god

The Grove

Jenna November, 2009

Guy meets girl. He’s charmed by this innocent-seeming cutey, & as a result turns into a total caveman. He thumps her over the head with his club & drags her off to the cave, expecting her to be thrilled about a life of domestic servitude.

Everybody is at least roughly familiar with the story of Persephone.

Her father’s Zeus, the all-powerful king of the Olympian Gods. Her mother’s Demeter, the grain Goddess. To make a long story short, Hades, lord of the Underworld, fell in love with Persephone  & abducted Her. Eventually she came to terms with her new living arrangements. Demeter, being the ultimate overprotective mother, was consumed by grief & decided to spread it around. No plant would grow & the earth suffered biter cold. Zeus sent his messenger Hermes to reason with his brother. However, before Persephone left the Underworld she ate 3 pomegranate seeds & by doing so bound herself to her husband’s realm. With Zeus arbitrating a compromise was reached. Nothing could be done to free her forever, so she would remain part of the year with Hades & part above ground with her mother. In the time she’s away, the earth would know the cold that comes from a mother’s sorrow. When Persephone returns in the spring, life would return once again & green things would flourish.

Most sources tend to agree that She was quite unhappy about Her forced marriage, but what if this wasn’t the case? What if She actively chose Her fate & ate of the pomegranate of Her own free will? Persophone is typically depicted as a young maiden poised on the brink of adulthood. The Wheel of the Year turns as it does, & at some point a girl will seek to cut herself free from her mother’s proverbial apron strings. This, too, is part of the Cycle.

It’s less about Hades abducting Her & more about Persephone finding Her own voice in the Darkness. What if She had begun longing for a way out? Hades provides Her with an opportunity, a means to get what She craved. Sure, it came in a form She might not have chosen for Herself, or at the least in an unexpected manner.  Her apparent unhappiness w/ Her new life Underground might’ve just as easily come from being frightened of change at 1st.  Her choice would’ve been quite confronting, as it is for anyone who actively seeks to take responsibility for himself.

Ultimately Persephone’s story is one of letting go.  The New Year has begun at Samhain, so the time is right to embrace her lessons. Old ties that no longer serve, old habits that have become destructive. Let them fall away as the Wheel turns. As the world prepares to rest in November’s embrace, follow her down into the Underworld & learn to find your own voice Below as she did. Hers is also a lesson in balance. She’s kept the best aspects of her past & melded them with her present. In a place of the dead she learned about life & how to define her own identity. She is both Kore the Maiden & the mighty Queen of the Underworld. Half the year she spends with her husband in his kingdom & the other half is spent with her mother in hers. She manages to retain a sense of self & share what knowledge She’s gained. Each of us will face his or her own personal Underworld, a time of darkness & uncertainty. However, Persephone shows us a way through. She teaches us that it’s possible to go through the dark & come out the other side a little stronger than before.

Serving the Gods

Blacksun September, 2009

They jump and twirl and skip, run around in intricately patterned steps, and shake all over in perfect rhythm.  A two-hundred piece orchestra plays in minor augment keys and there are a dozen tympanis banging out a syncopated and complex code of a phony jungle beat.  All the dancers have matching costumes and the females barely have any.  It’s a wild pagan dance to the Great God Hiccup and the pith-helmeted explorers are tied to a handy clump of palm trees with a giant cooking pot bubbling away only a yard or two from them!  Wow, it sure is exciting being a pagan in the 1960 Hollywood films, isn’t it?

Or there’s the 1970’s version:  Heavily hooded devotees stand like statues in the torch-lit underground lair of the insanely cruel master or mistress of the super-secret cult.  They mispronounce the badly written Latin phrases in perfect unison while the damsel in distress (the same one that was the object of the search by the pith helmeted guys in the previous movie) is stripped down to the few tatters of cloth necessary to appease the censors and stretched out on a cold stone slab that must have taken a hundred years to smooth down and carve into that shape.  She screams helplessly but doesn’t try to run as the High Poobah hovers over her with a ridiculously fashioned (but really wicked looking) knife, about to plunge it into her heart for the glory of…

… wait for it…

The Great God Up-Chuck (they used to call him Up-Charles, but the British objected).

Gee, don’t you wish you lived back in those times?  They just don’t throw parties like those anymore, do they?  Hmmm, maybe it’s a budget problem.  But here we are, trying our best to show some kind of worship for our gods and usually it’s a quick chant and maybe a circle dance.  Is that what it’s all about?

Not even a little bit.

Our worship services may be a little less grandiose than Hollywood’s, but they are surely a lot more authentic.  Somehow I doubt that the outfits that are a cross between central Africa, ancient Egypt, and somewhere in Polynesia were ever used in real life. And as any who have had to lead a chant in a real Pagan circle knows, getting it in time, in tune, and pronounced right is nearly impossible.  And forget Latin!  Maybe we don’t put on the most grandly costumed or fantastically choreographed production, but our worship has nothing to do with any of that anyway.

In its simplest form, worship is all about desire.  We desire to get closer to our gods and to put ourselves in greater harmony with the universe.  We desire to understand the way of things and the processes behind the amazing events we discover in a thousand different ways.  We desire the blessings that are part of being alive.  We desire the peace and the love that we know is part of how we are created.  We desire to make ourselves better and to know what that means.  But, most of all, we desire our world to be inhabited by the goodness that our deities are.

After the circle is done, after the chants have faded away and we’ve hugged everyone who’s shared our small gathering, what’s next?  Are we to go our way and return in a month for more of the same, leading our lives as if the circle is the only place for our worship?  Indeed, not.  And any who do miss the most important aspect of our worship.  It is not a slam-bam thing with us; it’s all the time.  If worship is a way to express our desires, it drives our actions in every part of our lives.  And because those desires have to do with Deity and our relationship to it, they will never be completely satiated while we are in this incarnated form.  They will continue throughout our life and, who knows, maybe beyond.  It’s no exaggeration to say our lives are the real worship we give to our gods.  Nothing defines what we worship better than how we conduct our lives… the everyday decisions we make and what they declare about what we desire.

A worship service isn’t a bunch of mechanical events – stand up, say this, sing this, do that, sit down – it’s just what is says it is: a service conducted to help everyone discover their own relationship with the Divine and how they can shape their desire to enhance that relationship.  The folks who are privileged with the task of presenting a ritual or a ceremony of some kind that serves the people in this way must always keep in mind that the people are the target of their rituals and ceremonies.  The gods don’t need our worship; we need to worship our gods.  Our rituals are nothing more than an efficient way for learning what we need to know to expand our day-to-day worship.  Also, they often deepen our desire to conduct our lives in greater harmony with our gods.

There exists a great variety of methods to increase our desire for a closer relationship with our gods and to facilitate that relationship in some manner.  They are known as sacraments.  All religions use them in various ways.  Mostly, they fall into only a few categories:

  • The ‘feel good’ sacraments.  These produce or recall events that feel good and show how these feelings relate to presence of the Divine.
  • Most often, these appear as ‘holy days’ or celebrations of notable events that highlight what is generally agreed to be good, heroic, or saintly.  Celebrations like revivals fall into this category.
  • The ‘feel bad’ sacraments.  These produce or recall events that feel bad and show how these feelings relate to the lack or absence of the Divine.
  • Probably the most glaring of events in this category are the ‘hell-and-brimstone’ type of ceremonies.  They are characterized by a good deal of condemnation by religious leaders directed at those who don’t measure up to the standards set by that religion.  Blame for everything perceived as wrong in the world is put on those who don’t support these standards.
    These first two are usually used together, often called ‘the stick and the carrot’ approach.
  • The ‘mystery’ sacraments.  These produce or recall events that present an opportunity to discover aspects of the Divine and our personal relationship to it.
  • Each person will find something different but what they discover will be more meaningful to them.  This sacrament, when presented in a way that reminds the person that Deity is at the core of the experience, is very personal and powerful.
  • This is sometimes called the Gnostic method and is not favored by revealed religions.
  • Many shamanistic practices also fall into this category.
  • The sacraments of change.  These are sacraments that show how the changes that happen in our lives are part of a greater pattern in the cosmos and that those greater changes are the work of the gods.
  • Many of these sacraments are also called Rites of Passage and Pagans will recognize initiations as belonging to this group.  Also included here would be birth and death rites, birthdays, and marriages.

To conduct the sacraments, that is to provide opportunities to enhance and perpetuate our desire for greater harmony with our gods, those whose job it is to dispense these sacraments need to understand the people who will participate in them.  In fact, the greater this understanding, the more effective the sacrament will be for each person.  This understanding must go beyond a general knowledge of people.  A common set of values is favorable for mass sacramental ceremonies.  If everybody has a similar concept of Deity, more of the people attending the sacrament will be able to get something positive out of it.

A common set of values, a shared concept of Deity, and similar enough understanding of the iconic symbology used during the sacraments are all factors that increase the likelihood of the sacrament’s effectiveness.  This is why the sacraments of one religion are, at least on the surface, very dissimilar to those of another religion.  People who identify with one religion will probably not get nearly the ‘punch’ out of a sacrament presented for people of another religion.

Since all sacraments are meant to engage people, there are a lot of similarities that may be hidden underneath the surface of the sacraments of different religions, though.  And the value systems promulgated by one group can often be seen in those of another, especially if one is willing to go a little deeper than just the surface appearances.  Unfortunately, all too often, people are so locked into their own way of seeing things, they reject even minor differences in the way other people may express feelings and values that are nearly identical.

What we worship and the manner in which we do it can be easily misinterpreted by outsiders when that worship is under formal conditions, such as during a religious service.  But if we intentionally carry our worship outside the circle, if we proclaim our values and desires through our own lives, it is likely that others who are not of our religious persuasion will see their own values and desires as being in common with ours.  Most often, what is good and righteous to one person is so to others regardless of how either might portray them in liturgy and ceremony.  Though I have been Wiccan for many years, I still find it wonderful when a devout Christian tells me that they believe I’ve behaved like ‘a good Christian.’ I could bristle at such a statement, but I prefer to accept it as intended: a compliment.  I would also like to be thought of as a good Buddhist, a good Jew, and a good son of Allah.  For ultimately, we all desire the same thing: to be seen as good human beings in the eyes of the gods.

I am the living alter,
the willing sacrifice.
My words are the bond
between my soul and my deeds.

I am the child of the gods,
as are all whom I am blessed to meet.
I am related to all of my brethren
and every creation in the universe.

I am a part of all spirit,
a piece of the great miracle.
I worship the miracle and every part thereof,
for we are all made from love.

HearthBeats: Notes from a Kitchen Witch

Hearthkeeper March, 2009

This month I wanted to focus of Deity. Since this is such a touchy subject for many of us as well as a subject that will start flaming wars, I will be looking at different kitchen/hearth Gods and goddesses. For no other reason than there have been so many different ones throughout history. I do not wish to annoy, anger or irritate anyone… so please read this for only the informational purposes that it was intended for.

I do not mean to seem like I am attacking before I am attacked. But recently I have been getting involved, without meaning to or having the desire to, in arguments about God, Goddess, and Deity. I personally have fairly simple views of Deity and why it is seen so many differing ways.

I see Deity as a jewel/gem. A beautiful and many faceted Jewel. If you look at this graphic you will be able to see the many different ways a stone can be faceted…

hearth1.thumbnail HearthBeats: Notes from a Kitchen Witch

BUT no matter how you facet it, it will always be a gem. If I see the top of the gem… and someone else sees the side of that same gem it may look like a completely different stone. If you take 1 large stone and divide it into many different many faceted stones… it will ultimately remain 1 large stone in many pieces.

THAT is how I see deity.  It may have broken itself down into male and female faceted gems. Then broken itself even further into smaller versions so that you and I may find the stone we need for that moment in our lives…or the face of Deity that someone needed to cope with whatever was in their life. BUT in the end…Deity is Deity and no matter how many times we break it down to be more manageable and easier to understand or what faceted face we see… it remains the one being in many parts.

The problems start when the human element is brought into play. When My God/dess becomes bigger, better, more, than your God/dess… once we start doing that … we draw the lines in the sand that make other want to prove to you that Their God/dess is better than Yours…so many issues could be and would be avoided if people just saw that the face (facet ) of God/dess they see is the perfect one for THEM…and no one else but them. My God/dess is awesome and amazing and all I need…but I do not want to impose my Deity on anyone else…and I try really hard not to get into a situation that others try to impose THEIR God/dess on me.

So I wanted to show that there are many different facets of Deity that many races needed for their hearths and homes…I hope that you get as much out of this as I did researching and writing it…

TSAO WANG: God of the hearth. Every household has its own Tsao Wang. Every year the hearth god reports on the family to the Jade Emperor, and the family has good or bad luck during the coming year according to his report. The hearth god’s wife records every word spoken by every member of the family. A paper image represents the hearth god and his wife, and incense is burned to them daily. When the time came to make his report to the Jade Emperor, sweetmeats were placed in his mouth, the paper was burned, and firecrackers were lit to speed him on his way. (Chinese)

GENIUS: A guardian who protects both individuals and homes. (Roman)

LAR: God of the house, a cheerful and beautiful youth.(Roman)

HESTIA: Every home had a hearth that was dedicated to the goddess, and each day began and ended with a ritual requesting that she protect and nurture the family within.
As the Goddess of Architecture, Hestia intended that homes should be built from the center out, with the center being a hearth that contained her sacred flame.  As part of the naming ritual, all infants were carried in a circle around the altar of Hestia to secure her blessings. There was an altar to Hestia in the center of every home…it was the fireplace, the hearth, where the family gathered.  Hestia’s vision of a house was that it should truly be a home, a place where one’s body, spirit, and relationships would be nurtured and replenished… a place to “come home to” after exposure to the cold and chaos of the external world.  Hestia is associated with the warmth and comfort of the welcoming fireplace. Just as the flames glowing from the hearth soothe us with their warmth and glowing light, the goddess Hestia gives us security, peace, and comfort and helps us accept the truth of our lives with inner grace (greek)

BOKAM: is the feminized hearth-flame worshipped by the shamanic Ket tribe of Siberia; they dominate the lower basin of the holy Yenisei River in Russia’s Krasnoyarsk Krai district (Siberia)

FUCHI or HUCHI: (Huchi-Fuchi (Unchi-Ahchi): (“Grandmother Hearth”) I apologies if my spelling is wrong. Japanese Goddess of the stove and thus the Goddess that heats the tea. The intricate Japanese Tea Ceremony is in part to honor her. Another one of her jobs is to intercede with the Gods on behalf of mortals. The hearth is considered the heart of a home, the vital element that keeps life flowing probably means “Fire”.
She is also a kamui [goddess] of the hearth worshipped by the Ainu aborigines of Japan; and according to one account of her mythic origins she was borne from the spark kindled by a fire drill.(Japanese)

FUJI / FUJIYAMA / SENGN-SAMA: The Japanese hearth-goddess of the native Ainu people, and personification of Mt. Fuji (an extinct volcano), the apex on which her sanctuary was constructed. Due to the predisposition of the Ainu people towards an indigenous form of shamanism, this mountain may have been regarded as an axis mundi serving to unite the “heavenly” world of the gods with the “Underworld” presided over by one’s ancestors.[Japanese)

GHOLUMTA EKE ["Hearth-Mother"]: is another identity of the Mongolian hearth-goddess.

HINUKAN
: is a hearth-goddess worshipped throughout Okinawa, Japan; she ensures the safety of each household. Her rites are conducted by the eldest female residing in the home. However, it is not deemed customary for men to pray at her hearth, probably because males have never been associated with religious authority in this region of Japan. Hinukan is esteemed as the mediator between the gods and mankind. (Japanese)

HWEI-LU or WEI: was originally a Chinese fire-goddess, but gradually came to be recognized as the spirit of the hearth (or Tsao shin) during the end of the seventh-century BCE. The caretaker of an ancestral temple at Lu is thought to have first worshipped her in this guise, sacrificing to the goddess with firewood that he had set ablaze. Her cult assumed a role of only marginal importance within native folk-religion for the next five-hundred years, until the early second-century, when an Emperor from the Han dynasty officially adopted Hwei-lu as a member of the imperial-cult; hitherto the late nineteenth-century CE, however, the presiding spirit of the hearth has come to be regarded as one of the most preeminent deities of China.( Chinese)

Bes: God of Domestic Protection, Childbirth and Family; Protection for Children, Pregnant Women and Families

Beset: Goddess of Domestic Protection and Home Security (Egyptian)

Until next time

Blessed Home and Hearth

The March Crossword: Gods of the World

McGod

Blacksun December, 2008

Probably one of the most striking differences between modern Paganism and the more predominant western religions is the fact that we have multiple gods and goddesses.  More than any other, this difference is the most disturbing to the monotheistic / revealed religions espoused by millions in Western and Middle Eastern cultures.  It rankles and offends them in most cases and they find such ideas impossible to comprehend.  And, for many folks within the Pagan religious expressions, it is difficult to explain in any way other than to say, “Well, that’s what I believe.”  That’s hardly comforting to the monotheists and it usually doesn’t sit well even within our own minds.  The question of who are ‘the gods’ and exactly what sort of attributes we ascribe to them is not an easy subject to tackle.

For convenience, I’m going to not continually type ‘and goddesses’ every time I use ‘god,’ ‘the gods,’ or ‘god forms.’  Suffice it to say that I’ve given up trying to satisfy everybody in my writings.  Not only is it an impossible task, it’s a thankless one as well.  Whatever I use, it has no meaning concerning gender.  We speak of gender when discussing particular god forms, but even then it is less about gender than a similar discussion about flowers would be.  Our concept of ‘god’ or ‘goddess’ is based solely on a human condition that we are attempting to relate to.  I expect that ‘sex’ between deities is not dependent on any definition we might come up with concerning gender.

First of all, let me give you my take on who or what the gods are.  I settled into a Unitarian church after trying out a lot of churches in my city between the ages of 12 to 18.  One of the best things I heard in that Unitarian church was the ‘joke’ about when god made man in his own image, man returned the favor.  Cute, but it says volumes about how we think about deity.  For thousands of years, we’ve painted pictures of gods and goddesses, written long treatises about what they may be like, and generally made asses of ourselves trying to prove who was right or wrong.  Pagans don’t tend to get upset over what name or image of a god or goddess somebody else holds dear, but we also don’t (as a group) tend to think too hard about exactly what the nature of deity might be.  We kind of dance lightly around the subject and go back to other areas of our spirituality that might seem safer or less mentally taxing.  While that may be one of the reasons we don’t have any big arguments about the many different viewpoints we embrace, it also is a weakness in our understanding of what it means to worship any of these thousands of god forms.

My concept of deity is that it is a subject that’s way too big for any one human consciousness to grasp.  It’s a lot like the number we call infinity.  Even though we can play with it in mathematics, it still is beyond meaning in our minds because that is part of its definition.  Deity is not one, or two, or any other number we can count.  It is beyond that.  Deity contains all those numbers but is more than all of them combined.  What we can get our minds around is something far more pedestrian, much more like what we are used to.  Thus, Zeus becomes Mr. Big, the somewhat tyrannical figure who will often take advantage of the fact that he’s the boss but also has a more ‘human’ side to him that comes out even when his schemes seem to be abusive.  Hera, a goddess herself, is the long-suffering wife who has hissy fits over her husband’s affairs and who is hardly ever more than a wrong look away from attempting retribution or revenge.  We can relate, right?

Personally, I don’t know anyone who uses Zeus or Hera as the central figure on their altars (though I expect there are folks who do), but this is just an example.  These god forms are projections of our own lives and culture but in archetypical form.  They represent aspects of that bigger thing we call deity that we can’t quite get our minds around.  Some Pagans use the generic forms we call The Lady and The Lord, or God and Goddess.  Even these are projections of our understanding of the world as incarnated beings.  When questioned about our own favorite god forms, we invariably pick one out a mythology that resonates with us.  That’s our choice.  In spite of all the cosmic power we ascribe to our god forms, it seems none of them can force us to believe in or worship them without our consent.  How strange.  “We reserve the right to refuse worship to any who do not please us.”  It should be cross-stitched into our altar cloths.

Once, many years ago, my wife and I played at using Loony Tunes characters to portray many of the god forms that were popular among us and our Pagan friends.  Has it ever occurred to you that Bugs Bunny acts a lot like Loki or Coyote?  I don’t even want to get into who Taz reminded me of!  But can you see what I mean about our involvement in how the god forms are depicted?

At this point, it might look like I’m saying we invented the gods.  This would be blasphemous to those monotheists who insist they know who God is.  But, yes, in a way that is what I’m saying.  However, it goes beyond that… way beyond that.

One of the lines that anthropologists draw concerning what is human and what isn’t has to do with how we depict our world.  If we can draw graffiti on the walls, then we’re human.  If we can decorate our graves with trinkets, we’re human.  If we can carve fat-bellied naked women, we’re defiantly human.  It seems that we’ve had some idea of deity for just as long as any of these other abilities.  We may not have built big cathedrals back then (though most scholars agree that Stonehenge has some kind of spiritual significance), but we expressed our spiritual natures in a wide variety of ways even when we could hardly chip rocks.  It would seem being human means we have some instinct or desire for there being something beyond us, something that makes everything make a lot more sense than what we are able to understand.  In other words, humans have a sense of deity.

Our abilities to describe deity have produced a rich variety of images and concepts, but none of these productions come even close to what we would call the reality of deity.  So it shouldn’t be too surprising that there are so many differing descriptions out there.  In fact, it would be amazing if there weren’t.  When we say so-and-so is The God, we are bound to butt up against somebody else’s concept of The One True God.  The old argument of whose god is bigger extends back before recorded times.  The gods, as we perceive them, are how the archetypal forms combine with our sense/need/ instinct for deity.

One of the most interesting things about archetypes is the role they play in our minds.  They are specialized symbols that seem to be universal to all humans.  They are the foundation for what is termed the ‘collective unconscious,’ that body of information that is ubiquitous to us all.  In some instances, part of this collective is arbitrary but has become the agreed-upon ‘reality’ of our species.  The archetypes are huge, complex blocks of related information that appear to be formed at a surprisingly early age.  Some speculate that they begin before birth!  Almost without exception, certain archetypes appear before others, but usually by about the age of six, the human child has nearly all the archetypes formed in their unconscious and it takes extreme measures to modify or substitute them from that time on.  Some of these archetypes are so ingrained, they can never be changed.  We might add new tidbits of information to them as we grow, but they will remain pretty much as they are for the rest of our lives.

To say the archetypes are within us is only partly true.  As hard a concept as it may be, the other part that is true about archetypes is that we are within them!  We live our lives as part of the archetypes.  We order our perceptions to coincide with them, making them the compass of our existence.  Our understanding of deity must agree with these archetypes as well.  The resonance we feel when we choose our god forms is its agreement with our archetypical images and how we prioritize those archetypes.  Every iteration of deity, each god or goddess or spirit of any kind, is but a facet of that larger gem that we are driven to seek.

Worship is an expression of desire.  Our desire to find deity is so much a part of our being, so strong a force, we have killed and died for it.  Deity may always be beyond our understanding but it is never beyond our desire.  That we each might find a different aspect of deity that fits what we desire most is not surprising; even fast-food places offer more than one kind of hamburger.  Would you like to super-size that goddess?

Pagans tend to worship more than one aspect of deity; we have multiple god forms that reveal our deepest desires.  This shouldn’t be surprising because we don’t have just one desire or even simply one at a time.  We are complex beings and our choice of gods that resonate with complexity reflects that fact.  When I say we resonate with a god form, I mean that it is the chosen form that best expresses our desires at the time.  Many Pagans say that their discovery of whatever brand of Paganism they currently follow was like ‘coming home.’  Very likely this means they felt a greater comfort level with a spirituality that gave them more freedom to express their desires.  Multiple god forms allow for a life more deeply ingrained with spirit, more meaningful and connected with parts of deity.

Deity is not one thing, remember.  It is beyond and outside of any count.  The variety of god forms we use to express our participation within deity is strictly up to us.  No matter how hard we try, we won’t ever truly understand all of deity because that is part of its definition.  But if we don’t try, if we don’t find god forms that resonate with our deepest desires, then we will lead lives that are devoid of our own spirit and any outside form of worship we might display will be a hollow shell… as will we.

Now… would you like fries with that, too?

Sobek

Administrator June, 2006

(Sobeq, Sochet, Suchos, Sebek, Sobk,Sobki, Soknopais)






Sobek was a god of the Nile (which was believed to have come from his sweat) who gave life to vegetation and fertility to the land. The "Lord of the Waters" was believed to have risen from the primeval waters of Nun to create the world. One tale says that Sobek laid his eggs on the bank of the waters, starting the creation process. He was thus a fertility god, "He Who Made the Herbage Green".



Neith is the mother of Sobek, known as the crocodile god. He was venerated as one who restored sight to the dead, who revived their senses and who protected them from Set (who attacked those souls who traveled through the land of the dead).



He is a revered as a guardian deity, and bodyguard to Ra and Set. He gives strength and fortitude in times of need. He also protected the pharoh from all harm, especially evil magic.



According to legend, Sobek was a fourfold deity. He represented the four elemental gods, Ra of fire, Shu of air, Geb of earth, and Osiris of water. He is depicted as a crocodile man with the head of the beast, wearing a plumed head dress with solar disc and horns like those of Amon-Ra. In his hands he carries a sceptre and the ankh.



Originally, Sobek was probably a dark god who had to be appeased to give the people his protection against crocodiles. Sobek had a dark streak that stayed with him for the time he was worshiped. Despite the different attitudes of people to the god, he was still worshipped for his guidance and protecton.



During the 12th centry Sobek was most popular in the city of Arsinoe, considered the cult center, located in lower Egypt. The Greeks renamed the city Crocodilopolis. Ancient Egyptians would keep crocodiles in the pools and temples. They ornamented the crocdiles with jewels in honor of their beloved god. The people worshipped him in order to appease him and the crocodiles, to insure the furtility of themselves and their crops.



In Egypt,the renamed city of Kom Ombo is 30 miles North of Aswan. This was once the sanctuary for a large number of crocodiles, and the center of worship for Sobek. It is still standing and open to the public for viewing but shows that it was shared with the green war god Horace. The temple is unique in that it consists of twin parts that are attached but completely separate. Each temple has its own entrance, halls and chapels.



Sobek was incorporated into the cult of Amun. Amun was a chief god in the New Kingdom of Egypt. With his wife, Mut and his son, Khonsu, the sacred family was formed with Amun as the head. They were known as the Theban Triad. Amun was also associated with the sun god, Re. He was venerated with as the god Amun-Re. During this time Sobek was worshiped as the manifestation of Amun-Re.



During the 12th and 13th Dynasties, the cult of Sobek was given particular prominence as the names of such rulers as Sobekhotep and Sobekneferu indicate. Sobekneferu (1799-1795 BC) was the sister (and maybe the wife) of Amenemnhat IV (1808-1799 BC) was the last ruler of the 12th Dynasty. There were eight rulers of the 13th Dynasty with the birth name of Sobekhotep, including Sobekhotep II Amenemhat (c. 1750 BC), Sobekhotep III Sekhemrasewaqdjtawy (c 1745 BC) and Sobekhotep IV Khaneferra (c. 1730-1720 BC)





A brief section from the Book of the Dead shows the reverence for this god:

"I am Sobek, who dwelleth amid his terrors. I am Sobek, and I seize {my prey} like a revening beast. I am the great Fish which is in Kamui. I am the Lord to who bowings and prostrations are made in Sekhem.



–The Book of the Dead, The Chapter of Making the Transformation

into the Crocodile God.




Information gathered from www.touregypt.com and www.wikipedia.org.



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author bio:



Michelle is a member of the yahoo group Witches_of_the_dark.

She was a Pentecostal christian for 15 years and and for the last 3 has been following an eclectic pagan path based on Egyptian and oriental beliefs from her past lives. Comments, questions can be sent to her at MysticalChaos13@aol.com

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