Wood Crystal Grid Review & Interview with Kelly Matthews from Zen and Meow

October, 2018

Wood Crystal Grid Review & Interview with Kelly Matthews from Zen and Meow

Kelly Matthews from Zen and Meow was so kind to send me one of her lovely wood grids made of birch in a pentacle design. It was the twelve inch size and I really enjoy the larger size grids. Lots of room to fit crystals! In her etsy shop there are tons of options for designs and all come in four sizes, 3 in, 6 in, 9 in, and 12 in. ranging in price from $7 to $33. Its great that you can personalize both the design and the size to your liking. The wood is simply top notch quality and the engraving of the design looks stunning. 

I actually purchased a grid from Zen and Meow about a year ago. The custom wood engraved astrology chart. You send her your natal chart information and she engraves your chart onto wood. There is also an option to include a report of your natal chart which I also ordered. The price ranges from $22 to $52 depending on size and if you also want a report. I was thrilled with my purchase and very highly recommend it. I keep mine propped up on my altar, but you could grid with it or even hang it on the wall if you’d like. Such a neat idea to personalize your natal chart on a grid!

I highly recommend Zen and Meow wood grids. She also sells small tumbles for gridding available in her shop at a good price. If you are looking for top quality wooden grids check out Zen and Meow! 

Kelly was so kind to answer some questions I had. Here are her responses.

Q: How did you get started making and using grids?

Kelly: I opened a metaphysical shop in Gettysburg about 4 yrs ago which really piqued my interest. I look at crystal gridding as another form of magic. Using nature, ritual and intention to manifest what we want.

Q: What are the different styles and materials you make your grids?

Kelly: I have quite a few grids that focus on sacred geometry, I have a line of animal totem grids, chakra related grids, as well as hand drawn mandala grids. I make all of my grids out of Birchwood. 

Q: What is your personal favorite grid you offer and why?

Kelly: I really dont have 1 favorite, but my most popular grids tend to be the honey bee, dragonfly, flower of life, chakra grid and most of the sacred geometry grids. I find people are really drawn to sacred geometry, it tends to go hand in hand with gridding.

Q: What do you use gridding for?

Kelly: Mostly as a way to manifest something specific into my life, similar to how I would use an altar. I look at it as magic.

Q: What are some of your favorite crystals to grid with?

Kelly: Once again i really don’t have a favorite. It really depends on what I’m trying to draw into my life. I do use clear quartz on most of them with other stones.

Q: Why is gridding an effective tool to add to one’s daily practice?

Kelly: I believe its as effective as you make it. If you just toss some stones on a grid it’s not going to be as effective as you taking the time to setting an intention, pick out stones that really resonate with your intention, making offerings etc. I practice all sorts of magic so gridding is just one avenue and not always a daily practice for me. I recommend combining it with other forms of magic in order to be as effective as possible.

Q: How long have you worked with grids?

Kelly: For about 4 yrs.

Q: What’s one thing you want to share that I haven’t asked?

Kelly: I make custom wood engraved astrology charts which make great gifts for friends, newborns, and yourself. You can even have one created for a couples wedding date. I make wood cut sacred geometry jewelry out of alder and walnut woods. They are super lightweight and I use sterling silver for all the findings and hooks. I do take custom requests for grids so if there is ever a design you want but I don’t carry just ask.

Q: For my readers to follow/contact you, what are your social media links?






Instagram: @shopzenandmeow

Twitter: @zenandmeow

Thank you to Kelly for sending me one of her stuning grids to try and also for taking the time to answer my questions!

Love and crystal blessings,  Xoxo Retha


About the Author:

Retha N. Lent has been married for 17 years to her husband Mark & they have four cats that are their life. She lives in Norristown, Pa. Retha has her Bachelor’s of Science degree in Behavioral Counseling Sciences from Drexel University. She is the owner of “Retha’s Crystals” & sells sterling silver unique crystal jewelry & specimens on her FB business page. She has a FB group for her customers and those interested in learning more about crystals & all things magical called “Retha’s Crystal Circle“. She is also an advisor in the Sage Goddess Affiliate Program. She has her Holistic Healing Certificate and Pillars of Priestessing certificates from Sage Goddess. She is also an Ordained Pagan Minister from the Universal Life Church. Retha has a passion for crystals, nature, astrology, working with moon cycles, ritual practices, tarot and oracle cards, runes, essential oils, herbs, manifestation work, ancient cultures, magic & music. Her favorite place is New Orleans, La. Retha has an extensive personal crystal collection and loves sharing her love of crystals with the world. She has been a practicing pagan since she was 16 years old. 

You can reach her at or on her business page on FB:

Or in her FB group:

Her Sage Goddess affiliate link is:

Or follow her on Instagram at @spookygirl16

Lughnasadh/Lammas Correspondences

July, 2018

Lughnasadh (Loo-nas-ah)/Lammas

(Lughnasadh ‘s Pentacle – Harvest Magic – Lugh’s Protection handcrafted by YabYum from the shop PaganOdana on Etsy.)


Major Sabbat (High Holiday) – Fire Festival August 1, 2

Other Names: Lunasa (meaning August), Lughnasaad, Lughnasa (Celtic),First Harvest, August Eve, Feast of Cardenas, Feast of Bread, Tailltean Games(Irish), Teltain Cornucopia (Strega), Ceresalia (Ancient Roman) Harvest Home, Thingtide (Teutonic), Lammas (Christian). Laa Luanys, Elembious, Festival of Green Corn (Native American)

Animals and Mythical beings: Griffins, Basilisks, Roosters, Calves, Centaurs, Phoenix

Gemstones: aventurine, citrine, peridot, sardonyx, yellow diamonds, citrine

Incense and Oils: wood aloes, rose, rose hips, rosemary, chamomile, eucalyptus, safflower, corn, passionflower, frankincense, sandalwood

Colors: red, orange, golden yellow, green, light brown, gold, bronze, gray

Tools, Symbols, and Decorations: corn, cornucopias, red, yellow flowers, sheaves of grain (wheat, barley, oats), first fruits/vegetables of garden labor, corn dollies, baskets of bread, spear, cauldron, sickle, scythe, threshing tools, sacred loaf of bread, harvested herbs, bonfires, bilberries, God figures made of bread or cookie dough, phallic symbols

Goddesses: The Mother, Dana (Lugh&’s wife & queen ), Tailltiu (Welsh-Scottish), Demeter (Greek), Ceres (Roman grain goddess .. honored at Ceresalia), the Barley Mother, Seelu (Cherokee), Corn Mother, Isis (Her birthday is celebrated about this time), Luna (Roman Moon Goddess), other agricultural Goddesses, the waxing Goddess

Gods: Lugh (Celtic, one of the Tuatha De Danaan), John Barley Corn, Arianrhod’s golden haired son Lleu (Welsh God of the Sun & Corn where corn includes all grains, not just maize), Dagon (Phoenician Grain God), Tammuz/ Dummuzi (Sumerian), Dionysus, plus all sacrificial Gods who willingly shed
blood/give their life that their people/lands may prosper, all vegetation Gods & Tanus (Gaulish Thunder God), Taranis (Romano-Celtic Thunder God), Tina, (Etruscan-Thunder God), the waning God

Essence: fruitfulness, reaping, prosperity, reverence, purification, transformation, change, The Bread of Life, The Chalice of Plenty , The Ever-flowing Cup , the Groaning Board (Table of Plenty)

Meaning: Lugh’s wedding to Mother Earth, Birth of Lugh; Death of Lugh, Celtic Grain Festival

Purpose: Honoring the parent Deities, first harvest festival, first fruits grains & drink to the Goddess in appreciation of Her bounty, offering loaves of sacred bread in the form of the God (this is where the Gingerbread Man originated)

Rituals and Magicks: astrology, prosperity, generosity, continued success, good fortune, abundance, magickal picnic, meditate & visualize yourself completing a project you’ve started

Customs and Activities: games, the traditional riding of poles/staves, country fairs, breaking bread with friends, making corn dollys, harvesting herbs for charms/rituals, Lughnasadh fire with sacred wood & dried herbs, feasting, competitions, lammas towers (fire-building team competitions), spear tossing, gathering flowers for crowns, fencing/swordplay, games of skill, martial sports, chariot races, hand-fastings, trial marriages, dancing ’round a corn mother (doll)

Foods: loaves of homemade wheat, oat, & corn bread, barley cakes, corn, potatoes, summer squash, nuts, acorns, wild berries (any type), apples, rice, pears, berry pies, elderberry wine, crab apples, mead, crab, blackberries, meadowsweet tea, grapes, cider, beer

Herbs: grain, acacia, heather, ginseng, sloe, cornstalks, cyclamen, fenugreek, aloes, frankincense, sunflower, hollyhock, oak leaf, wheat, myrtle

Element: Fire

Gender: Female

Review: WitchEmoji by Pam Grossman

May, 2017

Hunt for Witches No More: WitchEmojis by Pam Grossman


Witches now have their own charmed emoji to use with iMessenger, thanks to Pam Grossman, a Brooklyn-based writer and curator who focuses on witches, magic and esoteric art.

I created WitchEmoji because I couldn’t find any great witchy, magical emoji to use in my texts,” she states on the website, adding, “Necessity (or obsessive desire in this case) is the mother of invention.”

Working with an emoji designer who created the icons based on her designs and direction, she then built the app herself. Costing $1.99, it launched early April 2017. The iMessage sticker pack is compatible with iPhones and iPads with iOS 10.1 or newer.

It became the number one sticker pack in the App Store in its first week, beating the likes of Star Wars and Kim Kardashian,” Grossman said. “It’s currently still in the top 20 and getting stellar reviews, which has been very heartening. Just goes to show how much the archetype of the witch is currently resonating with people of all ages.”

WitchEmoji’s 80 images include a besom, cauldron, Book of Shadows, pentacles in all colors, a chalice, a candle, an owl and a love potion along with witches of all hair and skin tones in a variety of situations from flying on a broom to honoring the full moon.

There are so many more emoji I’d like to add to the pack,” she said of her towering list. “It will just depend on what I can afford to develop, so hopefully the pack will keep selling well so I can invest in making more.”

Explicit directions on how to download and load the emoji can be found at


I’ve been a witch since I was very little – before I even knew to call myself one,” Grossman said. “Like lots of kids, I gravitated toward stories and artwork that deal with magical themes, and engaged in my own intuitive rituals and wild imaginings. Once I was a teenager, I began to read a lot and explore the path a bit more formally. But it was really discovering the surrealist artists and the writings of Carl Jung and Joseph Campbell that opened things up for me, and made me realize that creativity is the surest path we have to the divine. My practice is very personal and syncretic, and draws as much on the art world as it does on spiritual systems.”

Last May her 36-page book “What Is A Witch,” was released. Illustrated by Canada’s occult sweethearts Tin Can Forest, and published by Tin Can Forest Press, it is described as “an illuminated incantation, a crystalline invocation, a lovingly-crafted celebration of the world’s most magical icon” and a “manifesto on witchcraft.”

Grossman’s blog, Phantasmaphile, can be found at

She is the associate editor of Abraxas International Journal of Esoteric Studies, co-organizer of the Occult Humanities Conference at New York University, and co-founder of the former Brooklyn arts and lecture space, Observatory, where her programming explored mysticism.

Grossman’s writing has appeared in “Sabat Sciences Occults,” “Huffington Post,” and MSN. Lectures include such topics as the occult in modern art and female magic in Western , and she also teaches classes on spellcraft, ritual and herbalism.

The Sun-Wheel and the Pentacle

May, 2015

The two most prominent symbols in modern Witchcraft are the Sun-Wheel and the Pentacle. The Sun-Wheel is the quartered circle, while the Pentacle is the circled pentagram or five-pointed star. I want to consider the relationship between them.

The Sun-Wheel stands for many things. As the Wheel of the Year, it maps out the Sabbats. The four quarter-points of East, South, West and North stand for the minor Sabbats of Ostara, Litha, Mabon and Yule, respectively. These are the names used most widely in the Craft for the spring equinox, the summer solstice, the autumn equinox, and the winter solstice. The major Sabbats fall on the cross-quarter points: Imbolc on the northeastern point, Beltane on the southeastern point, Lammas or Lughnasadh on the southwestern point, and Samhain on the northwestern point. 1

Why are the major Sabbats aligned with the cross-quarters? The importance of these points can be seen when the Sun-Wheel is looked at as a dynamic symbol, mapping out cumulative processes that occur in cycles, such as learning and spiritual evolution. The quarters stand for the phases in any development: east for knowledge, south for will, west for daring, and north for silence. In the east we formulate our aim, in the south we put it into practice, in the west we carry it to fruition, and in the north we let it continue on an unconscious level. This being so, the cross-quarters are the points of transition between one phase and the next. At the northeast we gain intuitive glimpses of the knowledge to come; at the southeast we take responsibility for our knowledge in the practical arena; at the southwest we unite with our knowledge in a full personal commitment; and at the northwest we let our knowledge sink down into the unconscious and become “second nature”. Unless we pass these cross-quarter points of transition, our progress around the Sun-Wheel will be stopped.

In a parallel way, the major Sabbats represent important transitions in the Wheel of the Year. At Beltane the Oak King and Lady wed. At Lammas the Holly King lays down his John Barleycorn aspect into the first or grain harvest. At Samhain Herne the Hunter (the Holly King’s underworld aspect) bursts forth from the Underworld with the human and non-human spirits of the Wild Hunt riding in his train, and the world is renewed from Chaos. At Imbolc the Maiden returns and the first stirrings of spring are felt in nature, the ewes begin to lamb, the Maiden meets (and sometimes mates) with the young Oak Lord, and the Wild Hunt returns to the Underworld.

The Sun-Wheel is also the model for the ritual Circle of Witchcraft, and since the aim of Witchcraft is to develop the four powers of the magus in balance (to know, to will, to dare, to keep silence), the ritual Circle is a sort of chrysalis and each witch is a pupa growing in it from life to life. As the four powers develop, they combine to form the fifth power, to go. In the ritual Circle this is represented by the central point on the altar. Through this point the World Pillar or axis passes from the Underworld through our own Middle-Earth to the Overworld; or, as we say in the Craft, from the Deep to the Height. Round this axis the witches dance as they raise the Cone of Power. As the power to go is developed, a witch will develop the ability to make shamanic journeys up and down the World Pillar to the various worlds or dimensions lying along it. In Kafir religion the ancestors were imagined as traveling up and down it in a sort of cosmic elevator.

At death the witch will descend the World Pillar to her root-soul in the Summerland part of the Underworld. The root-soul resides in the Summerland and grows there from life to life. While the experiences of a life just past are integrated into the root-soul, the witch sojourns and recuperates in the Summerland in the company of her currently discarnated friends and ancestors, including the other witches in her reincarnating “witch family”. When the cycles come round, she will go back up the World Pillar to Middle-Earth for another school term here above. Each time she rests in the Summerland, it takes a little longer to integrate her experiences in the root-soul. This is why the pre-Islamic Berbers of North Africa said that when a soul can stay on the other side for a hundred years, it becomes one of the Djinn, their name for the Sidhe or faery-folk. This is the equivalent of graduating from the school of life. Now real work begins.

The Prasna Upanishad speaks of this transformation. It describes the path of reincarnation, from the Underworld up to the Moon (“Pitriloka”, the “world of the fathers”) and then back down to Middle-Earth, falling in the rain that was supposed by the ancients to fall from the Moon, no doubt because of its influence on tides. But when a soul no longer needs to reincarnate, the Upanishad says, it goes to the Sun instead and never returns, that is, it never reincarnates again as a mortal human. The stregha witches of Italy and Sicily also speak of this transformation. They say that in the Sun the transfigured witch receives an astral “body of light”.

On the pentacle, spirit or aether is represented by the uppermost fifth point, and the power “to go” refers not to shamanic journeys up and down the World Pillar, but to the root-soul’s ultimate journey to the Sun and its transmutation there. If the Sun-Wheel represents the pupa growing in its chrysalis, the Pentacle pictures the butterfly emerging thence into the sunlight of a larger world

Note also that the four lower elements are still present and connected with spirit on the pentacle. According to Egyptian traditions of the “glorified body”, we will be able to materialize a body made of the four elements for temporary purposes, just as the Sidhe were sometimes solid and at other times had bodies of light. On that far-off day we shall be no mere disembodied spirits awaiting rebirth from the Summerland; for body, mind and spirit are destined to evolve together.

Moon Owl Observations

June, 2011

The Pentagram and Pentacle

There are many different opinions and stereotypes when looking at a symbol like the pentagram or pentacle. Many people have misconceptions when it comes to them and here’s hoping for a little bit of clarification.

Both the pentagram and pentacle are both very significant and share many similarities, but let’s first look at the differences.  The pentacle is a five pointed star encased within a circle. The circle is known to represent infinity and protection, also the cycles of life and nature. The circle touches all the points of the star to show that the elements are all connected and balanced. Usually for clothing, jewelry, books, etc. It is the pentagram that is used. The pentagram is also a five pointed star, but is not encased in a circle. Some believers use this symbol to represent that they are open about their choices and have nothing to hide.  Other than the circle the two look exactly the same. It is up to one’s own personal beliefs on which symbol they choose to use, especially when it comes to calling the elements. Most find that adding the circle helps strengthen the casting and protects those inside from harm.

Now that you know the differences between them, let’s look at the pentagram and pentacle in general. Generally they are drawn with one point up and two down. With this kept in mind it is often thought that the uppermost point represents the Spirit, the top right Earth, top left Air, bottom right Fire and bottom left Water. It should always be drawn with one continuous line, which is often called the ‘endless knot’. Also, the direction in which you draw the star also plays a role; to invoke one must draw it in a clockwise direction, and to banish one must draw it in a counter clockwise way.

The five points have so much meaning it’s ridiculous. To touch the base of it the number five represents Mars, severity, the five wounds of christ, the star of Bethlehem, the five knightly virtues (under king hurs rule) and of course the Wiccan kiss. The pentagram was first seen around 3000BCE with the five points representing Mercury, Mars, Saturn, Jupiter and Venus. It was also the symbol for the Goddess Kher (aka. Kore, Cara, Ceres, Kerma, Q’re, etc.)

The symbol was used widely by Christians, Israelites, Magicians, Pagans and more, but during the witch hunts the pentagram and pentacle became associated with evil. The Celts also used the pentacle as a sign for the ‘Goddess of the Underground‘, also known as Morrigan. In todays and past times, to wear either symbol is to say that you feel a connection with the elements and that you respect the earth and all its beauty. It is a symbol of unity, wholeness, infinity and protection. It is also strongly associated with the apple because when you slice an apple right in half you can see a five pointed star with a seed at each end.

One of the most controversial aspects of either symbol is when it is inverted. ( 2 points up, 1 down). It is seen as evil by not only Pagans, but Satanists, Christians and just the general public.  It is often seen with a goats head drawn inside it.  In my personal belief an inverted symbol is not evil at all, in fact even in Chinese Feng Shui and inverted pentagram can be used to banish.  An inverted Pentacle is even used in the Gardnarian 2nd degree initiation. It shows that you need to deal with the darkness within yourself before it can rise up. Most modern day people avoid it since it is widely associated with Satanism but in historical times it wasn’t nearly as taboo and was in fact often used in banishing spells.

New to the Craft

October, 2009

Symbolism of the Pentagram

Symbols have held a special place with humankind across all cultures and ages.  Our brains are wired for language, itself a symbolic system substituting words for objects and concepts we know from experience.  The object you are sitting on is not inherently a “chair” anymore than it is a “chaise” or “silla”.  The individual words are arbitrary, but they serve the important purpose of allowing people to reference the same idea without constantly having to point to it in the physical world.  Imagine trying to have a conversation where the only things you can allude to are “this” or “that”!  Language allows us to advance from the concrete to the abstract – to ideas that transcend the physical world and speak to the interior human experience.  Herein lays the true power of symbols in any religion as tools which can represent that which is both intangible and universal.

Geometric figures are some of the most common symbols found in spiritual symbology.  Wicca adopted one of these early on and is now commonly associated in popular thought with the pentagram.


In the ancient world the five points of the pentagram were determined to represent the five classical elements of fire, water, air, earth, and spirit, thus symbolizing the whole of the cosmos as shown by its constituent parts.  This meaning was kept by magical practitioners down the ages and explains its presence in Wicca today.  The specific orientation of the elements and the points were most likely adopted from ceremonial magicians.  Eliphas Levi, a 19th century writer and magician, determined that the upright pentagram should be used to symbolize spirit as ruling over the other four elements (or matter).  Conversely the pentagram with spirit below would indicate matter ruling over spirit, which Levi considered evil.  These ideas became popular, and the downward facing pentagram is commonly taboo today because of them.  Yet it is important to remember that any symbol’s meaning is somewhat arbitrary.  Evil is not intrinsic to a pentagram with its point down anymore than it is to a fylfot cross (twisted by the Nazis into its swastika but actually an ancient symbol of the sun).  History and our experience can taint certain images by association, but any group or solitary must ultimately define a symbol by what is meaningful to them.

The pentagram is also significant in magic based on its proportions.  Each line exhibits what is known as the golden ratio, or phi, where it intersects with the others.  The ratio of the longer segment to the shorter segment is a constant 1.6180339887.  This ratio corresponds with the famed Fibonacci sequence and select occurrences in nature such as shell spirals and certain plant branching patterns.  It has been intentionally incorporated into works of art by painters and architects based on its aesthetic appeal.  Some claim that Da Vinci’s famous Vitruvian Man exhibits these proportions.  Phi also connects the pentagram with the goddess of perfect beauty, Venus.  For Wiccans, it can symbolize the Goddess in this aspect, and for all practitioners it serves as a fitting symbol of idealized power defining the quarters of the magical circle.

Journal for the Month of September:

Since Dan Brown’s The Lost Symbol came out recently I couldn’t get the topic of symbols out of my head.  There’s an extremely sadistic and messed-up bad guy this time around who is a practitioner of black magic.  The balance to that negative stereotype is a discussion of Noetic theory, which amounts to a scientific inquiry into the extraordinary powers of the mind.  The main protagonists promote the concept that the ancients knew how to harness the mind through intention and focus to perform magic and miracles, abilities we are only “re”-discovering in the modern age.  Wicca even gets a one-line mention in the book, woohoo!  It was a good read, although not my favorite of Brown’s books, and without giving anything away I was slightly annoyed at the ending – rather anti-climactic in my opinion.

A happy Celtic New Years to all at this approaching Samhain!!!

Until next month, blessed be! )O(

The Everyday Witch

February, 2009

The Everyday Witch notices the magic in the mundane and uses the images of her environmental space to conduct effective Spelling.   In order to get to that point in our daily lives, where the magic is obvious, we must have the tools to visualize our space and experience the magic.

For my introductory column, I am supposed to write some flowery stuff about me and my heritage and what I know.  Instead, I will direct you to my new MySpace and The Everyday Witch website to give you the update on me.  I would much prefer for you to be thinking about and what they mean to you, what images you personally associate with Fire or with East.  I have included a Correspondence table for you to read.  You can also use this Google Search link which looks for the key words “witchcraft correspondences”.

The first thing one must possess to practice effective Magic is Belief.  Correspondence Witchcraft gives the Witch an edge on Belief.  The corresponding ideas work together to form a synergy which aids in the visualization.  What I would like to focus on for my first column is to give you something useful and relevant to the that Everyday Witches use in their Craft.  A project of sorts, timed to the moon and designed to assist you in visualization in time for Ostara 2009.  You will need 6 panels.  A box or heavy paper is sufficient.  If you aren’t the creative type, a journal with 6 entries on 6 pages will suffice.  I do however, believe strongly in visualization as a means to success, so please make an effort to print or draw images during the exercise to help guide your learning process.  This would make an interesting addition to a BOS or a Scrapbook on Wicca. The 6 panels will represent the 6 Cardinal Directions.  North, East, South, West, Above and Below.  It will also encompass the 5 basic elements of Earth, Air Fire Water and Spirit. This is the over arching Theme to my column, .  You could call it “Foundations for Successful Witchcraft”.  The best way to classify the information in my column is “The rudimentary knowledge one should have before committing oneself to the Craft”.  I may want to be a Plumber, but without a wrench I’m just a bald guy with bad butt crack.  The tool is very important to the Craft.

While you are deciding between the journal and the box, I will tell you that I have always considered the world around me in a relational sense.  This is related to that through this relationship.  It’s like an odd “six degrees of separation”.  For me, make sense of those relationships and gives them an order that no other religion or path of faith has provided me.  Only witchcraft with the belief in the Goddess incorporated into ritual, has provided a sense of order and structure in my life.

I think it is best to say that my column is about the magic of ordinary things.  In the 1970’s, the Scholastic Book Club carried books by Ruth Chew.  What the Witch Left and The Wednesday Witch.  This genre of fairy tales that best describes Witchcraft are those of ordinary household items being magical tools.  The Folk Practices of the 1600’s Scotland included this tradition of Kitchen Witchery for the benefit of healing and family prosperity.  It’s not just a kettle, it’s a magical cauldron!  That is the stalk from which I am raised.  The Hippie Love Flower Child of the 1970’s with a spiritual philosophy of LOVE and The Brother’s Grimm Fairy Tales are the tacky metallic wallpaper which cover the walls of my sacred space.  I am a city witch, growing up primarily in the crowded apartment complexes and “designed neighborhood community”, with summer visits to the Southern California Desert and teenage years spent roaming the fields of the Silicon Valley… before it was the Silicon Valley.

You will find a book list in the coming months which focuses on the beginners path, and hopefully there will be some more “advanced” discussions on religion, magic and the need for Ritual in our ordinary lives.  To start with, I use the Seasons of the Witch Planner from 7th House, as I find the information interesting – the mundane stuff like Planetary Hours can be found anywhere on the internet.  Having a good calendar geared for Moon phases, Sabbats, and other helpful information like Astrology and Tarot is very nice to have in practicing the Craft.  I’ve used a lot of them, Seasons of the Witch is by far my most favorite.

The candles, the incense the altar, the chalice, the bread, the wine, all are part of the Witchcraft ritual.  For people on the Catholic path, Witchcraft should appear familiar and easy.  Witchcraft is very ceremonial – but it is not the ceremony which makes the magic, it is the belief and our ability to visualize our intentions.  The ceremony is simply the descriptor for our Sacred Space.

Correspondence Witchcraft takes advantage of the visualization, providing a 6 sided “space” with which to define our environmental space.  Correspondence Witchcraft can be likened to the work of Carl Jung.  The importance of imagery and visualization is very central to both his psychology and his other writings.  The Correspondence Table for my personal brand of Correspondence Witchcraft is included with this column, as mentioned above.  Here’s the link again. Keep in mind that you will most probably have a different path, a different set of .  You may be from the Southern Hemisphere reading this column on the Web, and of course it will be very different for you!

The Beginning is very important to one’s beliefs.  While the Wheel of the Year is a pretty picture, there isn’t a lot to guide an inquiring Witch to understanding how the Wheel is read.  So, “ Where do you start?”  I personally start in the East.  When I finish my circle, I want to be standing firmly on the ground, therefore I end my Quarter Calls in the North, or Yule.  Or think of it as, I start on the shoreline with the rising sun on the East and I end on the shoreline in the North.  This makes Imbolg the first ceremony of the new year.  It also makes Imbolg a Cross Quarter Sabbat.  But we will get into all that in a future column.

Only you can decide the start of your Year.  Is your path more Wiccan, does your Wheel start at Samhain, making your first Sabbat of the year Yule?  Or is the wheel not a consideration and you begin every Ritual facing East?  There are a multitude of justifications for where your box should “begin”.  Pick one that is right for you.

My background in began when I was a child.  My grandmother and grandfather secretly practiced and taught me the importance of the relationship of “things”. By the age of 34 I had become a Level 2 Energetic Healer and a 2nd Degree Priestess of Sankofa Pride.  It was with Sankofa Pride that I discovered my knack for and how easily I could associate colors and stars and goddesses.  I worked with the Temple of Isis, Iseum of Isis Padeusis and remained close with Lady Sankofa.  I established a “Big Witch” Circle in Long Beach CA where ritual witchcraft was practiced on a monthly basis.  The Grotto enjoyed a full year and several months in Long Beach.  I am finding it harder and harder to find the “big witches” simply because most of us, at this point, retire and teach only our family.  I hope that by laying down the basics, I can provide the impetus for a future Big Witch to carry on.

For the month of February, you should be preparing and gathering items to make your box, your 6 scrap book pages or your 6 journal entries.  The craft store Michael’s has some lovely sized affordable boxes to decoupage or paint.  Your thoughts should cover what you want to do – box, panels – how involved you want to be – easy glue on or in depth detailed painting – and of course the visualizations.

I will let you be the guide to your own creativity.  However, may I suggest using the Google Image Search to gather and meditate on your ?  I have provided a link here for you which searches the Google Images for “witchcraft correspondences East”. That should get you on your way to visualizations!  Mix up the key words and see what comes up for “Animal Totem West” or “Water Undine”.  Save the images you most relate to or that speaks to you strongly.  You will want to print those images in color for later decoupage (gluing) on to the box or panels.

Using basic Wicca concepts, your 6 panels will become the visual representations of North, East, South, West, Above and Below.  Not everyone likes to do Below since the box is sitting on that panel.  For the Ceremonialists reading along, please, note I am including this portion especially for you.

Starting in the East, you will want to sketch out the 4 cardinal points and their correspondences.  You can also use the Season and the Sabbat correspondences to the cardinal points.

All of the panels should be sketched out as you want them by the first weekend of February.  Decide where on your box or object the elementals will be placed, color choices for each Element should be identified and any photos or pictures you want to glue/decoupage on the box should be printed in color and ready for application. The first Elemental Panel (your choice) should be traced or outlined on the box at the very least.  Ideally you should be well underway with painting or applying the first panel.  If you are using a journal or 6 scrapbook pages, you will want the Elemental panels sketched out, and your visual materials ready to be glued or stapled in place.

The Dedication Full Moon is February 9th.  You will want to have the majority of the Elementals Sketches complete by now and well underway.  If you are using a box, the material should be prepped – base coats applied, etc and so on.  During your regular February Full Moon observance, you want to hold each of the elemental panels in your mind and meditate on their magic.  As you attend Full Moon Circle for February, reflect on the images you have chosen to remind you of the Elemental Beings, the Animals and the Star Watch Tower.  In your mind, go through all of the Elemental Beings and the ritual tools and the colors, for East, and for South, for West and for North.  Hold these images in your mind and let them interact, let their synergy mingle. Hold this synergy in your thoughts and dedicate it to your future spells and intentions.  This energy should be channeled into your box, your journal or your pages, for the seeding and planting of the magical tool which will aid your future intentions in magic working yet to come.

For the remainder of February, the Elemental Panels should be completed and/or applied.  Instead of playing Solitaire this month, spend those 3 hours a day researching the Goddess which corresponds to West?  This is the “get your hands dirty” kind of Witchcraft preparation work that inspires the mind.  Spelling is not just about words.  Spelling is about visual images and 3 dimensional ideas we can hold in our mind.

For the March column, we will cover the structure of a Full Moon Spell used in conjunction with a Sabbat Ritual.  You will need your box or your panels as Correspondence will be a central component.

Correspondence is the foundation, Spelling is the structure.

Book List and URL References

The Everyday Witch –

The Everyday Witch at Myspace –

Correspondence table –

To Ride a Silver Broomstick – Silver Raven Wolf

To Stir a Magic Cauldron – Silver Ravenwolf

Moon Magik – DJ Conway