Morgan Daimler

Book Review – Travelling the Fairy Path by Morgan Daimler

July, 2019

Book Review
Travelling the Fairy Path
by Morgan Daimler

Travelling the Fairy Path is a fun and educational resource to guide you on the Fairy Witchcraft Path. If you are just curious about the “Good People”, or have been working with them all along, you will find insight from Morgan Daimler, although, I would not consider this a “Beginners” book. It is not a long text, coming in at 288 pages, however there is a multitude of information waiting for you. This includes a chapter length autobiography on Daimler, in which she introduces herself as well as some of her qualifications. This, in my opinion, is to demonstrate her expertise in the subject and ensure the reader/student, that they are in more than capable hands. It was quite impressive.

There are a lot of references to the Fairies by different terms. She refers to them as “The Good People”, “Themselves”, and “The Other Crowd,”. In my opinion, it would be a bit confusing to a newbie, at first. Whenever I am reading a book pertaining to the metaphysical, there are usually many references to other types of entities. It could be Gods/Goddesses, Angels, Creatures, and the Craft. So, for me to have them referenced so quickly by different names took a minute for me to adjust to. Especially since alongside this was the author’s trip to Ireland. If the reader is not familiar with Ireland and it’s landmarks this piece will be lost on them. I wish there was a touch of historic explanation to arriving in Ireland, and the sights they saw, places they went to make it a little more important, and impressive to those readers who don’t know the magick that Ireland holds.

Daimler personalizes the experience for the reader, by taking us along side her in her real time experiences on this trip, which is great. However, if you are not already versed in fairylore, you will not know what some of the things she talks about are. For example, she talks about a “fairy ring”, a “aos sí” and “si” by itself. Now, if this was the first book you picked up on Fairylore, you would have no idea what these refer to. I do wish she would’ve added some small educational definitions in to teach the reader just a bit, in case it was needed. However, that being said, her storytelling kept you going regardless. It was exciting and down to earth, while making you feel like you were right there with her.

The bulk of the text takes you through The Fairy Path. It follows a perfect sequence, starting with working with spirit, explaining what makes this path different, and how to educate yourself, and grow within this area of your path. It touches on what is important, and dangerous when working with the “Good People”. I especially like her focus on following your intuition, and the example of how doing so led Daimler to the most profound experience of her life:

“My intuition immediately told me that I needed to go down a different way even though I knew our guide was spot on with why everyone had to go down the way they’d come up. I could certainly have gone against my instinct– gone against that little inner voice – and it would have been much easier to do so quite frankly. But if I had done what I was told and not followed my intuition I would have missed out on the most profound initiatory experience of my life which began with that single choice to go down the mound the other way.”

Daimler goes through to briefly describe the different types of Fae, and what they are said to look like, while clearly stating that the subject is too broad and diverse for a simple, black and white answer. It is a very comprehensive list that gives great information. She touches on mythology and translations of it, so the reader can understand the fairy stories. For example, she goes back to a 19th century rhyme, calling the Fae by different names and Their reaction to it. She then goes on to explain their reasoning.

There is a great amount of information on the dangerous Fae including The Wild Hunt, which in my opinion is important. Many people seem to think that fairies are pretty and pink, sparkle and shine, and can be completely ignorant. Daimler takes the time to introduce and identify where and when to take caution.

There is a lengthy chapter on Ballads and Poems, and the information found within them, she does a great job of explaining each one and their importance. This chapter could haven been a small book by itself, in my opinion.

She covers interacting with the Fae through dreams, meditation, and trances, gives important advice, such as never accepting drink or food while in Elfland. “And what you’ve not to do is this: bite no bit, and drink no drop, however hungry or thirsty you be; drink a drop, or bite a bit while in Elfland you be and never will you see Middle Earth again.”

My favorite reference in this text is the use of the quote ‘There’s a difference between knowing the path and walking the path.’ Daimler takes this from the movie the Matrix, and uses it perfectly. She uses this as the opening to her chapter “In Practice”. From offerings to oaths, this chapter takes you through the actual practice of “Walking The Fairy Path.” She is very specific and thorough; she even includes one of her own recipes for cakes she learned in a dream.

All in all, I found this book instructive and educational. This is not a text you skip the end notes in-they are fantastic. I think the story in the beginning establishes a relationship with the author, and leaves you wanting to understand the world the way Daimler does. If the reader finishes this text and truly wants to keep moving forward on this path, they are given a great background. I would definitely start with her other works.

Travelling the Fairy Path on Amazon

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About the Author:

Jade Perri is the owner and founder of Embrace Your Path. Jade is an eclectic Witch, who has been practicing for more than 10 years and offers guidance on an array of topics. She specializes in the art of divination. She is an enthusiastic teacher and offers classes and certification in many different areas. She also holds a special interest in animal communication and handmade custom poppets. She is an avid reader and her passion is the fantasy and British historical fiction genres. She is also the mother of two children, and likes to spend time with her husband.

Book Review – Pagan Portals: What is Modern Witchcraft?

July, 2019

Book Review
Pagan Portals: What is Modern Witchcraft?
Anthology

“What is Modern Witchcraft?” is an anthology written by some of today’s top pagan writers. It covers subjects from Modern Solitary Witchcraft, Modern Witchcraft and the Role of Activism, Cyber Witches, Kitchen Witchcraft, Old Craft for New Generation 21st-Century Witches, and a Celtic Perspective.

Morgan Daimler is the person they chose to open this book; I find her writing to be well-thought-out and well researched. Ms. Daimler’s writing makes her seem very approachable. I would love to attend a seminar where she is speaking.

Annette George, Philip J Kessler, & Amy Ravenson, all talk about cyber witchcraft, as well as traditional. In these chapters, they talk about using files on the computer to save rituals and using social media to perform rituals with people from around the world.

One of the more compelling chapters, for me, was written by Irisanya Moon. It is the chapter on Modern Witchcraft in the Role of Activism. One of the quotes that she has in this chapter is by Carol Hanisch, whose essay written in the late 60s early 70s entitled The Personal Is Political “Personal problems are political problems. There is no personal solutions at this time. There’s only collective action for collective solution.” Ms. Moon talks in this chapter about how to become an activist and how witchcraft can help you in that calling. I found this to be very moving.

Rebecca Beattie writes a chapter on Urban Witchcraft; she talks about how hard it is to find solitude in an urban setting, finding sacred space, finding your tribe, and embracing your inner weirdo. It was that last part, embracing your inner weirdo, that spoke to me in this chapter (I’ve been known to walk into shops wearing unicorn horns to work that day doing readings.)

Arietta Bryant writes about Casting Your Own Circle. She talks about doing what feels right to you, whether that’s setting up an open circle, or book clubs, or anything that makes you feel like part of a tribe. This chapter also lists 11 jumping off points for creating your own set of Principles. (These reminded me of The Council of American Witches set of Principles of Wiccan Belief written in April of 1974.) They are great principles to guide your path forward.

Mélusine Draco’s piece is about Old Craft for a New Generation. She is another author who writes with authority and talks about matters in which she is well versed. She asks three times three basic questions that are the cornerstone of her faith. These are questions that I have to ask myself regularly because as I grow still in my craft, I learn more about the more profound the answers to these questions are.

I would say this is a book that is for anyone on the path of Paganism, not just Witchcraft. I feel that it is one that allows you to explore more of what is out there today for us compared to the old ones whose roots we grew from. I am happy that it was Trevor Greenfield who edited this book for us. But I am incredibly grateful for all those writers who contributed to this tome. Thank you for your insights.

Pagan Portals – What is Modern Witchcraft?: Contemporary Developments in the Ancient Craft on Amazon

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About the Author:

Dawn Borries loves reading and was thrilled to become a Reviewer for PaganPages.Org. Dawn, also, has been doing Tarot and Numerology readings for the past 25 years. Dawn does readings on her Facebook page. If you are interested in a reading you can reach her on Facebook @eagleandunicorn.

GoodGod!

April, 2018

Meet the Gods: Dian Cécht

(art by Jane Brideson)

Merry meet.

With so many people around me sick, it was probably no coincidence I came across Dian Cécht, the Irish god of healing. It so happens a story told about him is the same as the one told about Credne, one of the three craft gods, last month. He was described as a craftsman who worked mostly in bronze and when the High King lost his arm in battle, he fashioned a functioning replacement arm from silver.

In “Pagan Portals: Gods and Goddesses of Ireland: A Guide to Irish Deities,” Morgan Daimler also tells the same story, adding that Dian Cécht also healed Midir’s wounded eye and cured plagues disguised as serpents. “There is a reference in the St. Gall’s incantations to a salve of Dian Cécht, which is used for healing. Dian Cécht was invoked with healing charms into the 8th century CE and even in modern folklore is associated with an herbal oatmeal preparation that has healing properties,” Daimler wrote.

In the Ever Living Ones blogspot, Jane Brideson offered “a prescription for Dian Cécht’s porridge,” describing it as “the oldest-known Irish medical remedy.” It’s made of oatmeal, dandelion, hazel buds, chickweed and wood sorrel.

Multiple sources speak of Dian Cécht’s Well of Health, Tiopra Sláine, said to contain one of every herb that grew in Ireland. Wounded warriors bathed in the water were healed.

Daimler writes, “Dian Cécht was considered the supreme physician of the Gods and possessed a well or cauldron, the Sláine, into which the wounded could be placed and from which they would emerge restored. Throughout the Irish texts where he appears he is renowned for his healing skill and he is called ‘the healing sage of Ireland’ and ‘God of health.’”

As the god of healing, he is associated with physicians and restoring of the body.

He is not only a god of active healing, but also of the knowledge of healing arts and of healing magic. He is known as a superlative healer with any method. We don’t have many existing myths featuring Dian Cécht, but the ones we do have generally center on his healing skill in one way or another,” Daimler wrote.

His name is thought to translate as swift for dían and power for cécht, yet another source said the name appeared to mean God of the Plowshare.

Dian Cécht was also known as Cainte, a chanter of spells and prophecy. His titles include god of power and health and sage of leechcraft,” Brideson wrote.

A well or a cauldron are associated with him, and can be used to symbolize him. Offerings could include water, medicinal herbs or herbal tea. He may be called on for anything related to healing or medicine, when wishing to heal or be healed.

Click Image for Amazon Information

Merry part. And merry meet again.

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About the Author:

Lynn Woike was 50 – divorced and living on her own for the first time – before she consciously began practicing as a self taught solitary witch. She draws on an eclectic mix of old ways she has studied – from her Sicilian and Germanic heritage to Zen and astrology, the fae, Buddhism, Celtic, the Kabbalah, Norse and Native American – pulling from each as she is guided. She practices yoga, reads Tarot and uses Reiki. From the time she was little, she has loved stories, making her job as the editor of two monthly newspapers seem less than the work it is because of the stories she gets to tell. She lives with her large white cat, Pyewacket, in central Connecticut. You can follow her boards on Pinterest, and write to her at woikelynn at gmail dot com.

Interview with Morgan Daimler

March, 2014

Morgan Daimler: A Druid in the New World

Morgan is an experienced Druid and author of Where the Hawthorn grows, cited as a unique look at the beliefs and practices of American Druidism, looking at daily practice and practical, modern applications. Morgan was kind enough to answer a few questions about her life as a Druid and her writing.

Mabh: Your book, Where the Hawthorn Grows, describes you as an Irish reconstructionist Druid in America. Can you sum up this description for us, tell us a bit about your path and its roots?

Morgan:  Well, basically, I’m an Irish polytheist – with some Norse flavour – and I use a reconstructionist method in approaching my religion. Reconstructionism is about using different sources to understand the ancient pagan religion in order to reconstruct what it would have been like today if had never stopped. I’m a Druid in the Order of the White Oak, a reconstructionist Druid Order, and I see Druidism in the spirit of the ancient Druids as people who serve the community as clergy, who serve the Gods and spirits, who are the Seers and Poets.  I’m part of the Irish diaspora in America, so I always like to make that clear as well, that my Irish polytheism is influenced by different factors.

I was raised a secular agnostic but I always had a draw towards the mythic, especially the old Irish fairy stories. I used to build little fairy houses and leave out offerings to them, write them notes, things like that, when I was little. When I was 11 a friend introduced me to Wicca through books and I was immediately taken by that idea. She and I practiced for a bit, but it wasn’t for her in the long run. My own focus shifted to Irish Gods and I started to search out as much information as I could find; I’d say my first steps into what could be called reconstruction started early, with that desire to know what the pagan Irish really believed and did. That drew me to start studying Druidism and around 1997 or so I found White Oak, which had an online discussion group, but after a few year lost touch with it. I tried joining other Druid organizations as well but couldn’t find another one back then that resonated with my own historic emphasis. Eventually I found the online Celtic reconstructionist community and reconnected with White Oak and finally started to feel like I wasn’t alone in what I was doing.

MS: What inspired you to write the book?

MD:  I started blogging at the urging of several friends. I like to write and I really felt like there was a lack of solid resources out there online but a lot of inaccurate stuff was being repeated. So I wanted my blog to be a resource, something that would have citations and suggested reading and talk about the things it seemed no one else was talking about. At some point I looked back and thought, you know I’ve practically written a book here. And I saw other bloggers like Cat Treadwell putting out books based on their blogs and I started to think maybe I could too.  I felt like it would be really valuable to have something on the market that was talking about reconstruction Druidism, because there really aren’t any books about it. The more I thought about how much I wished someone would write that kind of book the more I felt like if no one else was doing it I should. And it all just came together.

MS: What’s been the biggest challenge in the writing and production of the book?

MD: The production was wonderful; I am really lucky to have a fabulous publisher, Moon , who made the process a great experience. My biggest challenge in writing it was the editing. I’m dyslexic and I have a really difficult time catching spelling and grammar errors in my writing. I’d go over the same passages until my eyes crossed and still miss things, which can be frustrating.

MS: And the most rewarding moment?

MD: Holding the book in my hands was amazing. It’s the fourth book I’ve written, but it’s the one I’m the proudest of, the one that has the most of my heart in it.

MS: You write about the Celtic Deities and the Norse Deities and involve both within your magical practice. Which did you come to first, and is there any particular deity you feel closer to, and why?

MD: I’ve been honouring the Irish Gods for about 24 years; the Norse for almost 8. I am ritually dedicated to Macha, because I felt she wanted that. I’ve felt called by her for a long time. I’m also oathed to Odin, also because he wanted me to oath to him, something he relayed through another person during an oracular seidhr session, which is a kind of Norse trancework. In simple terms I see myself as serving them, as best I can, in the world. I also regularly honour Badb, because I do Seer work, Morrigan, Nuada, and Flidais. Flidais is an interesting one to me – I know most people today see her as a kind of wilderness Goddess but because of her mythology and personal experience I relate to her as a Goddess of nursing mothers (among other things). She has been really present in my life this past year and helped me get through a very difficult situation.

MS: I have a passion for Celtic mythology and spirituality, which I believe comes from my Irish ancestry. What are the roots of your interest in the Celts?

MD: Ancestry is the heart of it. I have Irish ancestors, as well as Scottish. My Dad’s stepfather was Irish, from Cork, and I grew up with the aspects of that like the food, music, and stories which he passed on. I was always raised to be proud of my roots and as I got older I embraced the culture on my own. Now I pass it on to my children.

MS: And as a mother, do you find your children are naturally curious about your spiritual endeavours? How do you feel about them being drawn to Druidry or a different branch of Paganism? Likewise, how would you feel were they to adopt one of the Abrahamic religions, for example?

MD: I find that my oldest, who is 10, is very spiritually inclined and always has been. She was making her own little altars when she was a toddler. My second daughter is ambivalent. All the children like to do spiritual things with me – not that the baby has a choice! – but my oldest is the one who has the real interest in it. She’s still finding her footing though and I don’t think she’s decided what she really wants. She practices with me, she goes to different churches with her friends, she reads about different religions. I give them all the opportunity to do what I do with me, from my morning devotionals to the Holy day rituals, and leave it to them to decide. I am raising them with my beliefs and practices, but all I want for them is to find happiness and fulfilment from their spirituality, whether that’s Druidism, witchcraft, heathenry, a syncretic blend, or anything else including Christianity.

MS: Certainly in Britain, Druids are sometimes of differing faiths and follow different deities; sometimes none at all, preferring to worship nature or the universe. Are the members of your grove all on a similar path, or do you also find this diversity within your ranks?

MD: My Order is explicitly Celtic polytheist, although within the definition of ‘Celtic’, people have room to choose their own focus. Outside my Order I respect an individual’s choice to follow the type of Druidism that works best for them, no matter how different that approach may be from my own.

MS: I see you are currently working on one of the Pagan Portal series, Fairy Witchcraft. Can you tell us a bit about this project? What is Fairy Witchcraft?

MD: Fairy Witchcraft is a blending of the Fairy Faith with modern pagan witchcraft. It was largely inspired by the old Irish Fairy Doctors and figures like Biddy Early, combined with folk magic practices and the beliefs of the Fairy Faith.

 

One day I stumbled across a pretty awful webpage purporting to be about Fairy Wicca; it was really just a hodge-podge of randomness without much substance. I went to some friends and was venting about it and getting pretty upset and I had an epiphany – if I was this bothered by it I should take all that energy and direct it into something constructive. If I felt like there wasn’t a good resource for people searching for a way to unite neo-Paganism with fairy beliefs, I needed to create that resource. Most of my friends know that the daoine sidhe, or fairies, are the foundation of my spirituality so this is something that was very important to me, but I was really hesitant to actually do it. My path began with fairies and moved into witchcraft, something I never stopped practicing as such even when I moved on into reconstructionism and Druidism. I have taught classes on fairies to a neo-Pagan audience for over a decade. I wrote a previous book for children on practicing the Fairy Faith. But I don’t talk a lot about personal experiences and I almost never talk about my personal practices relating to this, so it was unnerving to think about suddenly being open about everything. I also wanted to be certain, given the historic prohibitions about talking about fairy experiences that it was okay for me to do. Once I felt I’d gotten the go-ahead, so to speak, I wrote the book itself in a week. There was a lot of inspiration going on.

 

MS: How would you describe a Fairy to someone with no experience of them?

MD: Dangerous. Seriously, I’d say that there are many kinds of fairies – some look like people, some like animals – and they can be helpful to us or hurt us depending on their inclination and our actions so it’s best to always be respectful, polite, and keep in mind that they are not human.

 

MS: You obviously do a great deal of research, and I see quotes from Cicero and Pliny in your book. What’s the most fascinating or relevant piece of literature you have found in you research for your reconstructionist methods?

MD: For Druidism it would be really hard to pick just one. I really love the Lebor Gabala Erenn and look to that and the Cath Maige Tuired for stories about the Gods. For actual practice I’ve gotten a lot out of McNeill’s Silver Bough series, Carmichael’s Carmina Gadelica, O hOgain’s Sacred Isle, Danaher’s books…I guess I’d have to say that it’s all about weaving the different sources together rather than any single source.

MS: If you could name one person as a spiritual mentor, who would it be and why?

MD: If I could name a deceased person, W.B. Yeats, without a doubt. I carried his book Celtic Twilight around and read and re-read it until it fell apart. I think he was the first inspiration for my spirituality.

MS: Druidry seems to be gaining in popularity recently. Why do you think this is?

MD: I think there’s something about the idea of Druidry that appeals to people on a visceral level, whether the person sees it as an environmental philosophy or a pagan religion connected to the ancient Celts. Modern Druidry has so many different faces and iterations that it can speak to a wide range of people all seeking to connect to their idea of what a Druid is.

MS: What’s the most vital part of being a druid, for you?

MD: Connection.

MS: And other than Fairy Witchcraft, what other projects do you have on the horizon?

MD: I’d really love to come out with a second book on reconstructionist Druidism so I’ve been working on that although who knows if it will ever see the light of day. I’m contributing to several anthologies through Moon and blogging. I’ve been tossing around the idea of a book for teens on Heathenry and one on Druidism. So who knows? Every time I think I can’t possibly have another book to write, I end up writing one.

Morgan’s current release, Where the Hawthorn Grows, is available now through Moon , from Amazon and all good book retailers. You can keep up to date with Morgan at her Blog.