SUBSCRIBE

Wreathing the Wheel

April 1st, 2019

Wreathing
the Wheel: Mistakes, Messes, and Accidents

This
month, I’d like to take a little departure from talking about the
specifics of bullet journaling to talk about a related topic that I
am very passionate about: making mistakes.

As
an artist who works a lot with pen and ink, I’m familiar with the
unforgiving nature of the medium. It’s very easy to make a small
stray pen mark simply by dropping the pen, or (the horror!) even a
long mark when my cat decides that she really wants to play with my
pen too, or something jostles my drawing surface. From a mistake that
lasts a millisecond, hours of work can feel ruined when this happens.
I’m a perfectionist as well, and I like everything to be beautiful,
precise and clean… in my opinion, my attention to detail is what
makes my art interesting (to me).

But
it becomes necessary, when working on an ongoing project like a
bullet journal, to accept that some things just won’t work out how
you expected, and to tell yourself it’s worth it to keep going with
the hobby you love, even when you are confronted with mistakes. With
stray pen marks and similar mistakes, there’s little you can do to
hide them. Sometimes they can be hidden in designs, but sometimes the
design is already finished when you mess it all up. It’s a sinking
feeling, but I try to just take a moment and remind myself that this
mistake is an accurate representation of my life — and after all,
this is a journal! Isn’t part of the purpose to accurately
represent what my life was like at this time?

But
what about when the mistake is big? Like really, REALLY big? What if
it’s the whole book?

This
was my first 2018 bullet journal. Notice anything odd?

As
you can probably tell, I put a lot of work into this book, and I was
fairly upset when wine was spilled on it (although not as upset as
the person who spilled the wine, bless their heart). The wine soaked
through quickly, and it’s on almost every page. This happened when
I was halfway through the book — I couldn’t just toss it, and I
wasn’t ready to start another yet.

Instead,
I decided to celebrate the accident. In Japanese pottery, the method
of Kintsugi (meaning “golden joinery”) is used to repair
broken pottery with precious metals. The underlying thought process
behind this is that the breakage becomes a beautiful part of the
object’s history, and appreciated in its own right. Borrowing from
this idea, I used silver and gold ink to “repair” some of the
places in my journal that had been washed away by the wine, to try to
make them even more beautiful than before. Another way I have thought
about doing this would be to repair pages with embroidery, but there
are many techniques one could use — gold or silver plating,
decoratively placed washi tape, or even pasting a picture over a
mistake — anything, in short, that transforms the mistake into
something new, and uncommonly precious. I’d encourage you to start
showing some love to your mistakes today: it’s a way for us as
artists and craftspeople to embrace the reality of craft and indulge
in the unpredictability of traditional media, and it can help us grow
and learn new techniques as well.

***

About
the Author:

Sarah
McMenomy
is
an artist and witch. Her craft incorporates herbalism, spellwork,
trance, divination, auras, and more. Her work can be found at
https://sarahmcmenomy.tumblr.com

A
Look Inside a Monthly Working Book of Shadows

Many
newcomers to the Pagan Path, as well as new Witches, often mistakenly
believe that a Book of Shadows is an ancient concept that goes back
eons. There is the very real possibility that herbalists and wise
women in ancient times utilized recipe books, journals, or otherwise
kept written records containing their secrets or logging their
workings. However, the Book of Shadows is actually a neopagan concept
that has its beginnings with Gerald Gardner, the founder of Wicca,
sometime in the late 1940s or early 1950s. Gardner is the founder of
the Wiccan religion along with several other famous pioneering
Wiccans who seemingly thrust the neo-pagan movement forward and
opened the broom closet for many witches as well. The age of the
conception of Books of Shadows should not cause anyone to question
keeping a Book of Shadows. As with any other reference material, a
Book of Shadows can be an invaluable tool in any practice, whether it
is your craft or your spiritual walk. My working Book of Shadows is a
vital part of my Pagan path and my practice as a Witch.

As a practicing Witch and a practicing eclectic Pagan with a Matron who guides both paths, I rely heavily on my working Book of Shadows and I carry it with me every day. For the most part, my working Book of Shadows contains all of the information that I need at my disposal such as Sabbats, Esbats, the New Moon, color correspondences, Tarot, Oracle, and Rune draws, as well as trackers for stones, herbs, spells, and Goddesses. I also incorporate my mundane schedule and life in this working Book of Shadows to keep me on track. As any one else in these modern times, I try to keep my spending in check, live a simple life, and incorporate my definition of “enough” into my walk. In true frugal fashion, I decided that in 2019 I would take a completely different tact than in any other year and I created my 2019 working Book of Shadows from MAMBI® Classic Happy Planner® extension packs. For clarity and convenience, I have added all of the resources and links for materials and supplies that I have used at the end of this article.

Throughout
this series, you will notice some “upcycling” of materials as I
find cards that I have received, artwork here and there that I notice
in magazines, and even the creativity of friends, who make beautiful
shaker cards that are great for lifting the energy when I am feeling
like energy is being dissipated. A little blingy shake and the smile
returns to my face. Also, when you network and discover that friends
have hidden talents, such as making quality covers with special
meaning that directs your focus to the work at hand, that energy of
love, friendship, and community lends itself to a healthy Book of
Shadows.

Again, as a frugal person, and someone who believes that the Pagan Community could benefit from helping each other, I created a Facebook group called “The Pagan Plannertarium.” I created this home for Pagan Planners who are interested in planning and who could benefit from free stickers and layouts for their own Books of Shadows. All of the stickers that are in my working Book of Shadows can be found in the Pagan Plannertarium along with an ever-growing catalogue of stickers, layouts, and inserts. They are all free for your personal use, if you would like to plan along with me each month, join the Facebook group by answering the questions for entry, and plan along with me. I will continue this series for the year 2019, showing you the evolution of my working Book of Shadows.

Since
there are no Sabbats in January, and it is the very beginning of my
“Seed Work” which will commence in February for planting on
Imbolc, I have chosen a winter theme for the monthly layout, and I
have also made complimentary weekly spreads for the entire month of
January. In keeping with the winter energies surrounding me, I chose
to focus on the correspondences for the month of January which
include fox, birch trees, and the colors bright white and blue.
January is a time for self-reflection and spell work involving inner
workings rather than casting for others, winter is a time to go
inward and to work on those things that require change for growth.
February’s seed must be planted in order to yield a bountiful
Harvest as the wheel turns and we experience each Sabbat in its turn.

The January month-at-a-glance spread is where I keep all of my appointments which are upcoming, the Esbat, the New Moon, and I keep a place for notes. In the two blank spaces before the 1st day of January and the last 2 blank spaces after the 31st, I use these spaces for my own personal “Power” words – these are words that I use for the month to keep me focused on my seed work. They relate directly to the seed that I will plant, so I choose the words that I need to focus on to narrow my focus. Times and circumstances change every month and this is a working Book of Shadows so these blank spaces are often in a state of metamorphosis and they change from month to month. January is the month when planning my seed comes to completion and the seed is readied for planting on Imbolc.

Each
week there is a side dashboard that is sectioned off for my Goddess
of the week, Crystals, Notes, and two (2) weekly trackers. My goal
is to draw a Goddess card from a deck that I utilize each week, write
the Goddess’ name on the dashboard, and key words throughout the
week that may arise as I ask for Her protection and energies to guide
my week. The Crystal section is for the pouch that I carry on my
person each day, some days call for different energies and I may
change the contents of the pouch that I use during the week and, if I
do so, I like to have a place to log any changes that may occur in my
carrying pouch. The Notes section on the side dashboard is to make
note of any significant changes that I make, events that I need to
make a special note of, or any other information that may change from
time to time during that week. Finally, the two trackers that I have
are for reminders to check in daily on any spell work that I may be
undertaking. Other uses for the trackers include making Crystal
Water, Moon Water or other recipes for ritual use. You can use
mundane trackers even in a magical practice and, on occasion, when I
have no other use for them, that is how I utilize these trackers.
The best part of this whole process is that stickers can be lifted,
marks can be erased, and things are meant to change and grow as we
change and grow. It is my hope that by sharing my Book of Shadows
with you, before the pen, you will be able to glean some creativity,
some energy, or ideas for your own Books of Shadows and join me in
sharing for the greater good.

You may have noticed that the end of December, 2018, is contained in the first weekly spread. I included it because the energies are prime for spell casting, writing new beginnings, contemplating seed work, and writing down ideas for spells or, if I feel the energy in a specific way, I will use this night for spell writing. At the end of the week, there is a New Moon and I always use the energy from the New Moon to begin cleansing my house for the cycle of the waxing moon, to bring the energies into my home and life that I would like to manifest throughout my practice. I start by taking a ritual bath, meditate, and smudge my home from the center to the front and out the door and beginning from the center again and to the back and out the door. For the other days in this week, I will enter those things that I do to prepare for the upcoming New Moon, such as journaling, blending herbs for incense, smudging, writing spells, and working on the February installment of this series

Each weekly layout has a coordinating Tarot card insert. I utilize this insert to pull a Tarot Card each week and reflect on this card throughout the week. The first side of the insert reflects my first impressions and my expectations. The second side of the insert is a retrospective examination of the drawn card and how that has influenced me during the week. This insert is an invaluable tool for me. Not only do I receive guidance from the Tarot cards, but I come to a deeper, more committed understanding of the meaning of each draw and how that may relate in future readings not only for myself but for others

Each
weekly theme for the month of January embodies not only the
correspondences appropriate for this month, but some of them also
contain themes of strong Divine Feminine figures such as Athena and
Hekate. I decided that this month would also contain the energies of
the Divine Masculine and The Horned God made a special appearance
this month as well. As I called to the Divine Spirits of the East,
requesting the energies of communication, divination, and creativity,
these layouts pretty much made themselves.

Looking
forward to providing monthly installments of my Book of Shadows as
the wheel turns.

RESOURCES:

MAMBI®
CHP Extension Packs:

https://www.meandmybigideas.com

CHP
Custom Cover & Foiled Pentacle Stickers by Claire McNamee:

https://www.etsy.com/shop/BubsLovesBubba

Custom
Shaker Cards by Suzy Mesa:

https://www.etsy.com/shop/gichiscraftcorner

January
Monthly and Weekly Stickers by Shirley Lenhard are free at the Pagan
Plannertarium:

https://www.facebook.com/groups/217392179039705/

January
Cover Page – Shoot for the Stars – Recollections®
“Constellations” paper pad & Miscellaneous Washi tapes:

Available
at Michael’s and other craft retailers

***

About
the Author:

Shirley Lenhard has been a practicing Witch and a Pagan since 1983 and lives in New England with her husband. She is employed full time in the legal field and has her Masters Degree in Psychology from the University of South Florida. Shirley looks forward to living her best possible life by giving back to the Pagan Community and has created the Facebook group “Pagan Plannertarium” where she provides a safe home for fellow pagans to have discussions about their path and to get free planner stickers and layouts. Shirley is a past writer for Llewellyn Publishing and The Peace Paper.

Plant Wands

crafting2

Merry meet.

As the wheel turns to the third harvest, I was moved to harvest some of the energies from the world around me, inspired by the Botanical Spirt Wands made by Rosemari Roast of Walk in the Woods, located in Winsted, Connecticut.

Cleaning up my community garden plot at the end of the season, I gathered a selection of plants, living and dead, adding to it from outside my back door.

crafting1o

how-to

Making an assorted bouquet of about eight pieces, I wrapped the stems together with fibers. One I wound with twine. For the other, I tied a scrap of novelty yarn at the top and criss-crossed it front and back down the stalks to form a handle. Red ribbon was used to wrap a single tassel of broom corn.

They are being hung upside down until they are fully dried.

If this inspires you, you might consider making a plant wand for each season, or even for each sabbat.

Merry part.

And merry meet again.

Dragonfly

Merry meet.

 

 

With the magic of midsummer comes the magic of dragonflies. Their gossamer wings, narrow body and big eyes make them seem like they come from the Land of Fae I imagined in my youth as being all wee and cute.

I have many memories of lazing on the lake on an inner tube or raft and having one or more landing on me, as if finding an island on their long journey over the water. Some would stay for many minutes. Seeing them reminds me of those warm, long days.

To hold on to that essence of summer and the solstice – as the cold and the dark begin to slowly but steadily creep in – make a dragonfly or two or three.

 

 

Gather dry maple seeds and tiny twig pieces. Stand the stick up in a short container of sand or similar material. Put a dab of hot glue on the seed pod end (I compressed the pod first) and attach to the twig, holding for a few moments until the glue holds. You can then add color with paint or glitter. If I had had beads handy, I would have put two on for eyes.

 

 

If using tacky glue, place the seeds on your work surface with end touching, add a drop the glue and rest the twig on top unit the glue dries.

 

 

Merry part. And merry meet again.

***

About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.

Browned Butter Blondies

The first time I made “Blondies”, I was in fact making Chocolate Chip Cookies and I realized that I didn’t have enough time to bake four pans of twelve cookies on each pan, so I put the cookie dough into a lightly-greased 9×13 pan and a picnic tradition was born. This was many years ago – my son James was just a little guy. I have made many pans of “Blondies” – some with dark chocolate chips, some with white chocolate chips and macadamia nuts, some with crushed peanut M&M’s, some with walnuts or pecans or even cashews – the variations are endless.

So, I was pleasantly pleased to come across this recipe for Browned Butter Blondies at The Food Charlatan, a blog I discovered recently. I love browned butter. I love its nutty aroma and the added dimension it brings to food. I usually brown butter for my popcorn – it really rocks – especially if you add a touch of garlic salt to the butter before putting it on the popped corn.

If you don’t know how to brown butter, I suggest you go to YouTube and check out some of the tutorials on how to do it. It’s much easier once you’ve seen it done in front of you. I was lucky – I learned as a young girl from my mother. It’s quite like scalding milk – you have to keep the heat at medium and you have to keep stirring – the fun part when you’re a child. It’s very easy to burn butter – just like milk – but the technique, once you have it down, is also quite easy. Honestly, it’s like riding a bike. When you’re first learning, you fall off a lot and scrap your knees and elbows – and maybe you cry a little bit – but suddenly you just know how to do it. And then you always know how to do it.

The first thing I did was start the butter to melting.

As I slowly melted the butter, I got out the other ingredients that I needed: brown sugar, eggs, vanilla, flour, baking soda, salt, and the chocolate chips. I didn’t have any nuts in my pantry except for the almonds that I snack on each day and although I personally think that all cookies and bars of this type ought to have nuts in them, I decided that I didn’t want almonds in this batch. I also decided that I didn’t feel like running to the store to buy any other nuts!

After the butter is melted, immediately pour it into your mixing bowl so that it doesn’t burn sitting in the hot pan! I let it cool for a few minutes before adding the brown sugar.

Remember to pack the brown sugar! When you add it, mix it well! But wow! This is like candy. In fact, this makes me think of making homemade butterscotch candy with my mother when I was twelve or so. That was a lot of fun. A lot of work but a lot of fun.

Add the vanilla and mix well. And then the eggs. I put the eggs into a bowl first because I’ve had too many eggs break badly and pieces of shell fall into the batter – and this is exactly what happened – there was a bad break and I had to pick pieces of shell out of the egg in the bowl before beating them. But at least the pieces of shell weren’t in the batter. It’s always easier to get pieces of shell out of the egg than out of the batter.

And then you add your dry ingredients – the flour, the baking soda and the salt. If you have a sifter like I do, add them in that fashion, but if not, just measure them into a bowl, mix well, and then add them.

Then add the all-important chocolate chips!! Yummy!!

The recipe didn’t say to grease the pan but I did anyway.

My pan was slightly smaller than 9×13 and I had to bake them longer than the 23-27 minutes that the recipe said it would take for “gooey” bars but of course, I have an electric oven and every oven is different, even the gas ovens that I prefer. Your oven might bake these faster than mine or it might bake them slower. And in a 13×9 pan, they might have been done in that time frame. But I am not complaining.

THESE THINGS ARE AWESOME. They smelled so great that I couldn’t even wait for them to cool to cut into them and try them out and of course the first one fell apart completely but then I had the most fabulous idea of putting a little ice cream on the top of it – yeah really – all it needed was some hot fudge sauce and whipped cream! But damn! Was that ever good!

(picture blurry cuz I was in a hurry to chow down)

After the pan cooled, the bars came out in perfect fashion, as shown here:

And everyone who had one of these Browned Butter Blondies raved about how good they were! Believed me! They are fabulously, magically good!

So – make this recipe! I’m not even phrasing this as a suggestion – I’m telling you to do it. Add chocolate chips, nuts, oats, even dried cranberries would be good! This is kitchen witchery at its finest!

References

The Food Charlatanhttp://thefoodcharlatan.com/browned-butter-blondies/

***

About the Author:

Polly MacDavid lives in Buffalo, New York at the moment but that could easily change, since she is a gypsy at heart. Like a gypsy, she is attracted to the divinatory arts, as well as camp fires and dancing barefoot. She has three cats who all help her with her magic.

Her philosophy about religion and magic is that it must be thoroughly based in science and logic. She is Dianic Wiccan and she is solitary.

She blogs at silverapplequeen.wordpress.com. She writes about general life, politics and poetry. She is writing a novel about sex, drugs and recovery.

Ostara – New Beginnings

My March divider is a reminder to myself to “Never Lose Your Sparkle” and I made every effort to bling the reminder as hard as I could because sometimes the mundane aspects of living actually dull my shine. It is my belief that every time I get out of bed, I am presented with the opportunity to shine; to potentially be the light that someone else sees and reflects in their own lives. Kindness is free, presenting someone with a smile is free and in March, I intend to be deliberate in passing along a lot of free smiles and kindness. I am also trying something new in my working Book of Shadows. I am trying a new dashboard idea that my friend Suzy Mesa made for me. I am using a wet erase marker on the back for reminders that I do not necessarily have to do today but need to be done in relatively short order. The dash board moves with my weeks and can be erased. But she is too cute, and I needed to share this with you!

Of course, there are always the weekly inserts for my Tarot Tracking, and each coordinate with the respective weekly layout.

March ushers in the first day of Spring, the Spring Equinox, or Ostara (whichever you celebrate) on the 20th of the month. This is a time for new beginnings, a time for fresh starts, to nourish the seeds that we planted on Imbolc. My seed has begun to emerge from the bulb, a small and happy little green sprout peeking up from the tightly closed bulb; nevertheless, there is life emerging and a healthy seed is one that is well-tended, well-watered, and well fertilized.

As a daily reminder, I speak my seed work to the bulb, I repeat it three times, and I work hard at manifesting the seed into a sprout that will eventually become a stalk, then a leaf, and, with hard work and dedication, it will produce a healthy and plump bud that will burst open with intention and volition. Spring will begin the work of manifesting the seed into the healthy harvest that I hope to bring this year. Completion. That is the work at hand for me.

Ostara also marks the day when most everything is perfectly balanced. The Spring Equinox brings balance to night and day. Darkness and Light are equal. Balance is present. The seeds are beginning to rise up from the soil, and the hopes planted at Imbolc are becoming realities. The animals are beginning to stir in their dens and readying themselves for mating. In Celtic tradition, one of the symbols of Ostara is the Hare, which is sacred to many lunar Goddesses such as Hekate, Freyja, and Holda; however, the Goddess most associated with the Hare is Eostre, the Goddess of Spring.

Another
of the symbols for Ostara are eggs. The egg represents promises and
new life, as well as fertility. In some traditions, the egg is
symbolic of balance as well. In those traditions, it is believed
that all of the energies such as male and female; God and Goddess;
and light and dark, manifest as balance in the egg as the yolk and
the white. The Sun God, represented by the yolk, is in balance with
Maiden Goddess, the white of the egg.

There
is a very special tale about the Goddess and the Hare and how the egg
became a sacred item during Ostara. It goes something like this…

The Goddess was coming to the forest to visit the animals. The were all very excited for Her visit. They decided to throw Her a party and to bring Her gifts as a show of their love and respect.

(Luna Dashboard and Custom Shaker Cards by Suzy Meza.)

During the preparations for the party, the animals were excitedly running around, gathering gifts. As in any other society, there are animals who are better off than some and had greater and more opulent treasures to offer to the Goddess. The Hare seemed very excited to see the Goddess, but he knew he had nothing to offer. He hopped to his den and he looked around, but after a very harsh and cold winter, he had used all of his food sources and had nothing to offer Her. Until, that is, he noticed that he had one egg left in his den. He took that egg and he shined it and then he set about decorating that egg the best way that he knew how. He poured his heart and soul into making that egg as beautiful as he could. When it came time for the party, Hare quietly watched as the other animals approached the Goddess and laid beautiful treasures at Her feet. Hare became nervous that his egg was not going to win favor with the Goddess because it was simple, but it was all that he had, and he made it everything that he could with his decorations.

(Luna Dashboard and Custom Shaker Cards by Suzy Meza.)

So, after all of the other animals had gifted the Goddess with their opulent treasures, Hare quietly hopped forth and laid his beautiful egg at the feet of the Goddess. When the Goddess saw the egg at Her feet, She recognized Hare above all of the other animals in the forest, for they had given the Goddess only what they wanted, but Hare had given Her all that he had.

All
of the animals in the forest are special to the Goddess, but none are
more favored during Ostara than the Hare. In our lives, when we give
of ourselves, in service to our Deities, we should be mindful to give
all that we have in order to manifest in our lives those things that
are in our highest and best good. As with anything else in life, we
must work toward manifesting what we want in our lives by focusing on
things such as light and kindness and, whenever possible, we should
emulate Hare in every aspect of our lives as we strive to find the
balance in our own world.

RESOURCES:

MAMBI® CHP Extension Packs

Luna Dashboard and Custom Shaker Cards by Suzy Meza.

March Monthly and Weekly Stickers by Shirley Lenhard are free at the Pagan Plannertarium.

March
Cover Page – Shoot for the Stars – Recollections®
“Constellations” paper pad & Miscellaneous Washi tapes:

Available
at Michael’s and other craft retailers

***

About
the Author:

Shirley Lenhard has been a practicing Witch and a Pagan since 1983 and lives in New England with her husband. She is employed full time in the legal field and has her Masters Degree in Psychology from the University of South Florida. Shirley looks forward to living her best possible life by giving back to the Pagan Community and has created the Facebook group “Pagan Plannertarium” where she provides a safe home for fellow pagans to have discussions about their path and to get free planner stickers and layouts. Shirley is a past writer for Llewellyn Publishing and The Peace Paper.

Comments are closed.

Trackback URI |