Faeries, Elves and Other Kin

May 1st, 2009


Copyright 2008 Howard David Johnson

Earth Faeries

Amidst the roots, mushrooms and stones

A gathering of undeniable elemental forces dwell

Governing the seasons and milieu

Presiding over the Faerie realm

Sylphs, Undines, Gnomes and Salamanders reign

Over the air, water, earth, and flame

Unseen but felt, permeating the being, absorbed like a sponge

Gathering their forces

Bringing forth the essence and color of the seasons

~Michele Burke, (2009)

Hymn of Pan

From the forests and the highlands

We come, We come;

From the river girt islands,

Where loud waves are dumb

Listening to my sweet piping’s

The wind in the reeds and the rushes

The bees on the bells of thyme,

The birds on the myrtle bushes,

The cicale above in the lime,

And lizards below in the grass,

Were as silent as ever old Tmolus was

Listening to my sweet piping’s

The Seleni, and Sylvans, and Fauns,

And the Nymphs of the woods and the waves,

To the edge of the moist river lawns.

And the brink of the dewy caves,

And all that did then attend and follow,

Were silent with love, as you now, Apollo,

With envy of my sweet piping’s.

I sang of the dancing stars,

I sang of the Daedal earth,

And of Heaven- and the giant wars,

And Love and Death, and Birth!

~ Percy Bysshe Shelly (1792-1822)

Bibliography and Works Cited

Shelly, P. B. (1792-1822). Hymn of Pan. Retrieved April 22, 2009, from

Faery Spells and Verse


Tatiana Queen of the Faeries Artist: Howard David Johnson Copyright 1993-2008


In Forest pines, and Oak tree hollows

Amidst the acorns and the leaves

Blossoms adorn her crown

Gossamer threads form her regal attire

Illuminating the air with a majestic glow

Tatiana our Queen fill our hearts with ethereal delight

~ Michele Burke (2009)

Faerie Magick

Fairies and Pixies, elves and gnomes.

Spinning some magic, spells for our homes.

Their wishes are happy, of joys to share.

Join in their revelry, if only you dare.

Carefree of spirit, their happiness impart

Sending you Magick, to store in your heart.

~ Unknown

Faery Spells

Fairy Summoning Spell

The best times to do this is on the Sabbats of Beltane, Midsummer, or Halloween, but you can use it anytime you would like. (best done outside in the yard at night)

~You will need powdered ginger and a small spoon. Set out candles at the compass directions: yellow in the east, red in the south, blue in the west, green in the north. Place a crystal or other stone beside each candle. Stand in the center of the room and send out thoughts of welcome to the little ones.

~Chant: “O spirits of plants and earth and trees, o little ones of every form, show yourselves to me, I ask. From me shall come no harm. Join me in friendship and in love.”

“Rejoice with me in this magick old, for together with the ancient gods we can re-create all things in gold. Guardian spirits, watchers fair, our lives are joined. All things we share.”

~ Go to the east. Light the candle. Sprinkle a little ginger by the candle, and say: “All you Nature spirits and faeries, Hear my call. Enter this magick circle. Welcome All.”

~ Go to the south. Light the candle. Sprinkle ginger, and say: ” All you little ones of the sunbeams, Hear my call. Enter this magick circle. Welcome All.”

~ Go to the west. Light the candle. Sprinkle ginger, and say: “All you nymphs and water sprites, Hear my call. Enter this magick circle. Welcome All.”

~ Finish by going to the north. Light the candle. Sprinkle ginger and say: ” All you little ones of the moonbeams, Hear my call. Enter this magick circle. Welcome All.”

*Sit quietly for a time, thinking about the little ones, be aware of their feather light touches your body. Listen for their musical voices in your mind. Talk to them if you wish. When communication is finished, stand in the center of the circle. Raise your arms high, saying: ” All thanks and blessings be, To those of air, earth, sky, and sea.”

*Blow out the candles starting in the south and go counter clock-wise.

~ Anon

In Closing

May the Fae be with you and their blessings always be upon you. And remember that if you keep your mind and your eyes open and your heart pure and one day you too may see the Fae. After all they are all around us.

Bibliography and Works Cited:

Faery Spells,(2007), Faery Summoning Spell. Retrieved January 2, 2009, from


Courtesy of Orion Foxwood
The Tree of Enchantment”, by Orion Foxwood is a gleaming light shinning in a world where it is sorely needed, granting the reader a well-defined path leading to an accumulation of astonishing magnitude. “The Tree of Enchantment”, is not just another mystical new age book it is a piece of literary genius, which offers the reader a glimpse into the profound knowledge of an authentic spiritual tradition.
Excerpt from the Tree of Enchantment
May you know and remember the truth and beauty that is your
Essence… and your birthright.
May you receive and claim it when it is revealed.
May the forces of fear and atrophy tremble before your power.
May the Vision keys open the doors most profound.
May the Holy Fire sear the shadows and lights your way.
May you find joy and contentment in knowing that you are a
Member of the family of creation, bound in spirit and in truth
and thus…
You are always loved and you never walk alone.
Blessed be the seeker and the Holy Tree.
For all as one, so shall it be”.
While working on this interview with Orion I have come to the understanding that one must open their eyes and their hearts to the Ancient One.

Interview with Orion Foxwood


Courtesy of Orion Foxwoo

Pagan Pages (PP): How did you come about writing the book, what was the inspiration behind it?
Orion Foxwood (OF): I have been working with the spirit world all of my life. I grew up in a very agricultural community in the Shenandoah Valley in Virginia, which is an area rife with folklore and practices. My family is known for having the “veil”, which is a folk term for the “caul”, a placental sheath that falls over the eyes of the newborn indicating a propensity for “the blessing” also known as the second sight or ESP. My sister and I were both born with it. Please understand that though this gift can be a true blessing it is also a frightening thing when you are a child getting visitations from the dead. Mt first “token” as we call signs or communications from the spirit world was of my father hanging from a rope. When my mother took me to confirm her fears (which were that my “veil” had parted and this was a token), it was indeed quite real. From then on I was visited by spirits of the dead, of the “soon to be born”, of the woods and rivers and all other forms. In short, my world was and is teaming with spirit life. My first book (The Faery Teachings, RJ Stewart Books) was prompted by my love of the Faery and Ancestral spirit realms and a desire to assist humanity (as a embodied spirit type) and the other spirit beings (noncarnate / Faery and elemental and discarnate/ ancestral) to come back to its place at the metaphorical table of creation. It was my desire to give insights, both ancient and contemporary, on the living nature of our world animated by a core vision and a creation family of which we are a part. My second book called “The Tree of Enchantment: Ancient Wisdom and Magic Practices of the Faery Tradition” (Weiser Books) was to provide a visionary roadmap with insights and techniques that would assist the human seeker to find their way back into communion and co-creative partnership with the attending spirits of creation. My hope is that this book will help the readers understand and embrace their sacred presence as individuals and as a member of the human and earth-based vision of creation itself. In short, I call the insights “the re-sacredizing of life” through: alignment, attunement and agreement of the three souls that comprise us and which interface with the attending spirits in the ancestral, Faery, elemental, natural and stellar realms.
(PP): I have heard that you come from a very diverse background, would you like to elaborate on these diversities?
(OF): Yeah, I guess I have been blessed to be exposed to and mentored by diverse streams of wisdom and training. I am very grateful for these opportunities and the many teachers that have guided and mentored me. My cultural and familial life exposed me to some Appalachian and Southern folk practices specifically focused on the second sight, healing practices, spirit communication, and conjures. I met two traditional witches from Brentwood Essex England in the early 80s while being a bus boy at a restaurant in Winchester Virginia. They gave me some old lore and practices that were the first “witchcraft” teachings I ever received. These teachings are at the core of my work as they work with the “Witches Mill” that taps and channels power resident in the Faery Paths/ trods (ley lines) and wells (gatherings of this power) innately in the earth. Then I found a book on Witchcraft that fit with everything I understood to be true and this lead me to seek training in Wicca and later in traditional witchcraft. I moved from Virginia to Maryland where I studied with several Wiccan style teachers and was initiated into a Welsh tradition and later into Alexandrian Wicca and a form, which my teacher called Celtic Wicca. The Celtic Wiccan studies introduced me to my Queen named the Lady Circe in Toledo, Ohio. She was a hereditary witch who later incorporated Wicca and other occult practices into her work. I really feel that all of my studies in Witchcraft culminated in meeting and working closely with this incredible witch, elder, wise woman, and friend. Before her transition into the Summerland’s, myself and two other people (Lady Meshlamthea of Toledo and Lord Malachi of Indiana) were honored to become her mantle bearers. All three of us carry her mantle with pride, love, honor and commitment.  I have also studied some Voodoo, mostly New Orleans practices and is part of a house founded by Mary Milan in New Orleans. Mary or “Bloody Mary” as she is known is as far as I am concerned the premier tour guide and poet priestess for New Orleans and its mystical and magical world (past and present). I have also studied closely with RJ Stewart who majorly influenced my Faery work. He is such a wise and ethical man! I have also studied closely with Dolores Ashcroft-Nowicki, who I consider to be one of the most anointed and sacred teachers I know.  I founded a coven in Maryland (along with my then life partner and a few of my initiates) called Foxwood temple of the Old Religion in 1990 and co-founded the Alliance of the Old Religion, a network of covens and elders committed to preserving the lineage and teachings of Lady Circe. I am so grateful to these teachers and friends for being such fine examples of sound spiritual and magical practices. In the professional world I have been trained in addictions counseling, psychotherapy, hypnotherapy and public health program development. I hold a Masters Degree in Human services. I really feel that all of these mystical, magical and mainstream education opportunities have formed the “me” I am today and the helpful impact I hope to provide to fellow seekers of truth and healing.
(PP): How are you connected to the Celtic Appalachian tradition?
(OF): I pretty much answered that above. Though, I would add that the culture and traditions I grew up in were not purely Appalachian though it was influenced by it. Rather, it was a culmination of slave magic and lore, Celtic and Native American practices as well as just plain old family traditions.
(PP): How does Faery magic come in to this tradition?
(OF): This is a good question. My family and the people I grew up with would have rarely used the words “Faery” or “Magic”. Sometimes they would refer to the “Little People” or other more localized terms like “Woods Folk”, “Water Men”, “Green People” and other terms. Occasionally someone would say “Faery” but that was usually someone who read about them in books or who descended from Irish heritage more recent in immigration to America than those who had been in the Valley for more that 2-300 years. However, the “veil” was always intimately connected to three types of tokens: 1) signatures that would come to the seer such as a knock at a door, which would then be opened and a vision would appear; 2) “dreaming true” or simply having foreknowledge of events, which my mother called “the knowing”; or 3) direct communication from ancestral and other types (usually nature ones) of spirit beings that would bring messages. My mother had the #1 and #2 types of tokens, while I have #2 and #3. Because of this type of “blessing”, I have always been able to be a “bridge for the spirits”. There was a significant amount of lore about approaching the ancestral and nature spirits in the family, shared with my mother by Ms. Granny and given to me in informal chats etc and other social settings by elders in the community. “Faery Tradition” as I understand it in a cultural context is not a body of tightly woven material, but rather stories, parables, practical techniques and suggestions for avoiding these beings, placating them or gaining their favor. I always had a particular affinity with the unseen company. In fact, many elders in the community said to me that I had an uncanny way with the spirits…one which they either rarely seen or never saw in their lifetimes. Occasionally, someone would simply clutch their children and cover their eyes when my mother or me walked by. Thank the Goddess; this was a rare occurrence, indeed…LOL!
(PP): How has Lady Circe affected you and your teachings?
(OF): Honestly, Lady Circe…my Witch Queen, was everything I ever hoped the Craft would be. She was honest, direct, ethical, practical and intensely regal. She was adamant about the Craft being a way of life and not a hobby, political statement. I truly feel that my whole life’s journey in the Craft was to find this incredible woman and carry her wisdoms forward. We would spend hours in her dining room drinking wine, staying up late while she shared incredible information and teachings with me. Also, for her, no one…Male or female was replicable and all were a part of the mystery of life. In fact one of her wonderful sayings was thus:
“Ever are we mindful that She (the Lady) is the truth He (the Lord) upholds, and He is the pillar on which She stands.”
She absolutely loved my Faery work. In fact, she still does. If you look at the first edition of my book entitled “The Faery Teachings”, her face is the image for the Weaver Goddess in the vision key cards that accompany the book. The vision keys are the major inner contacts, threshold points/ beings etc. in the Faery Seership work I teach. This use of her image was so in line with her wisdom for she taught “the invisible connections between visible things” and working with “the laws of nature”. For lady Circe, we witches are here to lead humanity to the light and the glory of the Goddess. As she once said, “we are here to cast light not shadows”. She considered the God and Goddess to be our parents and the Watchers, ancestral and Faery spirits to be our family.  For us, the Craft is a secret society bound by tradition and spirit contacts and in the end “if blood is thicker than water, tradition is thicker than blood”. However, in keeping with my Queen’s wisdom, “tradition and the teachings of the Old Craft are banks for the river and the spirit of the seeker is the river”. We all know that the primary difference between a river and a flood is the banks and their capacity to guide water from its source to its destination and back again. I am hopeful that I do my spirit mother honor in the way I carry the Craft and the Faery Teachings forward to those who seek to be one with the “Ole Power” that pulses throughout all levels of life and in and before all time. Blessed Be!!!!
(PP): How does the whole system work and why does it work?
(OF): The “Tree of Enchantment” book really lays out a detailed and hopefully clear approach to the system, which I call “Faery Seership”. By the way, those seekers who eventually work with me in the apprenticeship program become part of what I call “the House of Brigh”. Brigh is the name of my otherworld Faery wife and the primary contact for the inner lineage of teachings I share. She assists with insuring that the information is contacted material and true to the actual nature of the Faery and ancestral forces as they exist now. She also guides my outer form (the surface walker) as a conduit or “bridge” for introducing and cultivating the co-walking inner contacts that eventually comprise the team of each seership student. The book gives a grounded introduction to this work without over-exposing the student to forces that require the monitoring and mentorship of an advanced seer. The lore, images and poetic interpretations in the book introduce the seeker to concepts and contacts as well as energetic patterns that are already known to us on many levels. The intent of the material is to re-introduce the seeker (in this case reader) to the overall living spirit world and their place in it. The system starts where all things start for us incarnate beings…in the physical or “surface” world. It begins with working with the ancestral forces (blood, genetic and societal/ familial) and the elemental and nature-based forces that form our bodies and the bodies and patterns all around us on which we all depend for sustenance. Once these re-introductions occur, then the system leads the seeker inward to: 1. the river of blood and the redemption of paradox, followed by a systematic and sequential re-introduction to: 2. the web of life and fate (the Weaver and her attending spirit women; 3. the visionary purpose within self and the earth herself (the Dreamer and his Faery beings); 3. fulfilled destiny (the sacred stone); and then upward to the stellar realms where the seeker is tuned into the river of stars, which is the universal rhythm of which our beautiful earth and all her children are a part. There are other vision keys beyond that point, but that is advanced work and it is addressed in The Tree of Enchantment. This is an oversimplified summary of how the system works but I hope it gives you a good taste of a very deep well of wisdom and mountain of vision. The system serves to answer what I call the three sacred questions which are as follows: 1) who am I? 2) what is it (the creator, god all-that is, or whatever you call the source)? and 3) what is my role (personal vision) in it?   It is also aimed at cultivating a sacred approach to all life filled with enchantment and wonderment or what I call “the hidden heart of blue flame”.
(PP): How does your Faery Seership effect you’re life and how you teach others?
(OF): This work has absolutely transformed my life and this is consistent with the experiences of my students and many seekers who have worked with my published material. The teachings are very personal, non-hierarchical and familial when shared with others. In so many ways, it is very humble and folk based which is important in this age of lofty intellectual concepts and illusionary power maneuvers. I am always overcome with the sacred as it flows out of each student’s discovery of magic and truth through this work. In my personal life, working the material (and being worked by it) was often challenging because it forced me to “unbind the threads of illusion” and, we all have these threads to address in our spiritual development. Faery Seership is not for any seeker who avoids truth and transformation. It offers very real healing and spiritual growth benefits, but it is not an escape from reality…it is an emersion into it! I am overwhelmed with the number of people who have said this material gave their lives more meaning and tangible sacredness than they ever imagined possible. All I can say is that the Tree of Enchantments, the Vision Keys and the attending spirits are very generous and clearly, patient with humanity especially when we earnestly seek re-unification with the family of life as opposed to futile attempts to exploit or wage war on it. In the process of development through the Faery work, seekers begin to know that they are not outside the sacred (inherently flawed) and that they never walk alone through this “earth-school” where we live embodied and expand the realms through our discoveries.
(PP): When did you begin the Faery seership apprentice program?
(OF): About five or so years ago, I think. I currently have training houses in Florida and Maryland and have done some initial work for establishing a house in Northern Ireland. There are people in several other geographic areas in the U.S. and U.K. that have voiced interest in this work.
(PP): Who initiated you into the old traditional craft?
(OF): Again, though there are some overlays, the Craft is separate from the Faery Seership material. Many of the names of my initiators simply cannot be shared in such a public forum out of respect to them. I was originally initiated into a coven that practiced Welsh Witchcraft with some Native American Influences, then into Alexandrian Wicca up to the third degree High Priesthood.  My last initiator was an Elder in what she called Celtic Wicca where I attained the third degree as well. Her lineage was two generations from Lady Circe, who was my most influential teacher. Lady Circe was very much a public witch, so it is appropriate for me to disclose her name. Traditional Witches and Wiccans adhere to the Law of Secrecy for many reasons and I must honor our ways. Lady Circe along with her High Priest raised me to the Eldership through our most sacred rite called “the Bridge of Light”, in a public ceremony on Beltane 2002, Lady Circe the mantle of her lineage and tradition to Lady Meshlamthea, Lord Malachi and myself. Without a doubt, this was greatest honor of my life as a witch. I will always revere Lady Circe as my Queen, mentor and role model for what it means to be a witch of the highest standard.
(PP): What is it you do (Teach, write, etc…)?
(OF): I recently retired as the High Priest of Foxwood temple of the Old Religion though I continue to advise it as the Founding Elder.  I continue to advise and teach the Council of Elders for Foxwood temple in the tradition and practices of my teachers in Lady Circe’s lineage. I used to teach a lot more as I developed Priests and Priestesses to ensure the continence of our tradition and lineage. I could talk to you at length on these practices in another interview in the future if you like. Foxwood continues to teach seekers and if folks want more information they can go to
The primary material I teach in the public arena is Faery Seership and Southern Conjure magic. I already provided information on the Faery work. In the Southern Conjure material I teach crossroads, candle, and graveyard magic primarily. I do a lot of work with the ancestral spirits including the creation of what we call “soul or (soil) pots, entering and exiting graveyards, finding live graves (haunted ones), and other work within the confines of ethics and legality of course. From time to time I teach a series I call “The Ways of the Witch” where I share lore, practices and techniques. I also teach some material on the “veil” (second sight), its development, genetic components and use.
(PP): How do your guided visionary processes work?
(OF): The techniques I teach are focused on attunement, alignment and agreement of the threefold life (the three walkers) then I teach approach, engagement, exchange and mediation techniques with the inner contacts and attending spirit beings associated with the Tree of Enchantment. I have detailed a comprehensive seven-stage visionary process that forms the core of the visionary work as follows: 1) Anchoring (grounding and centering in the starting point); 2) attunement/ alignment of the walkers; attunement of the walkers to the “power of place” (the soul of the land where you are working; and alignment and attunement of the working space; 3) Opening the way between the worlds; 4) induction of the “rapture” (working trance/ luminal state); 5) traveling to the other world; 6) interaction with the inner-world presence/ spirit being; and 7) return and fusion (transference of the exchange or pattern to the outer world also known as “bridging”). The processes follow a specific formula though the exchange may differ depending on the beings encountered and the need of the partners or team (human and other). For clarity, the three walkers are as follows: a) the surface walker (the soul that “is” your physical form); b) the dream-walker (the subjective/liquid and underworld soul/body); and c) the star-walker (the transpersonal, stellar and electric/ energetic body/ soul). The visionary processes, as they work through the system works with all three of these in their realms and with the redeemed and helpful beings encountered there.
(PP): When was your coven the Foxwood Temple founded?
(OF): April 29, 1990. We have daughter covens in Utah, Virginia and Maryland and one aligned one in Oregon.
(PP): Can you tell us about the alliance of the old religion?
(OF): The Alliance of the Old Religion was spearheaded by Lady Circe and the three mantle carriers with the support and partnership of many of the Elders in the line and even with support and honorary membership of Elders from other lines such as Alexandrian Wicca, Strega and New Orleans Voodoo. When we had the original vision to form the Alliance for solidarity, support, cohesion and preservation of Lady Circe’s teachings we had no conscious idea that she would be transitioning into the Summerland’s soon thereafter. Our Goddess works our spirits in mysterious and perfect ways, doesn’t She? Because of the formation of the Alliance and the deep bonds between Lady Circe, the mantle carriers and Alliance membership, her lineage and teachings are assured to pass on and on to the generations of witches to come. We continue to meet, share, exchange and do magic and reverence of the Old Gods in the ways of our beloved Queen…Lady Circe. Long live the Queen!
(PP): How important is family tradition and ancestral magick in the work and teaching you have done?
(OF): In my Craft work it is central since we are preserving and teaching Lady Circe’s ancestral practices. Ancestral work is central to old-line witchcraft and is one of the hallmarks of authentic traditional Craft, as I understand it. I encourage my students and initiates to know the traditions of their blood too. Too much old lore and wisdom is being lost in our fast past post-industrial human life. This is sad because we are getting wings from new technology and intellectual approaches but too often losing the roots provided by tradition and heritage. These roots offer deep wisdom, cross-generational context, shared heritage and soulful meaning. In the Faery work, ancestral work is the first level of work and no other level can be approached without it with any exceptions EVER.  We were all born to carry forward our ancestors in the fulfillment of the vision of humanity and the planet. No one is exempt from this work. We were born to resolve ancestral paradox, heal ancestral pain, re-enchant the world and free the magical power of our world to bring the stars here and “heaven” (though we are not Christian in approach) here and now.
(PP): How do you see Faery seership in America?
(OF): I am astounded by the level of interest in this work. I am also honored to be a conduit and servant to the Tree of Enchantment. At the moment I have more interest than I can currently keep up with. In the near future, I hope to be teaching this work full-time as my way of life and career. Faery Seership offers important answers to the human quest. It re-introduces the seeker to the sacred presence of humanity (ancestral and living) to the whole creative spirit world. It helps to heal the abandonment pain of a species imbued with the free will to step outside the balance. If we humans can truly grasp our role in the vision and destiny of the planet(s) and the stars, it will hopefully see the sacred presence and role in all things and stop being a frightened, lonely war-mongering and parasitic child. Nature (inner and outer) has been patient and will embrace us. I only hope (and I truly believe) that we will awaken in time to become partners with the rest of life. This is the aim of The Tree of Enchantments and Faery Seership.
(PP): In terms of the future of our community what do you view as most important?
(OF): I have a lot of thoughts on this. Like so many minority groups, we suffer from internalized Pagan phobia” and “Witch phobia”. It is time to celebrate our diversity and put away the childish need for absolute rightness. Too often we are our worst enemies. I do believe we must keep each other ethical and accountable. I believe that the earth religions movement and eco-spirituality offers serious insights and answers as long as we stay focused on the spirit of our work. Also, too many of our teachers and Elders are dying without their lore, techniques and insights being preserved. We almost lost a lot of Lady Circe’s. Please folks, if you love and respect your teachings and your teachers…. take the time and make the commitment to preserve them (not literally your teachers mind you…mummies are out of fashion). We all know that the Goddess and the Old Ones before Time will replace what is not needful. Lest claim our needfulness in the world and let our wisdoms flow into a world that badly needs it.
(PP): If people want to learn more about what you do or perhaps even contact you how would they do that?
(OF): I do not have an Orion Foxwood or Faery Seership website as of yet though it is planned. Seekers can email me at or write me at P.O. Box 5128 Laurel MD 20726.
(PP): Do you have any other works in progress?
(OF): I continue to refine the material for the apprenticeship program. I have a bunch of new material I am developing and anticipate writing some more Faery work, ancestral magic and even one on what I call “the Living Goddess”. I have some other works in progress but as we say in the Craft, “Speak not lest the spell be broken”. LOL!!!!! I thank you and the readers for your time and interest in my work and that of my Elders. May we all find our place in the sacred circle!!!
Bountiful Blessings and Thanks go out to Orion Foxwood, for his compelling insights into “The Tree of Enlightenment”, and the magick of the Faery tradition.
Works of Orion Foxwood:
– The Tree of Enchantment: Ancient Wisdom and Magic Practices of the Faery Tradition
by Orion Foxwood
October 2008, Paperback
–  The Faery Teachings by Orion Foxwood
February 2007, Paperback

The Everyday Witch notices the magic in the mundane and uses the images of her environmental space to conduct effective Spelling.   In order to get to that point in our daily lives, where the magic is obvious, we must have the tools to visualize our space and experience the magic.

For my introductory column, I am supposed to write some flowery stuff about me and my heritage and what I know.  Instead, I will direct you to my new MySpace and The Everyday Witch website to give you the update on me.  I would much prefer for you to be thinking about Correspondences and what they mean to you, what images you personally associate with Fire or with East.  I have included a Correspondence table for you to read.  You can also use this Google Search link which looks for the key words “witchcraft correspondences”.

The first thing one must possess to practice effective Magic is Belief.  Correspondence Witchcraft gives the Witch an edge on Belief.  The corresponding ideas work together to form a synergy which aids in the visualization.  What I would like to focus on for my first column is to give you something useful and relevant to the Correspondences that Everyday Witches use in their Craft.  A project of sorts, timed to the moon and designed to assist you in visualization in time for Ostara 2009.  You will need 6 panels.  A box or heavy paper is sufficient.  If you aren’t the creative type, a journal with 6 entries on 6 pages will suffice.  I do however, believe strongly in visualization as a means to success, so please make an effort to print or draw images during the exercise to help guide your learning process.  This would make an interesting addition to a BOS or a Scrapbook on Wicca. The 6 panels will represent the 6 Cardinal Directions.  North, East, South, West, Above and Below.  It will also encompass the 5 basic elements of Earth, Air Fire Water and Spirit. This is the over arching Theme to my column, Correspondences.  You could call it “Foundations for Successful Witchcraft”.  The best way to classify the information in my column is “The rudimentary knowledge one should have before committing oneself to the Craft”.  I may want to be a Plumber, but without a wrench I’m just a bald guy with bad butt crack.  The tool is very important to the Craft.

While you are deciding between the journal and the box, I will tell you that I have always considered the world around me in a relational sense.  This is related to that through this relationship.  It’s like an odd “six degrees of separation”.  For me, Correspondences make sense of those relationships and gives them an order that no other religion or path of faith has provided me.  Only witchcraft with the belief in the Goddess incorporated into ritual, has provided a sense of order and structure in my life.

I think it is best to say that my column is about the magic of ordinary things.  In the 1970’s, the Scholastic Book Club carried books by Ruth Chew.  What the Witch Left and The Wednesday Witch.  This genre of fairy tales that best describes Witchcraft are those of ordinary household items being magical tools.  The Folk Practices of the 1600’s Scotland included this tradition of Kitchen Witchery for the benefit of healing and family prosperity.  It’s not just a kettle, it’s a magical cauldron!  That is the stalk from which I am raised.  The Hippie Love Flower Child of the 1970’s with a spiritual philosophy of LOVE and The Brother’s Grimm Fairy Tales are the tacky metallic wallpaper which cover the walls of my sacred space.  I am a city witch, growing up primarily in the crowded apartment complexes and “designed neighborhood community”, with summer visits to the Southern California Desert and teenage years spent roaming the fields of the Silicon Valley… before it was the Silicon Valley.

You will find a book list in the coming months which focuses on the beginners path, and hopefully there will be some more “advanced” discussions on religion, magic and the need for Ritual in our ordinary lives.  To start with, I use the Seasons of the Witch Planner from 7th House, as I find the information interesting – the mundane stuff like Planetary Hours can be found anywhere on the internet.  Having a good calendar geared for Moon phases, Sabbats, and other helpful information like Astrology and Tarot is very nice to have in practicing the Craft.  I’ve used a lot of them, Seasons of the Witch is by far my most favorite.

The candles, the incense the altar, the chalice, the bread, the wine, all are part of the Witchcraft ritual.  For people on the Catholic path, Witchcraft should appear familiar and easy.  Witchcraft is very ceremonial – but it is not the ceremony which makes the magic, it is the belief and our ability to visualize our intentions.  The ceremony is simply the descriptor for our Sacred Space.

Correspondence Witchcraft takes advantage of the visualization, providing a 6 sided “space” with which to define our environmental space.  Correspondence Witchcraft can be likened to the work of Carl Jung.  The importance of imagery and visualization is very central to both his psychology and his other writings.  The Correspondence Table for my personal brand of Correspondence Witchcraft is included with this column, as mentioned above.  Here’s the link again. Keep in mind that you will most probably have a different path, a different set of Correspondences.  You may be from the Southern Hemisphere reading this column on the Web, and of course it will be very different for you!

The Beginning is very important to one’s beliefs.  While the Wheel of the Year is a pretty picture, there isn’t a lot to guide an inquiring Witch to understanding how the Wheel is read.  So, “ Where do you start?”  I personally start in the East.  When I finish my circle, I want to be standing firmly on the ground, therefore I end my Quarter Calls in the North, or Yule.  Or think of it as, I start on the shoreline with the rising sun on the East and I end on the shoreline in the North.  This makes Imbolg the first ceremony of the new year.  It also makes Imbolg a Cross Quarter Sabbat.  But we will get into all that in a future column.

Only you can decide the start of your Year.  Is your path more Wiccan, does your Wheel start at Samhain, making your first Sabbat of the year Yule?  Or is the wheel not a consideration and you begin every Ritual facing East?  There are a multitude of justifications for where your box should “begin”.  Pick one that is right for you.

My background in Correspondences began when I was a child.  My grandmother and grandfather secretly practiced and taught me the importance of the relationship of “things”. By the age of 34 I had become a Level 2 Energetic Healer and a 2nd Degree Priestess of Sankofa Pride.  It was with Sankofa Pride that I discovered my knack for Correspondences and how easily I could associate colors and stars and goddesses.  I worked with the Temple of Isis, Iseum of Isis Padeusis and remained close with Lady Sankofa.  I established a “Big Witch” Circle in Long Beach CA where ritual witchcraft was practiced on a monthly basis.  The Grotto enjoyed a full year and several months in Long Beach.  I am finding it harder and harder to find the “big witches” simply because most of us, at this point, retire and teach only our family.  I hope that by laying down the basics, I can provide the impetus for a future Big Witch to carry on.

For the month of February, you should be preparing and gathering items to make your box, your 6 scrap book pages or your 6 journal entries.  The craft store Michael’s has some lovely sized affordable boxes to decoupage or paint.  Your thoughts should cover what you want to do – box, panels – how involved you want to be – easy glue on or in depth detailed painting – and of course the visualizations.

I will let you be the guide to your own creativity.  However, may I suggest using the Google Image Search to gather and meditate on your Correspondences?  I have provided a link here for you which searches the Google Images for “witchcraft correspondences East”. That should get you on your way to visualizations!  Mix up the key words and see what comes up for “Animal Totem West” or “Water Undine”.  Save the images you most relate to or that speaks to you strongly.  You will want to print those images in color for later decoupage (gluing) on to the box or panels.

Using basic Wicca concepts, your 6 panels will become the visual representations of North, East, South, West, Above and Below.  Not everyone likes to do Below since the box is sitting on that panel.  For the Ceremonialists reading along, please, note I am including this portion especially for you.

Starting in the East, you will want to sketch out the 4 cardinal points and their correspondences.  You can also use the Season and the Sabbat correspondences to the cardinal points.

All of the panels should be sketched out as you want them by the first weekend of February.  Decide where on your box or object the elementals will be placed, color choices for each Element should be identified and any photos or pictures you want to glue/decoupage on the box should be printed in color and ready for application. The first Elemental Panel (your choice) should be traced or outlined on the box at the very least.  Ideally you should be well underway with painting or applying the first panel.  If you are using a journal or 6 scrapbook pages, you will want the Elemental panels sketched out, and your visual materials ready to be glued or stapled in place.

The Dedication Full Moon is February 9th.  You will want to have the majority of the Elementals Sketches complete by now and well underway.  If you are using a box, the material should be prepped – base coats applied, etc and so on.  During your regular February Full Moon observance, you want to hold each of the elemental panels in your mind and meditate on their magic.  As you attend Full Moon Circle for February, reflect on the images you have chosen to remind you of the Elemental Beings, the Animals and the Star Watch Tower.  In your mind, go through all of the Elemental Beings and the ritual tools and the colors, for East, and for South, for West and for North.  Hold these images in your mind and let them interact, let their synergy mingle. Hold this synergy in your thoughts and dedicate it to your future spells and intentions.  This energy should be channeled into your box, your journal or your pages, for the seeding and planting of the magical tool which will aid your future intentions in magic working yet to come.

For the remainder of February, the Elemental Panels should be completed and/or applied.  Instead of playing Solitaire this month, spend those 3 hours a day researching the Goddess which corresponds to West?  This is the “get your hands dirty” kind of Witchcraft preparation work that inspires the mind.  Spelling is not just about words.  Spelling is about visual images and 3 dimensional ideas we can hold in our mind.

For the March column, we will cover the structure of a Full Moon Spell used in conjunction with a Sabbat Ritual.  You will need your box or your panels as Correspondence will be a central component.

Correspondence is the foundation, Spelling is the structure.

Book List and URL References

The Everyday Witch –

The Everyday Witch at Myspace –

Correspondence table –

To Ride a Silver Broomstick – Silver Raven Wolf

To Stir a Magic Cauldron – Silver Ravenwolf

Moon Magik – DJ Conway

Thank you for welcoming me back into the Pagan Pages family. It is good to be home.

Knowing if you are pagan is relatively simple, but choosing your path is a little more complex. There are hundreds of pagan paths that a practitioner can follow. Before you choose your path research them. Follow your heart when you make your final decision.

The title of this column is Blessed Be the Kitchen Witch. I am a kitchen witch but I am so also much more. I have brought many more practices into my craft, hearth witchery, cottage witchery, green witchery and garden witchery. I am an earth based witch and all of these practices are centered on the hearth and home so to me all fall into Kitchen Witchery. They are what make me the witch I choose to be. This column will have a little bit of all. It’s easy to be a Kitchen Witch if everything at your kitchen works perfectly. Last time I had some problems with plumbing, all I needed to do was to visit and call this contractor. They are real magicians, I should say.

All of the spells, advice, and tips in this column are used with harm to none. Please follow the Wiccan Rede when doing any of the workings found here.

The following was found on the internet and I don’t know who the Author is.

The Kitchen Witch’s Creed

In this pot I stir the sun,

an’ follow the rule of harming none.

Banishment of bane when goin’ windershins;

an’ with water and salt negativity is cleansed.

Household duties are more than chores,

Magick abounds when mopping the floors.

With this broom, I do sweep,

To clean my house and safety keep.

Marigold, Basil, Thyme, and Yarrow,

My spell is cast for a better tomorrow.

Lemons for joy and apples for health,

The pow’r within brings great wealth.

And in this kitchen I do pray,

To truly walk the Witch’s Way.

The tools of a Kitchen Witch do not necessarily have to be bought. A simple wooden spoon can become a wand. A cup or bowl can become a chalice and vessel. Ordinary kitchen knives can be used for an athame and boline. The kitchen broom becomes a staff. The slow cooker or crock pot or a heavy duty cooking pot can be used as a cauldron. A simple coffee grinder takes place of the mortar and pestle. A Kitchen Witch’s magick comes from within, so be sure to use natural materials. Ie: glass, metal, wood, pottery, and ceramics, the broom should be made of straw.

A Kitchen Witch uses essential oils and incense to create balance. He or she turns everyday mundane life into magicak moments. They will take pride in the meals they prepare, and the recipes they create. There are many spells involving a broom and mop. They use these items to cleanse their home which is also their sacred space. He or She will also keep to the rule of harming none as not to jeopardize their magick. Their symbols involve household items such as a cauldron, broom, corn dolls, the triquetra, and a kitchen witch doll. Of course they will use any symbol that is comfortable for them.

A little lore using simple elements from the house.

The refrigerator is the appliance dedicated to air.

Fire dwells within the stove

Water rules over the kitchen sink

All the foods and herbs in the kitchen are ruled by the earth element.

It is thru the use of these basic everyday items from our kitchens that our magick is created.

Even more lore from a Kitchen Witch’s home

Be sure to wash all of your dishes every night is you work with fairy magick. Faries don’t like a dirty kitchen and they won’t let you sleep until you clean it!!

Hang wind chimes in doorways, in front of windows outside, or from a balcony rail to ward off negative energy and keep away intruders.

Sifters and strainers kept in the kitchen are good for protection and will keep the kitchen safe.

If you have a bunch of accidents in your kitchen it is time to magikcally cleanse it.

Sew herbs or magickal powders into the lining of your drapes. Place packets of herbs or magickal powders under your throw rugs. This helps protect and scent the home at the same time.

Herbs for alternate healing

NOTE: Before using any of these remedies please check with your doctor. Some may be bad for your health if you have an existing condition that will interact with the herbs.

Arthritis: Comfrey

Flu: cayenne pepper

Gout: comfrey.  Gout is also in the arthritis family

Headaches: rosemary

Insect Stings: Marigold

Nightmares: chamomile, rosemary

I will have more for you next month.


Natural Remedies

Cool whip will condition your hair in 15 min.

Dump Nestea into a bath for sunburn

Use meat tenderizer for bee stings

Puffy eyes? Preparation H….I know it sounds gross but it works…yes I have used it…lol

Use that old time favorite snack jell-o for stinky feet… I know.. now I am really grossing you out, but these really work.

Put Kool-Aid in plain yogurt and let your kids use it for finger paints. Your kids will love it and it won’t hurt them if they eat it.

Use Pam cooking spray for a sticking bike chain

Pam will also remove paint and grease from your hands

Peanut butter will take the ink off the face of dolls

Stay tuned for more

March brings us our Spring Equinox. It is also the sabbat of Ostara. Ostara is celebrated on this equinox. It is also known as Lady Day. Ostara is named after the Goddess Eostre. While modern day Wiccans equate Ostara with the spring equinox, the original Ostara was a lunar holiday celebrated on the 1st full moon following the equinox. The significance of Ostara is the beginning of spring and the renewal and rebirth of nature herself.

The full moon for March is called the Chaste Moon. March is the month when spring is upon us. With spring comes the rebirth of plants and animals. Now is the time for new beginnings, new projects, and planting your flowers and new herbs.

I live in an apartment complex so I don’t have flower beds (the BIG downfall of apartment buildings) I do however have a balcony. Since this is the 1st spring I have been here I am going to try my hand at balcony gardening. I will get planters for the railing and plant some of my favorite flowers and a herb garden. I can’t wait. This month’s gardening will be geared towards the apartment dwellers.

For those of you who have a sunny kitchen window (I don’t) the windowsill full of potted plants and herbs not only looks good, but they release magickal energies into the room. Plant some common herbs that are used in your kitchen. Of course plant some of the herbs you like so you can have their energies too.
This month’s craft

Doorway Protection for those living in an apartment

Items Needed:

1 purple candle   glue gun and glue sticks  wire cutters

¼ yard ½ “ lace, gathered and color of choice

2 yds ¼ “ satin ribbon in your color of choice

4 yds ½ “ satin ribbon in a contrasting color

10 small silk rose buds ( found at Hobby Lobby or Michaels)

Gather these items into your sacred space. Light the purple candle. Before making this protective charm, sit and clear your mind and think of how you want this charm to protect your home. When you are ready begin.

1. Take the broom and “very carefully” pass it thru the flame of the candle, the fire will help infuse your charm with your energy. Do this for each item.
2. With the ¼ “ ribbon tie a double bow and glue to the top of the handle. Cut the wire stems off 2 of the silk rosebuds. Glue these to the center of the bow.
3. Take the ½ “ ribbon and tie it into a triple bow. Glue this to the base of the handle. Cut the wire stems off 4 of the rosebuds. Glue them to the center of the bow.
4. Glue the gathered lace along the bottom edge of the bristles(about 1” from the bottom) Cut the stems off the remaining rosebuds and glue them evenly spaced across the lace.
5. Hold your finished broom in your hands as you visualize its intent.

The following incantation is recommended but now necessary. I know it doesn’t rhyme but I haven’t yet mastered that.

Wrapped in ribbon and lace

This broom is enchanted.

Cleansed in fire, now may my wish be granted.

Magic broom of mine protect from harm,

Ward off negativity

Blessed be.

Hang the broom bristles up over your door.

Allow the candle to burn for a bit then extinguish. Put the candle away and use the next time you work any protection for your apartment.

As I told everyone in June 06, I had a “kitchen witch doll” that hang in 7 different kitchen’s and had made it thru all the moves. Well I had to give her a decent send off as she didn’t make it thru my last move intact. Next month’s craft will be the making of a Kitchen Witch Doll.

In closing: Everyone has their own magickal or sacred place. Mine is my home. I feel the magick of my home as well as work my own magick. For some this is their magickal place too. Whatever your place, make it your own. Decorate it to your taste. For those who’s space is outside, enhance your place by adding nice chairs and pots of flowers that you feel drawn too. This place too can be made your very own. Whether inside or out, have fun making your space. Let it take on your personality as well as keeping its own.

Remember: Magick happens all around us.

See you next month

Work to ‘Bee’ Done Rite

This purpose of this solitary ritual is to help you focus on projects that you need to get done.




1 white pillar candle & holder (universal energy candle)

2 white taper candles & holder (God and Goddess candles)

6 beeswax tea light candles

1 bee figure (statue, pendant, etc.)

1 9×12 inch wooden plaque & painting supplies

Picture of your favorite flower

6 strips of yellow construction paper & a pen

Clover stick incense

Yellow and/or black altar cloth

Small bowl of honey & spoon

Small plate of buttermilk biscuits, sliced in half

Chalice of mead

Offering bowl

Ziplock baggie


Paint a light yellow hexagon, surrounded by a deeper yellow background with a black border, on a 9×12 inch wooden plaque. Find a picture of your favorite flower or draw/paint one in the middle of the hexagon.  Allow the wooden plaque to dry fully before you perform this ritual.

Bake six buttermilk biscuits on the same day that you will perform this ritual.

Altar Set-up

Place the hexagonal wooden plaque in the center of the altar. Place the 6 (unlit) beeswax tea lights around the outside of it, one at each side.


Sit down in a comfortable position and ground yourself in your traditional way.

When you are ready, stand up and cast a sacred circle using your athame.

Call forth the Elemental guardian winds at each of their quarters by drawing a hexagonal-shaped portal in the air deosil using your wand.

When you are ready, invoke the God and Goddess and welcome them to your circle.  Light the God and Goddess candles on your altar.

Light the center candle on your altar to represent the universal energy of magick, and say:

This rite has begun.

Holding the flower picture in front of you (or touching it, if you painted it on the plaque), repeat:

I am the flower, flourishing and full of promise.

The honeycomb is my life, my world.

I have a greater purpose, so I have work to be done.

Whether mundane or magickal, these are my tasks.

Take out the six strips of yellow paper and a pen. Write down the six most important tasks that you need to complete as soon as possible, one task on each piece of paper.

Sort the tasks in order of their importance with the most urgent on the top and then read them out loud, one by one.  After you read each task, fold the paper and slip it under one of the unlit tea light candles, starting at the top of the plaque and moving in a clockwise motion.

Hold both your hands, palms down, over the plaque, and say:

Great Goddess in the form of bee,

Your presence I carry within me.

Constant hum of work to be done,

My tasks, I have finally begun.

Pick up the figure of the bee and hold it forth, and repeat:

Honey Bee take flight,

Let me have the sight,

The strength and the will,

To make the buzzing still.

Place the figure of the bee in the middle of the plaque, on top of the flower picture/painting. Turn the bee figure, so it is facing the top side of the plaque, the location of which you placed your most urgent and important task.

Light the stick of clover incense and wave it over each of the unlit tea light candles, repeating:

Honey Bee to green clover,

Let this task soon be over.

Dip your finger into the small bowl of honey and rub a small amount of the honey onto your lips, then say:

Honey brings the truth to light,

My honeyed speech is true and right.

I vow to finish my tasks at hand,

As I will it, so is it planned.

Take one of the biscuits and use the spoon to drop some honey between the two pieces and then combine the pieces together again. Hold it in front of you and dedicate the offering to the God and Goddess. Break the whole biscuit in half and drop both halves into the offering bowl.

Hold the chalice of mead aloft and dedicate the libations to the God and Goddess. Pour a generous amount into the offering bowl.

Partake of a piece or two of biscuit (adding honey, if you like) and drink from the chalice of mead.

Take the remaining biscuits and break them apart, placing the pieces into the zip lock baggie.

Thank the God and Goddess and bid them farewell. Thank the Elemental guardian winds, and close their portals behind them by drawing the hexagon in the air widdershins with your wand. Open the magick circle. This rite is complete.

After the Rite Instructions

Toss the offering bowl contents outdoors for nature’s creatures to enjoy.

The bee figure should be facing (pointing) to the task that you are currently working on. Light the tea light candle each evening for a few minutes to remind you that you have work to be done.

When you complete the first task (the most urgent one), turn the bee figure clockwise to the next task to be done. Each time you complete one of the tasks, take a handful of the crushed biscuits and toss it outside for the birds to enjoy.

Continue the pattern until all tasks are complete. Consider holding another rite when all tasks are complete to thank the Goddess (in her bee form) for her aid.

Note: Picture seems to show the hexagon as white, but it is, in fact, a light shade of yellow.

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