therapy

Gael Song

September, 2018

The Astonishing Powers of Intuitive Healing

There are four amazing gifts of healing by simply ‘reading’ the energy or spirit in a person’s aura using intuition and inner sight, gifts I think would help virtually everyone to understand. The first is the ability to tap into the unconscious in moments. As a clinical psychologist, I was trained in the old therapeutic talking method. This means walking clients through memories, often from childhood, in order to bring forgotten fears into awareness. This is because any event that is pushed out of an individual’s consciousness is locked in. Growth from new experiences and healing efforts cannot reach it. Only when the fear is brought back into awareness can the mind apply all that has been learned in the intervening years and choose a new and far more appropriate belief. As a therapist, this was always a magical moment, watching those mental wheels of change whirring away.

But it often took a year or two to talk an individual through their inner barriers to reach core memories that were seriously impacting their lives, like peeling off the layers of an onion to the first moment a mistaken belief was taken in. So, in energy school, I was thrilled to observe that focusing on a shadow energy, reading the memory stored there through intuition or inner sight and telling what I’d seen or felt, brought the memory to awareness in fellow students in seconds. This simple shift convinced me to switch to an energy healing method in my therapy practice immediately. And in the 22 years since, it has never failed, a vastly more accelerated (and cost-effective!) method than the old way, the speed of light brought into therapy!

If you have never ‘read’ energy at all, then start by playing with it. Go up to a tree or flower, perhaps, and close your eyes. Don’t touch it, just be close enough to feel its aura, about 4 or 5 inches away. Then open your mind and heart and feel it. There are vast differences between the tree spirits, for instance, that I never discovered until I tried this, spruces quite protective, with almost a policeman type feeling to them, pines like a warm and welcoming mother reaching for her children. See for yourself. It’s a whole new world! Just try this for a while, and it will reactivate your heart’s intuitive and your third-eye’s visual powers. Then, when you are ready to try healing something, sit down and close your eyes. Run your hand about one inch above your skin until you feel a place of shadow, weakness, or coldness, perhaps, where it just doesn’t feel as full of life as everywhere else. Then, focus on that place and let images come into your mind’s eye or feelings into your heart. It may be a bit vague at first, but with practice, you’ll get a definite reading of what is held in that shadow spot. It took me about 2 weeks, with ten minutes of practicing on trees and other simple things, to begin to get very clear and detailed pictures in my third eye of past life events. But some of the people I have in workshops never get pictures like this, because they have entirely different ways of accessing information in spirit form. Usually such folk feel many fewer details than I do, getting a general sense of the shadow energy in their hearts. And that’s good enough. (A very few people I’ve worked with get their intuitive understandings through scent or sound, which I haven’t a clue how to do.) So just understand that you have your own natural way of reading the spirit of things around you and trust that. It’s right for you.

The second phenomenal power of energy work is how easily shadows or fears can be transmuted into light. In my own way of healing, I imagine my client’s (or my own) shadows moving into the core of my heart, a bright white light there that my guides call ‘the creator flame or diamond light’. My druid guides tell me that our imagination is strong enough to actually move quarks, and this is the level such healings are taking place. This diamond light is a small dazzling star that sits right in the center of the four lobes of the heart, the highest vibration in the human bioenergy field, by far (or the universe, for that matter, for it’s a tiny piece of the highest light structure in the seventh heaven, God and Goddess in union). All shadow energies melt instantly into this diamond light, like watching a little cloud disappear in the sky. I was skeptical at first, but again, over many years, this method has consistently resulted in effective change in students, clients, and myself. Even horrific memories of war or childhood abuse cleared in moments, and I’ve never taken on any residue of another’s fears by bringing them into my heart, either. But there are a lot of levels to be ascended through, so another piece of the same fear might show up later on. In every lifetime, we move through all the fears we took on during our once-upon-a-time descent from the highest heaven to earth. You might heal a fear up to the fourth heaven level, say, and then need to heal the rest of it when you get up to the sixth or seventh heaven in your soul climb. And there is a core fear that’s wrapped into all the others, so that, too, will linger in various forms and permutations all the way along. There are many ways of bringing shadows into the light these days. But no matter what method is preferred, it’s still incredible to think that a fear that has plagued an individual for many years (or lives, or eons!) can be transmuted in the twinkling of an eye. This healing is wizard work, for sure!

But by far, the most miraculous effect of spirit healing is realizing that each individual’s unconscious fears hold the circumstances of her or his outer life in place, and that these patterns can change for the better, simply by inner healing. This becomes very, very clear to anyone doing healings on a regular basis as the spirit world takes all reflections of the recently-healed fears out of each person own little world, annoyances and irritations disappearing within a day. Poof, forever gone! This was one of the basic tenets of energy school. But being told does not compare to the wonder of watching a client’s life shift out of suffering after a healing. My own life has changed radically over the many years I’ve made inner healing a daily practice. But it’s also important to understand that there are many, many fears and lessons to be learned. It’s not instant joy, but a process of gradual growth, the emergence of deep and divine aspects of oneself, and the embodiment of wisdom.

When I used the old talking method, only current life memories ever surfaced. And even after years of traditional therapy, with dedicated hard work by both me and my clients, core structures of my clients’ personalities still didn’t change. But by using an energy method that allowed past life memories to be accessed in seconds, suddenly old and deep, and really core parts of my clients’ personalities began to shift. And the fully actualized self, the inner divinity with a personal passion for global change and hopes of a high and holy destiny, did not begin to emerge at all, until memories of that individual’s descent from heaven to earth began to be healed (not until they reached the fourth heaven in their spirit climb, actually). I think this is the truest and most startling power of intuitive healing, the ability to change one’s outer ‘reality’, to find real and lasting freedom from all the fears that plague our lives. It’s because that diamond light in the heart’s core holds a creator essence. So, it creates everything around it into life, fear and love alike, whatever beliefs our spirit carries. And all of that can shift to pure love and freedom, though that does take years of walking, I admit. Still, creating our own reality is magic, pure and simple! It holds out the promise of totally unhooking fear and suffering from our lives, freedom forever. For once an old fear is healed, it will never have to be faced again, even in future lives, so my druid guides tell me.

But the most miraculous power of intuitive healing is this. All that remains in the collective unconscious, the many fears humanity has not yet faced and healed from everyone’s long-ago fall through those seven heavens to earth, is brought up into awareness for healing by the spirit world via global events. In my clients’ and my own life, global catastrophes have caused ancient and very personal memories to surface, over and over again. So this means, if everyone on the planet were to go through an inner healing process, these outer global circumstances would change for the better, too. My druid guides tell me that, if everyone were healed within, all fear-based outer circumstances would shift into loving ones. This means that: mental illness, disease, poverty and excess both, crime, displacement from homelands, even war, would disappear. The times of peace and love sages have spoken of throughout the ages would become a living reality. Imagine this for a moment, will you? Let the shining hope of this miracle of miracles flutter into the depths of your heart and take root, please. Then let us all take hands and move forward to face and heal whatever we must, until peace on earth is at long last realized. I cannot wait!

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About the Author:

Jill Rose Frew, Ph.D. is a clinical psychologist, energy healer, workshop leader, and author. She will be opening a school teaching light healing and the Celtic path of enlightenment in 2019. For information, please see www.CelticHeaven.com

She is author of Guardians of the Celtic Way: The Path to arthurian Fulfillment (her name was Jill Kelly then), and Alba RebornAlba Reborn, Book One, RevisedAlba Reborn, Book Two, and Alba Reborn, Book Three.

Guardians of the Celtic Way: The Path to hurian Fulfillment

Imelda Almqvist About Painting

September, 2017

Imelda Almqvist About Painting

People often ask me about painting. I teach courses in making art internationally and do a fair amount of public speaking, as well, so I am often asked questions about my own process and my relationship to my own paintings.

Over the years, as paintings have gone off to exhibitions and galleries and I have hosted many Open Studio Days, I have written my artist’s statement on many occasions, as artists are supposed to do. I observe constant shifts in my own consciousness bringing fresh insights. I doubt this journey will ever end! (it will probably continue beyond my departure from the earthly realm!) This means that I am always engaged in re-writing and trying to find even better words for processes that happen in the place beyond words! Today those earlier artists statements are interesting artifacts because they track and map my personal creative journey over a period of three decades.

(Sadness, monoprint 1997)

The Encounter with White Canvas

For me every painting starts with an encounter with a blank canvas or white sheet of paper.. There is a seed concept: an idea, a colour, a shape, a piece of music, a sudden insight, often a possible marriage of two unlikely things.

Once I start the process of painting I am in dialogue with the spirit of the painting I am working on. That which seeks coming into form and embodiment through art actually guides the process. 

In shamanism we call this hollowing out or being a hollow bone for Spirit, for luminous beings from other realms. Beings more evolved than myself come forward offer a higher perspective on events on Earth and a glimpses of other worlds behind the Veil.

( UNDERTAKING Oil Painting 1994)

About Selling Paintings

Do I sell paintings? Yes. Will I sell any painting to absolutely anyone who expresses interest in it? No!

In our culture we often rate artists (and authors!) by their sales The selling of work means that other people put value on what we do. To be “successful” we need to regularly sell paintings or sell many copies of a book. My younger self, fresh out of art school, “bought into this”. School instils a very particular idea of what it means to be a professional (and commercially successful) artist!

Over the years my own helping spirits have taught me many powerful lessons and my perception has shifted completely.

Once someone got in touch about buying a painting. The spirits said  no, it is a piece of your soul they are trying to buy, don’t do it!  

Another time I promised someone a painting of a very powerful goddess. This painting went missing for two years and only reappeared recently. She was not willing to go and she was angry that I had not consulted her before making the promise. Rightly so! Lesson learned!! OUCH!

However, most of the time when people get in touch about buying a painting, the spirit of the painting is thrilled and very excited. Everything flows very smoothly and all arrangements fall into place easily. Then I say my goodbyes and the painting starts a new life in a new home. 

(While I was at art school the teachers warned us against people “choosing a painting to go with the colours of their sofa”. In truth I have not seen too much of this over 30 years of selling art!)

(DADDY IS A BALLOON  1997 Oil.

Painting title inspired by a paper on Therapy)

Paintings as Trusted Allies and Teachers

In November 2016 I gave a presentation at “Threshold“, the annual conference of The Gatekeeper Trust. There was a beautiful audience of about 100 people. I had a made a power point presentation in which many of my own paintings (inspired by spiritual work done all over the world) appeared.

After that talk (and the reactions I received from many people) I could put into words something I have always known, on some level: the spirits embodied by my own paintings are my trusted allies and teachers. They go wherever I go. They will often go on missions too, performing healing work for a person, family or location or appearing in someone’s dream to provide important guidance on a big decision or career move.

In that moment I realised that for me painting is about a life led by and dedicated to Spirit. It is about an intimate relationship with powerful beings that come forward  to help those on Earth – but they can only do so if we invite them and welcome their help.

It was not just me giving a presentation: it was me and my whole team, all of us doing this! It was not nervous, only overjoyed. You can watch this presentation on Youtube:

“Gods of Portals, Life Transitions and Liminal Spaces”

I feel I need to write this article (as adapted from the About Painting page on my website) as it might be a powerful message for other artists: moving beyond this paradigm of measuring success by sales and paintings sold! It has given me an immense sense of peace and soul purpose, working this way. And this is the way of working I teach my own sacred art students on different continents!

(GUARDIAN ANGEL   1997  Oil painting)

FAQ – A few more answers to questions I am asked very often

 

What materials do you use?

Before I had children I loved using oil paint on canvas (though, also, made mono prints and mixed media artwork on paper). However, oil paint is quite toxic because metallic resins are used to create the different hues (Cadmium Orange and Yellow, Zinc White etc.) and so is turpentine. For that reason I switched to acrylic paints months before even trying to for a baby as I did not want my unborn children to be exposed to these resins and fumes.

In recent years I have developed a particular fondness for making short art films because this allows me to blend paintings, digital photographs, myths poems and stories as well as music and moving images all at the same time to arrive at one seamless creation. 

ART VIDEO: SEVEN DESERT MAIDENS

This process has also brought a revival of working in black and white to create print-like stark images. I am greatly enjoying the multi-media experience that new technology makes possible!

Do you undertake a shamanic journey before you make a painting?

No, the process of painting IS the journey! Only better because I get to stay “in the zone” for a whole working day! (Say 8 hours rather than 30 minutes!) A journey can easily be the starting point of a painting. For instance in 2014 I did one journey where I was told that I “am an Apprentice of the Waning Moon” and that led to a painting by that title. 

(Apprentice of the Waning Moon)

How do you work with dreams?

For me keeping a dream journal is a daily practice. My husband risks his life if he talks to me in the mornings before I have written up my dream notes! I do oneiric work (shamanic dreamwork) with all my students as well.  Many of my paintings were inspired by dreams.

(The Mother of Dreams 2013)

I hope that this article will inspire you to get out some art materials!

Imelda Almqvist, 23 August 2017, London UK

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About the Author:

Imelda Almqvist’s book Natural Born Shamans: A Spiritual Toolkit For Life (Using shamanism creatively with young people of all ages) was published by Moon on 26th August 2016.  She is based in London,UK and teaches shamanism and sacred art internationally. 

For her courses in Norse Shamanism (in both Europe and soon coming to the USA as well) please visit the following webpages

FORNSED IN SWEDEN

http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=211324

2 YEAR PRACTITIONER OF NORSE SHAMANISM PROGRAM

http://www.shaman-healer-painter.co.uk/info2.cfm?info_id=224450

www.shaman-healer-painter.co.uk

https://imeldaalmqvist.wordpress.com/

YEAR OF CEREMONY

http://affiliate.soundstrue.com/aff_c?offer_id=124&aff_id=2260&url_id=86

FREE “HARNESS YOUR CREATIVE POWER SUMMIT” WITH GUNHILD LORENZEN

http://www.gunhildlorenzen.com/imelda-almqvist-speaking-at-harness-your-creative-power-online-summit