, one in the series of the “My Name Is………” children’s books published by The Girl God Publications. A Woman International, founded by Patricia Lynn Reilly. She has long been involved in Goddess Spirituality and Feminism, teaching classes and workshops, including Priestessing Red Tents within MA and RI. She is entering her 20th year teaching Kundalini Yoga and Meditation, being a Certified instructor through the Kundalini Research Institute, as well as being a Reiki Master. She is a member of the Sisterhood of Avalon. She can be found at https://mysticalshores.wordpress.com/ and her email is MysticalShores@gmail.com

My Name is Isis (Volume 4) on Amazon

Tarot Talk

January, 2019

The Nine of Wands

(The Four of Wands card is from the artist Ciro Marchetti http://www.ciromarchetti.com/)**

This month we will go back to the 9’s of the Minor Arcana and talk about the Nine of Wands. This is a Minor Arcana card so we know right away that the message offered by this card will most likely be more immediate in nature, or will most likely be connected to more day-to-day issues. The easiest way to get a decent understanding of a Minor Arcana card is to examine its number, or in the case of Court Cards, its rank, and to examine its suit. We can also find useful information within the image on the card.

The traditional image of the Nine of Wands is a figure dressed in a red tunic standing in front of a wall of 8 Wands, sometimes with green leaves sprouting from the Wands. The figure looks tired and is wearing what appears to be a bandage on his head; he leans wearily on the ninth Wand. Wands symbolize support, stability, and singleness of purpose, particularly the Wand on which the figure leans. Behind the wall of Wands are green craggy mountains in the distance, or sometimes rounded hills, symbolizing past challenges already dealt with; the sky is blue with white fluffy fair-weather clouds that symbolize an idea coming from out of the blue. Occasionally, the figure is on one knee, leaning on his wand with his head bowed; one card even shows the figure from the back, as if the observer is standing behind that wall of Wands, looking in the same direction as the figure.

Let’s look at the number 9. I see the number 9 as representing the fullness or completeness of effect or manifestation. We are talking about completeNESS here, not compleTION or the winding up of a cycle. The number 9 represents our perceptions as we reach the limit of our understanding of or experience of a situation, just before we wind up the process and take another step up the ladder in order to begin the whole process again. In our spoken language, we say that we are going to “go the whole nine yards” when we intend to experience something to the fullest, and that is what the number 9 can tell us in the Tarot.

So just by looking at the number of our card, we already know that the Nine of Wands is going to present an intense experience. This will not necessarily indicate that we are done with the experience, but rather that we are at the “peak of the wave” just before the wave tips over and disseminates its energy onto the shore. Now, we narrow down our interpretation by looking at the suit of the card: the suit of Wands.

For this discussion we will accept that the suit of Wands corresponds to the element of Fire. This is not always the case, depending on the deck being used; some see Wands as being connected to Air. Besides the element of Fire, the suit of Wands corresponds with the playing card suit of Clubs, and the cardinal direction of South. In its natural state, the element of Fire is hot and dry. It tends to bring spontaneous change or impulsive and energetic effects. Fire is passionate and it transforms everything it touches, everything in our world. Fire can sanitize or cleanse, and it can destroy everything in its path; Fire can warm us and keep us safe, or it can kill us.

All of the cards of the suit of Wands (including the Nine of Wands) teach us about Fiery attributes like creativity, ambition, growth, passion and actions, and how their presence or absence can affect our lives. The suit of Wands represents our ability to experience joy and passion (including sexual passion), and the Wands cards can represent our creativity, our ability to be artistic or to be drawn to beautiful things. Fire often represents Spirit or the Divine Will, and Wands cards also can present the possibility of some interaction with Spirit or the Divine, or actions or passions manifesting in line with Divine Will.

The element of Fire can be seen as kinetic, or even electric. It has the power to create greatness (when we are inspired to be better than we think we can be), or destruction (when we believe we are greater than we actually are). Fire fuels innovation; action and energy are enhanced by this element, but so are destruction and oppression.

The astrological correspondence for the Nine of Wands is the Moon in the astrological sign of Sagittarius.

The Moon is our planet’s only satellite, and it is large enough for its gravity to affect our Earth. The Moon actually stabilizes the Earth’s orbit around the Sun, and it produces the regular ebb and flow of the tides. The lunar day syncs up with its orbit around Earth so that the same side of the Moon always faces the Earth. Astrologically the Moon is associated with a person’s emotional make-up, unconscious habits, rhythms, memories, moods, and a person’s ability to react and adapt to his or her environment. It is also associated with Yin energy, the receptive feminine life principal, maternal instincts or the urge to nurture, the home, the need for security, and the past, especially early experiences and childhood.

Sagittarius, the 9th sign of the zodiac, is often seen as the wanderer, but remember, not all those who wander are lost. Sagittarius is the truth-seeker, the enthusiastic consumer of information who loves knowledge achieved by traveling the world and talking to everyone. The life quest of a Sagittarian is to understand the meaning of life, using both spiritual and philosophical disciplines to digest what they learn. This is a mutable Fire sign, and thus while exploration and adventure are a necessary part of life, procrastination is also a danger. Sagittarius corresponds with Jupiter, and is expansive in all things, is an effective healer, and can be a bridge between humans and animals.

When the Moon is in Sagittarius, we have an ability to tap into instincts connected to emotions, dreams and rhythms. This combination of energies is active, independent and optimistic, and not afraid to create a unique path. Being in one place can feel confining, but the solution is to expand and learn and to teach others what we learn. These energies are optimistic, always expecting things to go well. And if they don’t pan out, the mutable Sag/Moon combination is very adaptable, and will go with the flow without hesitation in order to find a new solution.

Each of the 78 cards in a Tarot deck also has a home on the Tree of Life of the Qabalah; all of the Nines correspond to the sephira (or sphere) of Yesod. Yesod is the first sphere out of (and the last sphere into) the sephira that represents the physical world, Malkuth. Yesod is about things such as emotions and feelings, which are directly connected to our physical existence, but not actually physical themselves. Yesod is also the home of our life force, our personality, and the Self. It is only above Yesod that the Tree begins to branch out. This reminds us that emotions and feelings and an awareness of our life force and our personality are natural processes, and that exploring them and understanding them is an important part of our own evolutionary process.

The Llewellyn Welsh Tarot Nine of Wands shows the traditional figure leaning on a Wand standing before a wall of Wands; all of the Wands have leaves growing from their tops. This figure has a bandage on his head and one of his arms is in a sling, and he is gazing off to the side. Behind him are two rounded mountains. The keywords for this card are order, control, planning, experience, guarding one’s assets, anticipating hostility. Here we have a disciplined warrior who has experienced growth and achieved wisdom through successfully traversing a perilous passage.

The Nine of Wands of the Thoth Tarot is named “Strength,” and its keywords are strength (sometimes scientifically applied), power, health, recovery from a sickness. Here we have a steady force that cannot be shaken, and even if injury is present, recovery is not in doubt. While Crowley saw both the Moon and Sagittarius as weak, he still named this card Strength. However, the strength of the Nine of Wands lies in its ability to change. “Defense, to be effective, must be mobile.”

The image on the Wild Unknown Tarot Nine of Wands shows a view from the bottom of a stairway made from nine Wands. The stairway reaches far upward, and it appears that if we can find the strength and stamina to climb to the top, we just might be able to touch the beautiful golden crescent in the sky. This is an optimistic metaphor for the Nine of Wands, showing us that if we can keep focused on our own inner Fire and fine-tune our ability to direct the resulting energy for a sufficient amount of time and in the correct manner, we will make it to the top. Mental discipline and focus, and the right amount of exertion, will do the trick.

The Shadowscapes Tarot Nine of Wands shows a warrior seated on a mighty mythical steed, holding his Wand and gazing into the distance with clear eyes and an alert mind. This guardian is trained and ready but is untried in real life, and yet he sits tall and proud and at attention, whether the sun shines or the darkness gathers. This card is about vigilance, about keeping some strength in reserve, and about being prepared for any eventuality. We are also told to remember that sometimes our most powerful abilities do not show themselves until we are actually put to the test.

The Legacy of the Divine Tarot Nine of Wands shows a figure kneeling on one knee on rocky ground with head bowed, grasping a Wand with a crystal tip. Behind the kneeling figure are eight other Wands with crystal tips that glow in the rays of a setting sun. A large waxing moon shines in the golden sky. This card tells of great strength and endurance that have achieved much but have also taken a great toll. It tells us that we have one more challenge to overcome, and we will need to dig deep in order to struggle and overcome. Here we are told that if something does not kill us, it will make us stronger.

The Naked Tarot describes the Nine of Wands as a castle surrounded by a moat, grueling circumstances, the final push with almost-dead batteries, going the distance, running a marathon, and sticking it out. This card is personified by Rocky Balboa, Murphy’s Law, the Great Wall of China, and the final moments of a close football game.

The Nine of Wands tells of the practical application of wisdom that has been attained through resilience and focus. This card tells us that for the moment, we are in a safe place. We may be battered and exhausted, but now is the time to remain vigilant and focused so we can hold our position firmly for just a bit longer, and we will win the day.

The danger here is that we will surrender to the attitudes, habits or situations that have tempted or derailed us in the past. Unexpected challenges or close calls can make us want to give up, but we need to remember that everything happens for a reason, and we will gain something of value no matter what, if we just fond the strength to hold firm.

There is an overall theme here. The Nine of Wands is not about victory or defeat, but rather it is about putting up a good fight. It is about accepting that sometimes the very thing we are fighting for can’t be seen with the physical eyes because it is an ideal, not an item. Perhaps in the end, the victory we win will be against the stumbling blocks of pessimism and procrastination.

** We Feature the art of Ciro Marchetti as part of Tarot Talk. You can view his work and Decks at http://www.ciromarchetti.com/.

The Gilded Tarot (Book and Tarot Deck Set) on Amazon

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About the Author:

Raushanna is a lifetime resident of New Jersey. As well as a professional Tarot Reader and Teacher, she is a practicing Wiccan (Third Degree, Sacred Mists Coven), a Usui Reiki Master/Teacher, a certified Vedic Thai-Yoga Massage Bodyworker, a 500-hr RYT Yoga Teacher specializing in chair assisted Yoga for movement disorders, and a Middle Eastern dance performer, choreographer and teacher.  Raushanna bought her first Tarot deck in 2005, and was instantly captivated by the images on the cards and the vast, deep and textured messages to be gleaned from their symbols. She loves reading about, writing about, and talking about the Tarot, and anything occult, mystical, or spiritual, as well as anything connected to the human subtle body. She has published a book, “The Emerald Tablet: My 24-Day Journal to Understanding,” and is currently working on a book about the Tarot, pathworking and the Tree of Life. Raushanna documents her experiences and her daily card throws in her blog, DancingSparkles.blogspot.com, which has been in existence since 2009. She and her husband, her son and step son, and her numerous friends and large extended family can often be found on the beaches, bike paths and hiking trails of the Cape May, NJ area.

The Emerald Tablet: My 24-Day Journal to Understanding on Amazon

Going Shamanic Radio

January, 2019

Going Shamanic” is hosted by Jennifer Engracio on P.A.G.E. Media Project’s blogtalk radio each month. The show focuses on how to integrate shamanism into every day life. Instead of relegating the spiritual aspect of ourselves to Sundays at church or weekend workshops, this show will support listeners in weaving ritual, prayer, magic, alignment with the Spiritworld and the Earth into their lives to enrich their experience of living.

This Month’s Topic:Sacred Sexuality, Part 2 with Saida Désilets, PhD

This show is the second part of an interview we did with Saida on human sexuality. In this conversation, your host and Shamanic Coach, Jennifer Engracio talks with Saida Désilets about why sexuality is vital to overall health and well being.  We talk about the developmental stages of sexuality and ways to step more fully into our erotic innocence.

Saida Désilets, PhD, is a thought-leader on the growing edge of researching how women can use their minds, bodies, and spirits to create richer lives through their sensual selves. She is the founder of the Succulence Revolution, a self-actualizing system that creates more pleasure, sexual aliveness, and deep self-love. She is a co-contributor to the best-selling books of Dr. Christiane Northrup and Dr. Rachel Abrams and has led transformational workshops and seminars for women around the globe for the past 13 years. She is the author of the Emergence of the Sensual Woman: Awakening Our Erotic Innocence, and serves as a guide to women who believe in transformation as a lifelong path of learning, discovery, and walk to freedom.  www.TheSucculenceRevolution.com

You will truly love this conversation – filled with insights and profound wisdom about who we are as beings of pleasure.

Going Shamanic is hosted by Jennifer Engrácio, about how to integrate shamanism into everyday life.

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About the Author:

Jennifer Engrácio has been a student of shamanism since 2005. Jennifer is a certified teacher who has worked with children in many different education settings since 2001. She is a certified shamanic coach, reiki master, and lomilomi practitioner; in addition, she runs Spiral Dance Shamanics. Originally from Vancouver, Canada, she now lives in Calgary, Canada with her life partner.

Engrácio participated in self-publishing three books that are now available:

The Magic Circle: Shamanic Ceremonies for the Child and the Child Within”

Women’s Power Stories: Honouring the Feminine Principle of Life”

Dreaming of Cupcakes: A Food Addict’s Shamanic Journey into Healing

For more information go to: www.spiraldanceshamanics.com

Going Shamanic Radio

December, 2018

 

Going Shamanic” is hosted by Jennifer Engracio on P.A.G.E.  Media Project’s blogtalk radio each month. The show focuses on how to integrate shamanism into every day life. Instead of relegating the spiritual aspect of ourselves to Sundays at church or weekend workshops, this show will support listeners in weaving ritual, prayer, magic, alignment with the Spiritworld and the Earth into their lives to enrich their experience of living.

 

This Month’s Topic: Going Shamanic – Sacred Sexuality, Part 1

Human sexuality is mysterious, vibrant and diverse.  This show explores why sexuality is a birth right and important to overall health and wellbeing.  It answers the question: Why is sexuality holy?

 

Jen welcomes Saida Désilets, PhD, who is a thought-leader on the growing edge of researching how women can use their minds, bodies, and spirits to create richer lives through their sensual selves.

She is the founder of the Succulence Revolution, a self-actualizing system that creates more pleasure, sexual aliveness, and deep self-love. She is a co-contributor to the best-selling books of Dr. Christiane Northrup and Dr. Rachel Abrams and has led transformational workshops and seminars for women around the globe for the past 13 years. She is the author of the Emergence of the Sensual Woman: Awakening Our Erotic Innocence, and serves as a guide to women who believe in transformation as a lifelong path of learning, discovery, and walk to freedom.  www.TheSucculenceRevolution.com

This show is pre-recorded and believe me, it’s WORTH the listen. So many amazing gems on how to bring pleasure into your life – because you’re worth it.

 

 

Going Shamanic is hosted by Jennifer Engrácio, about how to integrate shamanism into everyday life.

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About the Author:

Jennifer Engrácio has been a student of shamanism since 2005. Jennifer is a certified teacher who has worked with children in many different education settings since 2001. She is a certified shamanic practitioner, Reiki Master, and lomilomi practitioner; in addition, she runs Spiral Dance Shamanics. Originally from Vancouver, Canada, she now lives in Calgary, Canada with her life partner.

Engrácio participated in self-publishing three books that are now available:

The Magic Circle: Shamanic Ceremonies for the Child and the Child Within”

Women’s Power Stories: Honouring the Feminine Principle of Life”

Dreaming of Cupcakes: A Food Addict’S Shamanic Journey into Healing

For more information go to: www.spiraldanceshamanics.com

 

Tarot Talk

October, 2018

Three of Wands

(The Three of Wands card is from the artist Ciro Marchetti http://www.ciromarchetti.com/)**

We have already talked about the Three of Cups, the Three of Swords and the Three of Pentacles, so this month we will examine the Three of Wands. This is a Minor Arcana card so we know right away that the message offered by this card will most likely be more immediate in nature, or will most likely be connected to more day-to-day issues. The easiest way to get a decent understanding of a Minor Arcana card is to examine its number, or in the case of Court Cards, its rank, and to examine its suit. We can also find useful information within the image on the card.

The traditional image of the Three of Wands is a figure dressed in a robe of red or red and green, standing on a hill or a cliff, often surrounded by grass and flowers (representing fertile ground) and holding a living wand with leaves or flowers just springing out (symbolizing fertility and early manifestation), with two other Wands, one on each side of him, creating a sort of gateway (representing a transition point). He (or she; some cards show a woman) has his back to the viewer and is looking outward (showing a look into the future, or anticipation). Before him is usually a lake or body of water (thoughts or the subconscious) upon which sails one or several ships (journeys, cargo); sometimes a bird is flying overhead (representing grand ideas). On the far side of the body of water are hills and mountains (challenges and attainments). Everything in the image is bathed in a golden light. There is a sense of quiet anticipation in this image, and an anticipation of good things to come once his ship comes in.

For this discussion we will accept that the suit of Wands corresponds to the element of Fire. This is not always the case, depending on the deck being used; some see Wands as being connected to Air. Besides the element of Fire, the suit of Wands corresponds with the playing card suit of Clubs, and the cardinal direction of South. In its natural state, the element of Fire is hot and dry. It tends to bring spontaneous change or impulsive, energetic effects. Fire is passionate in nature and it transforms everything it touches, everything in our world. Fire can sanitize or cleanse, and it can destroy everything in its path; Fire can warm us and keep us safe, or it can kill us.

All of the cards of the suit of Wands (including the Three of Wands) teach us about Fiery attributes like creativity, ambition, growth, passion and actions, and how their presence or absence can affect our lives. The suit of Wands represents our ability to experience joy and passion (including sexual passion), and the Wands cards can represent our creativity, our ability to be artistic or to be drawn to beautiful things. Fire often represents Spirit or the Divine Will, and Wands cards also can present the possibility of some interaction with Spirit or the Divine, or actions or passions manifesting in line with Divine Will.

The element of Fire can be seen as kinetic, or even electric. It has the power to create greatness (when we are inspired to be better than we think we can be), or destruction (when we believe we are greater than we actually are). Fire fuels innovation, but an imbalance or lack of Fire can bring austerity. Action and energy are enhanced by this element, but so are destruction and oppression.

The number 3 usually represents the creation of something new, or the making real of concepts or understandings presented by the number 2. We can see the manifestation of this throughout our physical world; when a male and a female of any species come together, the result is often the creation of new life. The number 3 can also represent optimism, self-expression and the polishing or honing of skills already in place. On the uncomfortable side of things, the number 3 can represent self-doubt, wastefulness, or vanity.

Within the Tarot, the Threes are seen as either creating something out of the potential of the Ace and the partnership of the Two of their suit, or they are seen as manifesting or making real the potential of the Ace and the concept of the Two. Briefly, we have the potential for experiencing a creative force that could bring enthusiasm and excitement (the Ace of Wands), and the ability to be a pioneer and the courage to choose our own path (the Two of Wands). The Three of Wands presents the first-stage completion of a glimpse of what can be created if we stay the path (with the second stage at the number 7 and the third and final stage at the number 9), begun with the potential of the Ace which manifests in the Two card and then presents a sense of achievement in our Three of Wands. Our card tells us that we have the ability to take the long view and the courage to look for greater possibilities.

The astrological correspondence for the Three of Wands is the Sun in the astrological sin of Aries.

The Sun is the star at the center of our solar system around which the planets revolve; it provides our Earth with the heat and light necessary for life as we know it. The arc that the Sun travels in every year, rising and setting in a slightly different place each day, is a reflection of the Earth’s orbit around the Sun; hence its connection with reflection and fertility. The Sun travels through the twelve signs of the zodiac in one year, spending about a month in each sign. The Sun represents the conscious ego, the self and its expression, personal power, pride and authority, leadership qualities and the principles of creativity, spontaneity, health and vitality, or simply the “life force. In Chinese astrology, the Sun represents Yang, the active, assertive masculine life principle. In Indian astrology, the Sun is called Surya and represents the soul, ego, vitality, kingship, highly placed persons, government, and the archetype of The Father.

The astrological sign of Aries is a cardinal Fire sign that is a catalyst, a person that inspires others by being totally committed to his or her own vision. Aries is the first sign of the zodiac, the leader of the pack, first in line to get things going. Those born under this sign prefer to initiate, and they won’t shy away from anything new. Aries people are action oriented, assertive, and competitive. Aries is ruled by Mars, the God of War, bold and aggressive, and able to tap into the focus needed to take on any challenge. The symbol of Aries is the Ram, blunt and to the point, and a sheer force of nature. The great strength of those born under this sign is found in their initiative, courage and determination.

The Sun represents the individual, and Aries supports that concept by bringing in fierce independence. These are the energies of a warrior, a trailblazer who can see where to go in order to find his way. This combination gets the job done, often by steamrolling the opposition. In any event the courage and leadership and ability to think out of the box are assets that are very desirable. These energies can be impulsive, though, and they represent moments where it can be difficult to understand why others won’t follow our path.

The Threes have a place on the Tree of Life of the Qabalah; they are found in the sephira of Binah at the top of the Pillar of Form/Restriction. This sephira is seen as form, as force in pattern, and as the Great Mother and the Womb of Life. Binah offers shadow and contrast, which in turn gives us shape and form. Binah restricts in order to provide a springboard, and that restriction can also be its downfall if it becomes greed. Binah represents intuitive understanding, contemplation, and deductive reasoning, and the fertile receptivity of the Sacred Feminine.

The Llewellyn Welsh Tarot Three of Wands shows a figure standing on a hill covered with grasses and flowers, looking out over a bay on which there are three sailing ships. The person’s robe is blowing in the breeze. He holds a wand decorated with young green sprouts and a scarf that he holds in order to keep it from blowing away. On either side of him are two other wands. The keywords for this card are speculation, exploring, broadening horizons, trade and negotiations, distributing resources and gambling on the unknown.

The Three of Wands of the Thoth Tarot is named “Virtue,” and its image of three Wands topped with flowers and surrounded by flames represents the primal solar energy that penetrates the earth in Spring and causes the seeds to germinate. This card not only represents great power, but also the will and the courage to use that power.

The Legacy of the Divine Tarot Three of Wands shows the silhouette of a figure standing on a beach looking across calm waters as the sun sets and tinges everything with gold. Surrounding him are three Wands tipped with glowing crystals. In the sky before him floats a glorious wooden sailing ship held aloft by three brightly colored balloons, surrounded by sea birds. There are clouds in the sky and the figure’s cloak blows in the breeze, but there is not a sense of storms or impending chaos for the ship sails steadily. Is the ship really there? Or is the figure dreaming of possibilities or the future? The card represents the joining of forces, enterprise, trade, and power.

The Three of Wands is a very exciting card, for it tells of approaching good fortune. What we are waiting for is arriving and reinforcements are on the way. Success is within sight, and while there is still work to be done, perhaps frantic last-minute work crammed into a short time period, we are resourceful enough to communicate what we need and to make things happen. Luck is on its way!

** We Feature the art of Ciro Marchetti as part of Tarot Talk. You can view his work and Decks at http://www.ciromarchetti.com/.

***

About the Author:

Raushanna is a lifetime resident of New Jersey. As well as a professional Tarot Reader and Teacher, she is a practicing Wiccan (Third Degree, Sacred Mists Coven), a Usui Reiki Master/Teacher, a certified Vedic Thai-Yoga Massage Bodyworker, a 500-hr RYT Yoga Teacher specializing in chair assisted Yoga for movement disorders, and a Middle Eastern dance performer, choreographer and teacher.  Raushanna bought her first Tarot deck in 2005, and was instantly captivated by the images on the cards and the vast, deep and textured messages to be gleaned from their symbols. She loves reading about, writing about, and talking about the Tarot, and anything occult, mystical, or spiritual, as well as anything connected to the human subtle body. She has published a book, “The Emerald Tablet: My 24-Day Journal to Understanding,” and is currently working on a book about the Tarot, pathworking and the Tree of Life. Raushanna documents her experiences and her daily card throws in her blog, DancingSparkles.blogspot.com, which has been in existence since 2009. She and her husband, her son and step son, and her numerous friends and large extended family can often be found on the beaches, bike paths and hiking trails of the Cape May, NJ area.

The Emerald Tablet: My 24-Day Journal to Understanding

Going Shamanic Radio

February, 2018

 

Going Shamanic” is hosted by Jennifer Engracio on P.A.G.E.  Media Project’s blogtalk radio each month. The show focuses on how to integrate shamanism into every day life. Instead of relegating the spiritual aspect of ourselves to Sundays at church or weekend workshops, this show will support listeners in weaving ritual, prayer, magic, alignment with the Spiritworld and the Earth into their lives to enrich their experience of living.

This month Discussion is About Ascension and the Human Spirit’s Evolution

On this episode, Jen talks with Carrell Mehl, a Reiki Master Teacher and Shamanic Practitioner who focuses on what it takes to walk the path of Ascension.  This show is rich in ways to transition and transform energetically in these changing times.

 

 

Join us to find out how we are all  ‘Going Shamanic‘!

 

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About the Author:

Jennifer Engrácio has been a student of shamanism since 2005. Jennifer is a certified teacher who has worked with children in many different education settings since 2001. She is a certified shamanic practitioner, reiki master, and lomilomi practitioner; in addition, she runs Spiral Dance Shamanics. Originally from Vancouver, Canada, she now lives in Calgary, Canada with her life partner.

Engrácio participated in self-publishing three books that are now available:

The Magic Circle: Shamanic Ceremonies for the Child and the Child Within”

Women’s Power Stories: Honouring the Feminine Principle of Life”

Dreaming of Cupcakes: A Food Addict’s Shamanic Journey into Healing”

For Amazon information, click image below.

For more information go to: www.spiraldanceshamanics.com